![Ross Garner BA (Cardiff), MA (Bristol), PhD (Cardiff)](https://profiles-cardiff.imgix.net/attachments/2167?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Dr Ross Garner
(Translated he/him)
BA (Cardiff), MA (Bristol), PhD (Cardiff)
Uwch Ddarlithydd mewn Diwylliannau Gofodol a Materol Defnydd o'r Cyfryngau
Ysgol Newyddiaduraeth, y Cyfryngau a Diwylliant
- Sylwebydd y cyfryngau
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
Mae Dr Ross Garner yn Uwch Ddarlithydd yn Diwylliannau Gofodol a Materol Defnydd o'r Cyfryngau yn yr Ysgol Newyddiaduraeth, y Cyfryngau ac Astudiaethau Diwylliannol. Rwy'n Gyfarwyddwr Cwrs y BA Cyfryngau a Chyfathrebu ac rwy'n addysgu dau fodiwl ar draws y rhaglenni BA. Ymunais â JOMEC ym mis Medi 2012 ar ôl bod yn dysgu ym Mhrifysgol De Cymru a Phrifysgol Caerwrangon.
Mae fy mhrif ddiddordebau ymchwil yn canolbwyntio ar ofodau a lleoedd yn y cyfryngau, twristiaeth cyfryngau, twristiaeth trawsgyfrwng, yr Economi Brofiad, realiti estynedig, a phrofiadau yn seiliedig ar leoliad. Rwy'n ymchwilio i'r pynciau hyn yn bennaf mewn perthynas â chroestoriadau gydag astudiaethau ffan a chynulleidfa a / neu fasnachfreintiau cyfryngau cwlt - yn enwedig Pokemon a Jurassic Park/World. Mae'r ffocws hwn yn cynhyrchu gorgyffwrdd ag arbrofion ymchwil eraill, megis sut mae diwydiannau cyfryngau yn deall ac yn targedu cynulleidfaoedd cefnogwyr, a diwylliannau marsiandïaeth/casglwr.
Ar hyn o bryd rwy'n Gyd-ymchwilydd ar gyfansoddiad Twristiaeth y Cyfryngau o'r prosiect media.cymru a ariennir gan UKRI. Gan weithio ochr yn ochr â chynhyrchwyr cynnwys Nimble Productions o Gaerdydd, mae'r prosiect hwn yn ystyried sut y gall Caerdydd harneisio posibiliadau atyniadau twristiaeth yn y cyfryngau yn y ddinas fel dull o hybu arloesedd, creadigrwydd a chyflogaeth. Cyn hynny, a gweithio ochr yn ochr â Naomi Dunstan, roeddwn yn un o'r ymchwilwyr cynradd ar y prosiect AHRC/REACT, Fans on Foot , a oedd yn archwilio'r posibiliadau o ddatblygu gwrthrychau cysylltiedig i wella profiadau cefnogwyr y cyfryngau yn ymweld â lleoliadau a ddefnyddir ar gyfer ffilmio eu hoff raglenni teledu.
Ym mis Ionawr 2023, rwy'n rhan o Dîm Golygyddol y cyfnodolyn Popular Communication: The International Journal of Media and Culture.
Ar hyn o bryd rwy'n goruchwylio tri myfyriwr PhD sy'n ymchwilio i feysydd sy'n gysylltiedig ag astudiaethau ffan a chyfryngau cwlt. Rwy'n croesawu ymholiadau gan ddarpar fyfyrwyr Doethuriaeth yn y meysydd hyn, yn enwedig os ydynt yn ymwneud â mannau cyfryngau/ffan, a/neu dwristiaeth yn y cyfryngau.
Cyhoeddiad
2023
- Garner, R. 2023. Jurassic Park and dinosaur fandom. In: Melia, M. ed. The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster. London and New York: Bloomsbury, pp. 97-112.
- Garner, R. 2023. The Doctor Who figurine collection. In: Booth, P. and Hills, M. eds. Adventures Across Space and Time: A Doctor Who Reader. London and New York: Bloomsbury, pp. 47-54.
2022
- Stanfill, M. and Garner, R. 2022. Spotlight: fan and audience studies scholarly interest group.. Journal of Cinema and Media Studies 62(1), pp. 1-3.
2021
- Garner, R. 2021. Mimetic tangible nostalgia and spatial cosplay: replica merchandise and place in fandom's material cultures. In: Leggatt, M. ed. Was it Yesterday? Nostalgia in Contemporary Film and Television. Horizons of Cinema SUNY Press, pp. 71-87.
- Morimoto, L. et al. 2021. Roundtable: Transcultural fan studies in practice: a conversation. Transformative Works and Cultures 35 (10.3983/twc.2021.1975)
- Garner, R. 2021. Acafan identity, communities of practice, and vocational poaching. Transformative Works and Cultures 35 (10.3983/twc.2021.1985)
- Garner, R. 2021. Doctor Who and the dinosaurs: spectacle, monstrosity, melodrama and ideology in dinosaur mediations. In: Harmes, M. K. and Orthia, L. A. eds. Doctor Who and Science: Essays on Ideas, Identities and Ideologies in the Series. McFarland and Company, Inc., pp. 173-189.
2020
- Garner, R. 2020. Jurassic World: Fallen Kingdom by J. A. Bayona [Review]. Science Fiction Film and Television 13(3), pp. 449-454.
2019
- Garner, R. 2019. Finding Nemo’s spaces: Defining and exploring transmedia tourism. JOMEC Journal(14), pp. 11-32. (10.18573/jomec.195)
- Garner, R. 2019. Transmedia Tourism editorial. JOMEC Journal(14), pp. 1-10. (10.18573/jomec.194)
- Garner, R. 2019. The Mandalorian variation: gender, institutionality, and siscursive constraints in Star Wars rebels. In: Disney's Star Wars: Forces of Production, Promotion, and Reception. Iowa City: University of Iowa Press, pp. 109-122.
2018
- Garner, R. 2018. Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom. In: Booth, P. ed. A Companion to Media Fandom and Fan Studies. London: John Wiley & Sons, pp. 91-106., (10.1002/9781119237211.ch6)
- Garner, R. 2018. Affective textualities, generalizations and focalizations: fan reactions to Twin Peaks's 2014 paratextual return. The Journal of Fandom Studies 6(1), pp. 63-80. (10.1386/jfs.6.1.63_1)
2017
- Garner, R. 2017. Insecure positions, heteronomous autonomy and tourism-cultural capital: a Bourdieusian reading of tour guides on BBC Worldwide's Doctor Who Experience Walking Tour. Tourist Studies 17(4), pp. 426-442. (10.1177/1468797616680851)
- Garner, R. 2017. Tomorrowland: A World Beyond (Brad Bird 2015). Journal of Science Fiction Film and Television 10(2), pp. 294-298.
- Garner, R. 2017. "It is happening again": paratextuality 'quality' and nostalgia in Twin Peaks's dispersed anniversary. Series - International Journal of TV Serial Narratives 2(2), pp. 41-54. (10.6092/issn.2421-454X/6590)
2016
- Garner, R. and Shimabukuro, K. 2016. IN FOCUS: Returning to the Red Room - Twin Peaks at twenty-five: Editor's introduction. Cinema Journal 55(3), pp. 118-120. (10.1353/cj.2016.0036)
- Garner, R. 2016. "The series that changed television"? Twin Peaks, "classic" status and temporal capital. Cinema Journal 55(3), pp. 137-142. (10.1353/cj.2016.0020)
- Garner, R. 2016. Going legendary: merchandising, transmediality and nostalgia in Power Rangers Super Megaforce. Presented at: Material Cultures of Television, University of Hull, Hull, UK, 21-22 March 2016.
- Garner, R. P. 2016. Symbolic and cued immersion: paratextual framing strategies on the Doctor Who Experience Walking Tour. Popular Communication 14(2), pp. 86-98. (10.1080/15405702.2016.1153101)
- Garner, R. 2016. Crime drama and channel branding: ITV and Broadchurch. In: McElroy, R. ed. Contemporary British Television Crime Drama: Cops on the Box. Routledge, pp. 139-153.
2015
- Garner, R. 2015. Brand reconciliation? A case study of ITV's 2013 rebrand. Critical Studies in Television: An International Journal of Television Studies 10(1), pp. 3-23. (10.7227/CST.10.1.2)
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: SCMS - Society for Cinema and Media Studies Conference 2015, Montreal, Quebec, Canada, 25-29 March 2015.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: I'll See You Again in 25 Years: The Return of Twin Peaks and Generations of Cult TV, University of Salford, UK, 21-22 May 2015.
2014
- Garner, R. 2014. "The series that changed television": Twin Peaks, "classic" status and temporal capital. Presented at: SCMS - Society for Cinema and Media Studies Conference 2014, Sheraton Seattle Hotel, Seattle, WA, USA, 19-23 March 2014.
- Garner, R. 2014. On a (different) plain? Cult geography, authenticity and Nirvana fandom. Presented at: Fan Studies Network Conference 2014, Regent's University, London, UK, 27-28 September 2014.
- Garner, R. 2014. Celebrating and critiquing "past" and "present"? The intersection between nostalgia and public service discourses in BBC1's Ashes to Ashes. In: Machin, D. ed. Visual Communication. Handbooks of Communication Science Vol. 4. De Gruyter, pp. 405-425.
2013
- Garner, R. 2013. Friends reunited? Authorship discourses and brand management for the Sarah Jane Adventures 'Death of the Doctor'.. In: O'Day, A. ed. Doctor Who, the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. Who watching London: I. B. Tauris, pp. 246-264.
- Garner, R. 2013. Towards an inclusive approach? Theorising nostalgia through social constructionism. Presented at: Nostalgias: Visualising Longing, Margate, UK, 9-10 November 2013.
- Garner, R. 2013. Remembering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia. In: Mellor, D., Hills, M. and Earl, B. eds. New Dimensions of Doctor Who: Adventures in Space, Time and Television. Reading Contemporary Television London: I. B. Tauris, pp. 192-215.
- Garner, R. 2013. Access denied: Intertextual barricades and public service broadcasting in Torchwood. In: Williams, R. ed. Torchwood Declassified: Investigating Mainstream Cult Television. Investigating Cult TV Series London: I. B. Tauris, pp. 13-32.
- Garner, R. 2013. Simultaneously 'quality' and 'popular': Layered polysemy and nostalgic discourse in 'Doctor Who' (BBC 2005- ). Presented at: Doctor Who: Walking in Eternity: An Interdisciplinary Conference Celebrating 50 Years of Adventures in Time and Space, University of Hertfordshire, Hatfield, UK, 3-5 September 2013.
- Garner, R. 2013. Investigating 'Life on Mars': The contextual nature of 'classic' TV. Presented at: Cops on the Box: Crime Drama on UK TV Screens, University of Glamorgan, Wales, UK, 15 March 2013.
- Garner, R. 2013. Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle. PhD Thesis, Cardiff University.
2011
- Garner, R. 2011. A love that spans all ages?: Interrogating the 'mainstream' appeal of ITV1's 'Lost in Austen' (2008). Presented at: Alien Nation: A Conference on British Telefantasy, Northumbria University, UK, 20-21 July 2011.
2010
- Garner, R. 2010. Access denied: Intertextual barricades and public service broadcasting in 'Torchwood'. Presented at: Investigating Torchwood: Text, Context, Audiences, University of Glamorgan, Wales, UK, 18 June 2010.
- Garner, R. 2010. "Don't You Forget About Me": Intertextuality and generic anchoring in The Sarah Jane Adventures. In: Garner, R., Beattie, M. and McCormack, U. eds. Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures. Newcastle upon Tyne: Cambridge Scholars Publishers, pp. 161-181.
2009
- Garner, R. 2009. The curious case of Amanda Price: Genre cycles, 'constrained innovation' and 'Lost in Austen' as time travel for a female audience. Presented at: Science Fiction across Media: Adaptation/Novelisation, Faculty of Arts, K U Leuven, Netherlands, 28-30 May 2009.
2008
- Garner, R. 2008. What glows beneath: Affective nostalgia in 'Life on Mars'. Presented at: 5th Annual MeCCSA Postgraduate Conference, University of Sussex, UK, 1-2 July 2008.
Adrannau llyfrau
- Garner, R. 2023. Jurassic Park and dinosaur fandom. In: Melia, M. ed. The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster. London and New York: Bloomsbury, pp. 97-112.
- Garner, R. 2023. The Doctor Who figurine collection. In: Booth, P. and Hills, M. eds. Adventures Across Space and Time: A Doctor Who Reader. London and New York: Bloomsbury, pp. 47-54.
- Garner, R. 2021. Mimetic tangible nostalgia and spatial cosplay: replica merchandise and place in fandom's material cultures. In: Leggatt, M. ed. Was it Yesterday? Nostalgia in Contemporary Film and Television. Horizons of Cinema SUNY Press, pp. 71-87.
- Garner, R. 2021. Doctor Who and the dinosaurs: spectacle, monstrosity, melodrama and ideology in dinosaur mediations. In: Harmes, M. K. and Orthia, L. A. eds. Doctor Who and Science: Essays on Ideas, Identities and Ideologies in the Series. McFarland and Company, Inc., pp. 173-189.
- Garner, R. 2019. The Mandalorian variation: gender, institutionality, and siscursive constraints in Star Wars rebels. In: Disney's Star Wars: Forces of Production, Promotion, and Reception. Iowa City: University of Iowa Press, pp. 109-122.
- Garner, R. 2018. Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom. In: Booth, P. ed. A Companion to Media Fandom and Fan Studies. London: John Wiley & Sons, pp. 91-106., (10.1002/9781119237211.ch6)
- Garner, R. 2016. Crime drama and channel branding: ITV and Broadchurch. In: McElroy, R. ed. Contemporary British Television Crime Drama: Cops on the Box. Routledge, pp. 139-153.
- Garner, R. 2014. Celebrating and critiquing "past" and "present"? The intersection between nostalgia and public service discourses in BBC1's Ashes to Ashes. In: Machin, D. ed. Visual Communication. Handbooks of Communication Science Vol. 4. De Gruyter, pp. 405-425.
- Garner, R. 2013. Friends reunited? Authorship discourses and brand management for the Sarah Jane Adventures 'Death of the Doctor'.. In: O'Day, A. ed. Doctor Who, the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. Who watching London: I. B. Tauris, pp. 246-264.
- Garner, R. 2013. Remembering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia. In: Mellor, D., Hills, M. and Earl, B. eds. New Dimensions of Doctor Who: Adventures in Space, Time and Television. Reading Contemporary Television London: I. B. Tauris, pp. 192-215.
- Garner, R. 2013. Access denied: Intertextual barricades and public service broadcasting in Torchwood. In: Williams, R. ed. Torchwood Declassified: Investigating Mainstream Cult Television. Investigating Cult TV Series London: I. B. Tauris, pp. 13-32.
- Garner, R. 2010. "Don't You Forget About Me": Intertextuality and generic anchoring in The Sarah Jane Adventures. In: Garner, R., Beattie, M. and McCormack, U. eds. Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures. Newcastle upon Tyne: Cambridge Scholars Publishers, pp. 161-181.
Cynadleddau
- Garner, R. 2016. Going legendary: merchandising, transmediality and nostalgia in Power Rangers Super Megaforce. Presented at: Material Cultures of Television, University of Hull, Hull, UK, 21-22 March 2016.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: SCMS - Society for Cinema and Media Studies Conference 2015, Montreal, Quebec, Canada, 25-29 March 2015.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: I'll See You Again in 25 Years: The Return of Twin Peaks and Generations of Cult TV, University of Salford, UK, 21-22 May 2015.
- Garner, R. 2014. "The series that changed television": Twin Peaks, "classic" status and temporal capital. Presented at: SCMS - Society for Cinema and Media Studies Conference 2014, Sheraton Seattle Hotel, Seattle, WA, USA, 19-23 March 2014.
- Garner, R. 2014. On a (different) plain? Cult geography, authenticity and Nirvana fandom. Presented at: Fan Studies Network Conference 2014, Regent's University, London, UK, 27-28 September 2014.
- Garner, R. 2013. Towards an inclusive approach? Theorising nostalgia through social constructionism. Presented at: Nostalgias: Visualising Longing, Margate, UK, 9-10 November 2013.
- Garner, R. 2013. Simultaneously 'quality' and 'popular': Layered polysemy and nostalgic discourse in 'Doctor Who' (BBC 2005- ). Presented at: Doctor Who: Walking in Eternity: An Interdisciplinary Conference Celebrating 50 Years of Adventures in Time and Space, University of Hertfordshire, Hatfield, UK, 3-5 September 2013.
- Garner, R. 2013. Investigating 'Life on Mars': The contextual nature of 'classic' TV. Presented at: Cops on the Box: Crime Drama on UK TV Screens, University of Glamorgan, Wales, UK, 15 March 2013.
- Garner, R. 2011. A love that spans all ages?: Interrogating the 'mainstream' appeal of ITV1's 'Lost in Austen' (2008). Presented at: Alien Nation: A Conference on British Telefantasy, Northumbria University, UK, 20-21 July 2011.
- Garner, R. 2010. Access denied: Intertextual barricades and public service broadcasting in 'Torchwood'. Presented at: Investigating Torchwood: Text, Context, Audiences, University of Glamorgan, Wales, UK, 18 June 2010.
- Garner, R. 2009. The curious case of Amanda Price: Genre cycles, 'constrained innovation' and 'Lost in Austen' as time travel for a female audience. Presented at: Science Fiction across Media: Adaptation/Novelisation, Faculty of Arts, K U Leuven, Netherlands, 28-30 May 2009.
- Garner, R. 2008. What glows beneath: Affective nostalgia in 'Life on Mars'. Presented at: 5th Annual MeCCSA Postgraduate Conference, University of Sussex, UK, 1-2 July 2008.
Erthyglau
- Stanfill, M. and Garner, R. 2022. Spotlight: fan and audience studies scholarly interest group.. Journal of Cinema and Media Studies 62(1), pp. 1-3.
- Morimoto, L. et al. 2021. Roundtable: Transcultural fan studies in practice: a conversation. Transformative Works and Cultures 35 (10.3983/twc.2021.1975)
- Garner, R. 2021. Acafan identity, communities of practice, and vocational poaching. Transformative Works and Cultures 35 (10.3983/twc.2021.1985)
- Garner, R. 2020. Jurassic World: Fallen Kingdom by J. A. Bayona [Review]. Science Fiction Film and Television 13(3), pp. 449-454.
- Garner, R. 2019. Finding Nemo’s spaces: Defining and exploring transmedia tourism. JOMEC Journal(14), pp. 11-32. (10.18573/jomec.195)
- Garner, R. 2019. Transmedia Tourism editorial. JOMEC Journal(14), pp. 1-10. (10.18573/jomec.194)
- Garner, R. 2018. Affective textualities, generalizations and focalizations: fan reactions to Twin Peaks's 2014 paratextual return. The Journal of Fandom Studies 6(1), pp. 63-80. (10.1386/jfs.6.1.63_1)
- Garner, R. 2017. Insecure positions, heteronomous autonomy and tourism-cultural capital: a Bourdieusian reading of tour guides on BBC Worldwide's Doctor Who Experience Walking Tour. Tourist Studies 17(4), pp. 426-442. (10.1177/1468797616680851)
- Garner, R. 2017. Tomorrowland: A World Beyond (Brad Bird 2015). Journal of Science Fiction Film and Television 10(2), pp. 294-298.
- Garner, R. 2017. "It is happening again": paratextuality 'quality' and nostalgia in Twin Peaks's dispersed anniversary. Series - International Journal of TV Serial Narratives 2(2), pp. 41-54. (10.6092/issn.2421-454X/6590)
- Garner, R. and Shimabukuro, K. 2016. IN FOCUS: Returning to the Red Room - Twin Peaks at twenty-five: Editor's introduction. Cinema Journal 55(3), pp. 118-120. (10.1353/cj.2016.0036)
- Garner, R. 2016. "The series that changed television"? Twin Peaks, "classic" status and temporal capital. Cinema Journal 55(3), pp. 137-142. (10.1353/cj.2016.0020)
- Garner, R. P. 2016. Symbolic and cued immersion: paratextual framing strategies on the Doctor Who Experience Walking Tour. Popular Communication 14(2), pp. 86-98. (10.1080/15405702.2016.1153101)
- Garner, R. 2015. Brand reconciliation? A case study of ITV's 2013 rebrand. Critical Studies in Television: An International Journal of Television Studies 10(1), pp. 3-23. (10.7227/CST.10.1.2)
Gosodiad
- Garner, R. 2013. Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle. PhD Thesis, Cardiff University.
Ymchwil
Mae fy ymchwil wedi'i lleoli ym maes Astudiaethau Diwylliannol ac mae'n archwilio'n bennaf y croestoriadau rhwng yr Economi Brofiad, masnachfreintiau cyfryngau, a chefnogwyr a chynulleidfaoedd y cyfryngau. Gall hyn gynnwys dadansoddi unrhyw gyfuniad o strategis, cystrawennau a thargedu cynulleidfaoedd ffan, ffurf a chynnwys profiadau a gynhyrchir gan y rhyddfreintiau hyn, ymatebion cynulleidfa a darlleniadau o atyniadau a phrofiadau, a sut mae'r rhain yn croestorri â syniadau sy'n ymwneud â thryloywder.
Mae fy meysydd ymchwil presennol yn cynnwys:
- Twristiaeth cyfryngau.
- Twristiaeth transmediality a transmedia.
- Gwahaniaethau rhwng cyfryngau gofodol a'r Economi Brofiad.
- Profiadau sy'n seiliedig ar leoliad.
- Realiti estynedig.
- Rhyddfreintiau cyfryngau cwlt.
- Cynrychioliadau cyfryngau o'r cyfnod Mesosöig.
- Masnachfraint Pokémon .
- Jurassic Park/World franchise.
- Casglwyr ffaniau a strategaethau masnacheiddio cyfryngau cwlt.
Addysgu
Modiwlau:
Ross yw Arweinydd Modiwl ar y cyrsiau israddedig canlynol:
- Blwyddyn tri - Marchnata, Hyrwyddo a Brandio mewn Diwylliannau Teledu
- Blwyddyn 3 - Lleoliadau Sgrinio
Arolygiaeth:
Mae Ross yn goruchwylio ymchwil traethawd hir ar draws lefelau BA, MA a PhD. Mae pynciau nodweddiadol o ddiddordeb yn cynnwys (ond nid ydynt o reidrwydd yn gyfyngedig i):
- Cefnogwyr cyfryngau a ffandom.
- Cyd-destunau defnydd a derbyniad y gynulleidfa.
- Adrodd straeon trawsgyfryngol a thrawsgyfryngol.
- Twristiaeth cyfryngau.
- Teledu a sefydliadau.
- Dulliau sy'n canolbwyntio ar ddiwydiant ar gyfryngau cwlt a ffandom.
Meysydd goruchwyliaeth
Byddwn yn croesawu ceisiadau gan ddarpar fyfyrwyr sy'n dymuno astudio pynciau sy'n ymwneud â'r meysydd canlynol:
- Twristiaeth cyfryngau.
- Twristiaeth transmediality a transmedia.
- Gwahaniaethau rhwng cyfryngau gofodol a'r Economi Brofiad.
- Profiadau sy'n seiliedig ar leoliad.
- Realiti estynedig.
- Rhyddfreintiau cyfryngau cwlt.
- Cynrychioliadau cyfryngau o'r cyfnod Mesosöig.
- Masnachfraint Pokémon .
- Jurassic Park/World franchise.
- Casglwyr ffaniau a strategaethau masnacheiddio cyfryngau cwlt.
Goruchwyliaeth gyfredol
Prosiectau'r gorffennol
Mae pynciau myfyrwyr PhD blaenorol wedi cynnwys:
- Adeiladwaith o 'leoedd arswydus' o fewn ffilm (goruchwyliaeth ar y cyd â chydweithwyr o'r Ysgol Pensaernïaeth)
Contact Details
GarnerRP1@caerdydd.ac.uk
+44 29208 75475
Sgwâr Canolog, Llawr Dau, Ystafell 2.55, Caerdydd, CF10 1FS
+44 29208 75475
Sgwâr Canolog, Llawr Dau, Ystafell 2.55, Caerdydd, CF10 1FS
Themâu ymchwil
Arbenigeddau
- Twristiaeth y cyfryngau
- Profiadau cyfryngau
- Rhyddfreintiau cyfryngau cwlt
