![Ross Garner BA (Cardiff), MA (Bristol), PhD (Cardiff)](https://profiles-cardiff.imgix.net/attachments/2167?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Dr Ross Garner
(e/fe)
BA (Cardiff), MA (Bristol), PhD (Cardiff)
- Sylwebydd y cyfryngau
- Ar gael fel goruchwyliwr ôl-raddedig
Timau a rolau for Ross Garner
Uwch Ddarlithydd mewn Diwylliannau Gofodol a Materol Defnydd o'r Cyfryngau
Trosolwg
Dr Ross Garner ydw i ac rwy'n Uwch Ddarlithydd yn JOMEC gyda gwybodaeth arbenigol am y Diwylliannau Gofodol a Materol o Ddefnydd Cyfryngau. Ymunais â'r Ysgol ym mis Medi 2012 ac ar hyn o bryd rwy'n ymchwilio ac yn addysgu o amgylch agweddau ar y cyfryngau a phrofiadau gofodol, realiti rhithwir a thechnolegau cyfryngau trochi, a masnachfreintiau cyfryngau proffil uchel fel Pokemon, Transformers, a Jurassic Park/World. Mae hyn yn golygu bod gen i ddiddordeb mawr yn sut mae masnachfreintiau fel y rhain yn cael eu hintegreiddio â'r Economi Profiad, y technolegau a ddefnyddir i wireddu'r mathau hyn o brofiadau, a'r cefnogwyr sy'n cael eu targedu gan y profiadau.
Am y pum mlynedd diwethaf rwyf wedi bod yn Gyd-Ymchwilydd ar gyfansoddiad Twristiaeth y Cyfryngau o'r prosiect media.cymru a ariennir gan UKRI. Gan weithio ochr yn ochr â'r cynhyrchwyr cynnwys o Gaerdydd, Nimble Productions, mae'r prosiect hwn yn ystyried sut y gall Caerdydd harneisio posibiliadau atyniadau twristiaeth sy'n seiliedig ar y cyfryngau yn y ddinas fel dull o hybu arloesedd, creadigrwydd a chyflogaeth. Cyn hynny, a gweithio ochr yn ochr â Naomi Dunstan, roeddwn yn un o'r prif ymchwilwyr ar brosiect Fans on Foot a ariennir gan AHRC/REACT a oedd yn archwilio'r posibiliadau o ddatblygu gwrthrychau cysylltiedig i wella profiadau cefnogwyr y cyfryngau sy'n ymweld â lleoliadau a ddefnyddir ar gyfer ffilmio eu hoff raglenni teledu.
Cyhoeddiad
2027
- Garner, R. 2027. Failures, adjuncts, absences, and outsourcing: Histories and attitudes towards VR experiences at Walt Disney World Resort. In: Atkinson, S. , Bucknall, J. and Kennedy, H. W. eds. The Routledge Companion to Immersive Arts and Media. London: Routledge
- Booth, P. and Garner, R. 2027. Gengars, vending machines, and six-inch tuna fish: Gashapon across fan cultures of experience, the everyday, and gaming. In: Affuso, E. and Santo, A. eds. Acquiring Fan Lifestyles. University of Michigan Press
- Garner, R. 2027. Snoozy studies with Snorlax: Pokémon Sleep, domestic intimacies and ‘auto-fanagement’. In: Simon, J. and Saverimuttu, M. eds. Asia-Pacific Fandom, Screen Media and Home. Routledge
2026
- Garner, R. 2026. The neglected dimension? Memory and transmedia tourism. In: Chidgey, R. and Garde-Hansen, J. eds. The Routledge Companion to Media and Memory. Routledge
2025
- Garner, R. 2025. Curating popular dinosaur ephemera: Reflections on the "Aca-Fan Archivist" and sub/cultural capital. In: Lamerichs, N. , Zarzycka, A. and Ciesielska, D. eds. Affect in Fandom: Fan Creators and Productivity. Amsterdam: University of Amsterdam Press. , pp.149-169. (10.1515/9789048554706-008)
2024
- Garner, R. 2024. On wormholes, link cables, and the limitations of transmedia: Fan interpretations of trans-spatial discourses in Pokémon video games. In: Booth, P. ed. Entering the Multiverse. New York: Routledge. , pp.223-228. (10.4324/9781003480846-29)
2023
- Garner, R. 2023. Jurassic Park and dinosaur fandom. In: Melia, M. ed. The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster. London and New York: Bloomsbury. , pp.97-112.
- Garner, R. 2023. The Doctor Who figurine collection. In: Booth, P. and Hills, M. eds. Adventures Across Space and Time: A Doctor Who Reader. London and New York: Bloomsbury. , pp.47-54.
2022
- Stanfill, M. and Garner, R. 2022. Spotlight: fan and audience studies scholarly interest group.. Journal of Cinema and Media Studies 62 (1), pp.1-3.
2021
- Garner, R. 2021. Mimetic tangible nostalgia and spatial cosplay: replica merchandise and place in fandom's material cultures. In: Leggatt, M. ed. Was it Yesterday? Nostalgia in Contemporary Film and Television. Horizons of Cinema SUNY Press. , pp.71-87.
- Morimoto, L. et al., 2021. Roundtable: Transcultural fan studies in practice: a conversation. Transformative Works and Cultures 35 (10.3983/twc.2021.1975)
- Garner, R. 2021. Acafan identity, communities of practice, and vocational poaching. Transformative Works and Cultures 35 (10.3983/twc.2021.1985)
- Garner, R. 2021. Doctor Who and the dinosaurs: spectacle, monstrosity, melodrama and ideology in dinosaur mediations. In: Harmes, M. K. and Orthia, L. A. eds. Doctor Who and Science: Essays on Ideas, Identities and Ideologies in the Series. McFarland and Company, Inc.. , pp.173-189.
2020
- Garner, R. 2020. Jurassic World: Fallen Kingdom by J. A. Bayona [Review]. Science Fiction Film and Television 13 (3), pp.449-454.
2019
- Garner, R. 2019. Finding Nemo’s spaces: Defining and exploring transmedia tourism. JOMEC Journal (14), pp.11-32. (10.18573/jomec.195)
- Garner, R. 2019. Transmedia Tourism editorial. JOMEC Journal (14), pp.1-10. (10.18573/jomec.194)
- Garner, R. 2019. The Mandalorian variation: gender, institutionality, and siscursive constraints in Star Wars rebels. In: Disney's Star Wars: Forces of Production, Promotion, and Reception. Iowa City: University of Iowa Press. , pp.109-122.
2018
- Garner, R. 2018. Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom. In: Booth, P. ed. A Companion to Media Fandom and Fan Studies. London: John Wiley & Sons. , pp.91-106. (10.1002/9781119237211.ch6)
- Garner, R. 2018. Affective textualities, generalizations and focalizations: fan reactions to Twin Peaks's 2014 paratextual return. The Journal of Fandom Studies 6 (1), pp.63-80. (10.1386/jfs.6.1.63_1)
2017
- Garner, R. 2017. Insecure positions, heteronomous autonomy and tourism-cultural capital: a Bourdieusian reading of tour guides on BBC Worldwide's Doctor Who Experience Walking Tour. Tourist Studies 17 (4), pp.426-442. (10.1177/1468797616680851)
- Garner, R. 2017. Tomorrowland: A World Beyond (Brad Bird 2015). Journal of Science Fiction Film and Television 10 (2), pp.294-298.
- Garner, R. 2017. "It is happening again": paratextuality 'quality' and nostalgia in Twin Peaks's dispersed anniversary. Series - International Journal of TV Serial Narratives 2 (2), pp.41-54. (10.6092/issn.2421-454X/6590)
2016
- Garner, R. 2016. "The series that changed television"? Twin Peaks, "classic" status and temporal capital. Cinema Journal 55 (3), pp.137-142. (10.1353/cj.2016.0020)
- Garner, R. and Shimabukuro, K. 2016. IN FOCUS: Returning to the Red Room - Twin Peaks at twenty-five: Editor's introduction. Cinema Journal 55 (3), pp.118-120. (10.1353/cj.2016.0036)
- Garner, R. 2016. Going legendary: merchandising, transmediality and nostalgia in Power Rangers Super Megaforce. Presented at: Material Cultures of Television University of Hull, Hull, UK 21-22 March 2016.
- Garner, R. 2016. Crime drama and channel branding: ITV and Broadchurch. In: McElroy, R. ed. Contemporary British Television Crime Drama: Cops on the Box. Routledge. , pp.139-153.
- Garner, R. P. 2016. Symbolic and cued immersion: paratextual framing strategies on the Doctor Who Experience Walking Tour. Popular Communication 14 (2), pp.86-98. (10.1080/15405702.2016.1153101)
2015
- Garner, R. 2015. Brand reconciliation? A case study of ITV's 2013 rebrand. Critical Studies in Television: An International Journal of Television Studies 10 (1), pp.3-23. (10.7227/CST.10.1.2)
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: SCMS - Society for Cinema and Media Studies Conference 2015 Montreal, Quebec, Canada 25-29 March 2015.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: I'll See You Again in 25 Years: The Return of Twin Peaks and Generations of Cult TV University of Salford, UK 21-22 May 2015.
2014
- Garner, R. 2014. Celebrating and critiquing "past" and "present"? The intersection between nostalgia and public service discourses in BBC1's Ashes to Ashes. In: Machin, D. ed. Visual Communication. Handbooks of Communication Science Vol. 4.De Gruyter. , pp.405-425.
- Garner, R. 2014. On a (different) plain? Cult geography, authenticity and Nirvana fandom. Presented at: Fan Studies Network Conference 2014 Regent's University, London, UK 27-28 September 2014.
- Garner, R. 2014. "The series that changed television": Twin Peaks, "classic" status and temporal capital. Presented at: SCMS - Society for Cinema and Media Studies Conference 2014 Sheraton Seattle Hotel, Seattle, WA, USA 19-23 March 2014.
2013
- Garner, R. 2013. Friends reunited? Authorship discourses and brand management for the Sarah Jane Adventures 'Death of the Doctor'.. In: O'Day, A. ed. Doctor Who, the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. Who watching London: I. B. Tauris. , pp.246-264.
- Garner, R. 2013. Investigating 'Life on Mars': The contextual nature of 'classic' TV. Presented at: Cops on the Box: Crime Drama on UK TV Screens University of Glamorgan, Wales, UK 15 March 2013.
- Garner, R. 2013. Access denied: Intertextual barricades and public service broadcasting in Torchwood. In: Williams, R. ed. Torchwood Declassified: Investigating Mainstream Cult Television. Investigating Cult TV Series London: I. B. Tauris. , pp.13-32.
- Garner, R. 2013. Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle. PhD Thesis , Cardiff University.
- Garner, R. 2013. Remembering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia. In: Mellor, D. , Hills, M. and Earl, B. eds. New Dimensions of Doctor Who: Adventures in Space, Time and Television. Reading Contemporary Television London: I. B. Tauris. , pp.192-215.
- Garner, R. 2013. Simultaneously 'quality' and 'popular': Layered polysemy and nostalgic discourse in 'Doctor Who' (BBC 2005- ). Presented at: Doctor Who: Walking in Eternity: An Interdisciplinary Conference Celebrating 50 Years of Adventures in Time and Space University of Hertfordshire, Hatfield, UK 3-5 September 2013.
- Garner, R. 2013. Towards an inclusive approach? Theorising nostalgia through social constructionism. Presented at: Nostalgias: Visualising Longing Margate, UK 9-10 November 2013.
2011
- Garner, R. 2011. A love that spans all ages?: Interrogating the 'mainstream' appeal of ITV1's 'Lost in Austen' (2008). Presented at: Alien Nation: A Conference on British Telefantasy Northumbria University, UK 20-21 July 2011.
2010
- Garner, R. 2010. Access denied: Intertextual barricades and public service broadcasting in 'Torchwood'. Presented at: Investigating Torchwood: Text, Context, Audiences University of Glamorgan, Wales, UK 18 June 2010.
- Garner, R. 2010. "Don't You Forget About Me": Intertextuality and generic anchoring in The Sarah Jane Adventures. In: Garner, R. , Beattie, M. and McCormack, U. eds. Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures. Newcastle upon Tyne: Cambridge Scholars Publishers. , pp.161-181.
2009
- Garner, R. 2009. The curious case of Amanda Price: Genre cycles, 'constrained innovation' and 'Lost in Austen' as time travel for a female audience. Presented at: Science Fiction across Media: Adaptation/Novelisation Faculty of Arts, K U Leuven, Netherlands 28-30 May 2009.
2008
- Garner, R. 2008. What glows beneath: Affective nostalgia in 'Life on Mars'. Presented at: 5th Annual MeCCSA Postgraduate Conference University of Sussex, UK 1-2 July 2008.
Adrannau llyfrau
- Garner, R. 2027. Failures, adjuncts, absences, and outsourcing: Histories and attitudes towards VR experiences at Walt Disney World Resort. In: Atkinson, S. , Bucknall, J. and Kennedy, H. W. eds. The Routledge Companion to Immersive Arts and Media. London: Routledge
- Booth, P. and Garner, R. 2027. Gengars, vending machines, and six-inch tuna fish: Gashapon across fan cultures of experience, the everyday, and gaming. In: Affuso, E. and Santo, A. eds. Acquiring Fan Lifestyles. University of Michigan Press
- Garner, R. 2027. Snoozy studies with Snorlax: Pokémon Sleep, domestic intimacies and ‘auto-fanagement’. In: Simon, J. and Saverimuttu, M. eds. Asia-Pacific Fandom, Screen Media and Home. Routledge
- Garner, R. 2026. The neglected dimension? Memory and transmedia tourism. In: Chidgey, R. and Garde-Hansen, J. eds. The Routledge Companion to Media and Memory. Routledge
- Garner, R. 2025. Curating popular dinosaur ephemera: Reflections on the "Aca-Fan Archivist" and sub/cultural capital. In: Lamerichs, N. , Zarzycka, A. and Ciesielska, D. eds. Affect in Fandom: Fan Creators and Productivity. Amsterdam: University of Amsterdam Press. , pp.149-169. (10.1515/9789048554706-008)
- Garner, R. 2024. On wormholes, link cables, and the limitations of transmedia: Fan interpretations of trans-spatial discourses in Pokémon video games. In: Booth, P. ed. Entering the Multiverse. New York: Routledge. , pp.223-228. (10.4324/9781003480846-29)
- Garner, R. 2023. Jurassic Park and dinosaur fandom. In: Melia, M. ed. The Jurassic Park Book: New Perspectives on the Classic 1990s Blockbuster. London and New York: Bloomsbury. , pp.97-112.
- Garner, R. 2023. The Doctor Who figurine collection. In: Booth, P. and Hills, M. eds. Adventures Across Space and Time: A Doctor Who Reader. London and New York: Bloomsbury. , pp.47-54.
- Garner, R. 2021. Mimetic tangible nostalgia and spatial cosplay: replica merchandise and place in fandom's material cultures. In: Leggatt, M. ed. Was it Yesterday? Nostalgia in Contemporary Film and Television. Horizons of Cinema SUNY Press. , pp.71-87.
- Garner, R. 2021. Doctor Who and the dinosaurs: spectacle, monstrosity, melodrama and ideology in dinosaur mediations. In: Harmes, M. K. and Orthia, L. A. eds. Doctor Who and Science: Essays on Ideas, Identities and Ideologies in the Series. McFarland and Company, Inc.. , pp.173-189.
- Garner, R. 2019. The Mandalorian variation: gender, institutionality, and siscursive constraints in Star Wars rebels. In: Disney's Star Wars: Forces of Production, Promotion, and Reception. Iowa City: University of Iowa Press. , pp.109-122.
- Garner, R. 2018. Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom. In: Booth, P. ed. A Companion to Media Fandom and Fan Studies. London: John Wiley & Sons. , pp.91-106. (10.1002/9781119237211.ch6)
- Garner, R. 2016. Crime drama and channel branding: ITV and Broadchurch. In: McElroy, R. ed. Contemporary British Television Crime Drama: Cops on the Box. Routledge. , pp.139-153.
- Garner, R. 2014. Celebrating and critiquing "past" and "present"? The intersection between nostalgia and public service discourses in BBC1's Ashes to Ashes. In: Machin, D. ed. Visual Communication. Handbooks of Communication Science Vol. 4.De Gruyter. , pp.405-425.
- Garner, R. 2013. Friends reunited? Authorship discourses and brand management for the Sarah Jane Adventures 'Death of the Doctor'.. In: O'Day, A. ed. Doctor Who, the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. Who watching London: I. B. Tauris. , pp.246-264.
- Garner, R. 2013. Access denied: Intertextual barricades and public service broadcasting in Torchwood. In: Williams, R. ed. Torchwood Declassified: Investigating Mainstream Cult Television. Investigating Cult TV Series London: I. B. Tauris. , pp.13-32.
- Garner, R. 2013. Remembering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia. In: Mellor, D. , Hills, M. and Earl, B. eds. New Dimensions of Doctor Who: Adventures in Space, Time and Television. Reading Contemporary Television London: I. B. Tauris. , pp.192-215.
- Garner, R. 2010. "Don't You Forget About Me": Intertextuality and generic anchoring in The Sarah Jane Adventures. In: Garner, R. , Beattie, M. and McCormack, U. eds. Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures. Newcastle upon Tyne: Cambridge Scholars Publishers. , pp.161-181.
Cynadleddau
- Garner, R. 2016. Going legendary: merchandising, transmediality and nostalgia in Power Rangers Super Megaforce. Presented at: Material Cultures of Television University of Hull, Hull, UK 21-22 March 2016.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: SCMS - Society for Cinema and Media Studies Conference 2015 Montreal, Quebec, Canada 25-29 March 2015.
- Garner, R. 2015. "It is happening again": Twin Peaks and the "dispersed anniversary". Presented at: I'll See You Again in 25 Years: The Return of Twin Peaks and Generations of Cult TV University of Salford, UK 21-22 May 2015.
- Garner, R. 2014. On a (different) plain? Cult geography, authenticity and Nirvana fandom. Presented at: Fan Studies Network Conference 2014 Regent's University, London, UK 27-28 September 2014.
- Garner, R. 2014. "The series that changed television": Twin Peaks, "classic" status and temporal capital. Presented at: SCMS - Society for Cinema and Media Studies Conference 2014 Sheraton Seattle Hotel, Seattle, WA, USA 19-23 March 2014.
- Garner, R. 2013. Investigating 'Life on Mars': The contextual nature of 'classic' TV. Presented at: Cops on the Box: Crime Drama on UK TV Screens University of Glamorgan, Wales, UK 15 March 2013.
- Garner, R. 2013. Simultaneously 'quality' and 'popular': Layered polysemy and nostalgic discourse in 'Doctor Who' (BBC 2005- ). Presented at: Doctor Who: Walking in Eternity: An Interdisciplinary Conference Celebrating 50 Years of Adventures in Time and Space University of Hertfordshire, Hatfield, UK 3-5 September 2013.
- Garner, R. 2013. Towards an inclusive approach? Theorising nostalgia through social constructionism. Presented at: Nostalgias: Visualising Longing Margate, UK 9-10 November 2013.
- Garner, R. 2011. A love that spans all ages?: Interrogating the 'mainstream' appeal of ITV1's 'Lost in Austen' (2008). Presented at: Alien Nation: A Conference on British Telefantasy Northumbria University, UK 20-21 July 2011.
- Garner, R. 2010. Access denied: Intertextual barricades and public service broadcasting in 'Torchwood'. Presented at: Investigating Torchwood: Text, Context, Audiences University of Glamorgan, Wales, UK 18 June 2010.
- Garner, R. 2009. The curious case of Amanda Price: Genre cycles, 'constrained innovation' and 'Lost in Austen' as time travel for a female audience. Presented at: Science Fiction across Media: Adaptation/Novelisation Faculty of Arts, K U Leuven, Netherlands 28-30 May 2009.
- Garner, R. 2008. What glows beneath: Affective nostalgia in 'Life on Mars'. Presented at: 5th Annual MeCCSA Postgraduate Conference University of Sussex, UK 1-2 July 2008.
Erthyglau
- Stanfill, M. and Garner, R. 2022. Spotlight: fan and audience studies scholarly interest group.. Journal of Cinema and Media Studies 62 (1), pp.1-3.
- Morimoto, L. et al., 2021. Roundtable: Transcultural fan studies in practice: a conversation. Transformative Works and Cultures 35 (10.3983/twc.2021.1975)
- Garner, R. 2021. Acafan identity, communities of practice, and vocational poaching. Transformative Works and Cultures 35 (10.3983/twc.2021.1985)
- Garner, R. 2020. Jurassic World: Fallen Kingdom by J. A. Bayona [Review]. Science Fiction Film and Television 13 (3), pp.449-454.
- Garner, R. 2019. Finding Nemo’s spaces: Defining and exploring transmedia tourism. JOMEC Journal (14), pp.11-32. (10.18573/jomec.195)
- Garner, R. 2019. Transmedia Tourism editorial. JOMEC Journal (14), pp.1-10. (10.18573/jomec.194)
- Garner, R. 2018. Affective textualities, generalizations and focalizations: fan reactions to Twin Peaks's 2014 paratextual return. The Journal of Fandom Studies 6 (1), pp.63-80. (10.1386/jfs.6.1.63_1)
- Garner, R. 2017. Insecure positions, heteronomous autonomy and tourism-cultural capital: a Bourdieusian reading of tour guides on BBC Worldwide's Doctor Who Experience Walking Tour. Tourist Studies 17 (4), pp.426-442. (10.1177/1468797616680851)
- Garner, R. 2017. Tomorrowland: A World Beyond (Brad Bird 2015). Journal of Science Fiction Film and Television 10 (2), pp.294-298.
- Garner, R. 2017. "It is happening again": paratextuality 'quality' and nostalgia in Twin Peaks's dispersed anniversary. Series - International Journal of TV Serial Narratives 2 (2), pp.41-54. (10.6092/issn.2421-454X/6590)
- Garner, R. 2016. "The series that changed television"? Twin Peaks, "classic" status and temporal capital. Cinema Journal 55 (3), pp.137-142. (10.1353/cj.2016.0020)
- Garner, R. and Shimabukuro, K. 2016. IN FOCUS: Returning to the Red Room - Twin Peaks at twenty-five: Editor's introduction. Cinema Journal 55 (3), pp.118-120. (10.1353/cj.2016.0036)
- Garner, R. P. 2016. Symbolic and cued immersion: paratextual framing strategies on the Doctor Who Experience Walking Tour. Popular Communication 14 (2), pp.86-98. (10.1080/15405702.2016.1153101)
- Garner, R. 2015. Brand reconciliation? A case study of ITV's 2013 rebrand. Critical Studies in Television: An International Journal of Television Studies 10 (1), pp.3-23. (10.7227/CST.10.1.2)
Gosodiad
- Garner, R. 2013. Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle. PhD Thesis , Cardiff University.
Ymchwil
Mae fy ymchwil mewn Astudiaethau Cyfryngau a Diwylliannol ac mae'n archwilio'n bennaf croestoriadau rhwng yr Economi Profiad, profiadau gofodol masnachfreintiau cyfryngau, technolegau cyfryngau, a chefnogwyr a chynulleidfaoedd. Gall hyn gynnwys dadansoddi unrhyw gyfuniad o strategaeth ddiwydiannol, rôl technolegau wrth ddatblygu a chyflwyno'r profiadau hyn, ffurf a chynnwys profiadau a gynhyrchir ar gyfer IPs cyfryngau a masnachfreintiau cyfryngau, adeiladu diwydiant a thargedu cynulleidfaoedd ffan, a datblygu masnachfraint trawsgyfryngaethol .
Mae fy meysydd ymchwil cyfredol yn cwmpasu:
- Twristiaeth y cyfryngau.
- Transmediality a thwristiaeth trawsgyfrwng.
- Croedoriadau rhwng cyfryngau gofodol a'r Economi Profiad.
- Profiadau seiliedig ar leoliad.
- Realiti rhithwir.
- Masnachfreintiau cyfryngau cwlt.
- Masnachfraint Pokemon .
- Masnachfraint y Transformers .
- Masnachfraint Jurassic Park / Byd .
- Casglwyr ffan a strategaethau merchandising cyfryngau cwlt.
Addysgu
Modiwlau:
Mae Ross yn Arweinydd Modiwl a/neu yn rhan o'r tîm addysgu ar y cyrsiau israddedig canlynol:
- Blwyddyn Tri - Lleoliadau Sgrinio
- Blwyddyn Tri - Cyfryngau Trochi
- Blwyddyn Dau - Diwydiannau Sgrin
- Blwyddyn Un - Cyflwyniad i Gynulleidfaoedd y Cyfryngau
- Blwyddyn Un - Hanes Cyfathrebu Torfol.
Goruchwyliaeth:
Mae Ross yn goruchwylio ymchwil traethawd hir ar draws lefelau BA, MA a PhD. Mae pynciau nodweddiadol o ddiddordeb yn cynnwys (ond heb fod o reidrwydd yn gyfyngedig i):
- Twristiaeth cyfryngau, profiadau, a gofodau.
- Trawsgyfledoldeb ac adrodd straeon trawsgyfrwng.
- Masnachfreintiau sinema Americanaidd a diwydiannau cysylltiedig.
- Casglu ffan a ffyrdd o fyw.
- Arferion defnydd cynulleidfa a chyd-destunau derbyn
Bywgraffiad
Ymunais â JOMEC ym mis Medi 2012 ac ers hynny rwyf wedi dysgu nifer o fodiwlau ar draws pob un o'r tair lefel o'r rhaglenni israddedig. Mae fy addysgu a'm hymchwil presennol yn canolbwyntio ar fannau thema, lleoedd a phrofiadau ar thema cyfryngau (e.e., parciau thema, atyniadau thematig, ystafelloedd dianc, ac ati) a realiti rhithwir. Mae hyn yn cynnwys mabwysiadu ffocws cyfunol ar dueddiadau'r diwydiant, datblygiadau technolegol a masnachfreintiau proffil uchel fel Pokémon a Transformers.
Mae fy addysgu blaenorol yn JOMEC wedi archwilio ystod o bynciau sy'n ymwneud â diwylliant poblogaidd a'r cyfryngau clyweledol. Mae'r rhain wedi cynnwys teledu ffuglennol, y genres arswyd, ffantasi a ffuglen wyddonol mewn ffilm a theledu, astudiaethau a derbyn cynulleidfaoedd, hanesion diwydiannol ffilm a theledu y DU a'r Unol Daleithiau, a marchnata, hyrwyddo a brandio mewn ffilm a theledu yn y DU a'r UD.
Cyn ymuno â JOMEC, roeddwn i'n dysgu ym Mhrifysgol De Cymru a Phrifysgol Caerwrangon.
Anrhydeddau a dyfarniadau
- Cymrawd yr Academi Addysg Uwch (dyfarnwyd 2015).
- Tystysgrif Ôl-raddedig mewn Addysgu a Dysgu Prifysgol (Prifysgol Caerdydd, 2015). Dosbarthiad y wobrwyad: Rhagoriaeth.
- PhD yn y Cyfryngau ac Astudiaethau Diwylliannol (Prifysgol Caerdydd, 2013) - pwnc y traethawd oedd Constructions of Nostalgia in a Genre Cycle of British TV Time Travel Dramas 2005-2008.
- MA mewn Astudiaethau Teledu (Prifysgol Bryste, 2006). Dosbarthiad y wobr: Rhagoriaeth.
- BA mewn Newyddiaduraeth, Ffilm a Darlledu (Prifysgol Caerdydd, 2004). Dosbarthiad gwobrau: Anrhydedd dosbarth cyntaf.
Safleoedd academaidd blaenorol
- Uwch Ddarlithydd (Darlithydd gynt) yn JOMEC, Prifysgol Caerdydd ers 2012.
- Darlithydd Cyswllt ym Mhrifysgol Caerwrangon, 2011-12.
- Darlithydd Cyswllt ym Mhrifysgol De Cymru, 2010-12.
Ymrwymiadau siarad cyhoeddus
- Siaradwr gwadd gwahoddedig ar bodlediadau.
- Siaradwr gwadd rheolaidd ar BBC Radio Wales i drafod gwahanol agweddau ar ffilm, teledu a diwylliant poblogaidd.
- Cyfwelwyd ar gyfer papurau newydd ac atodiadau gan gynnwys The Times.
Meysydd goruchwyliaeth
Byddwn yn croesawu ceisiadau gan ddarpar fyfyrwyr sy'n dymuno astudio pynciau sy'n gysylltiedig â'r meysydd canlynol:
- Twristiaeth y cyfryngau.
- Profiadau cyfryngau gofodol masnachfreintiau cyfryngau a'r Economi Profiad.
- Trawsgyfryngaetholdeb.
- Realiti rhithwir.
- Masnachfreintiau cyfryngau cwlt.
- Masnachfraint Pokemon .
- Masnachfraint y Transformers .
- Masnachfraint Jurassic Park / Byd .
- Casglwyr ffan a strategaethau merchandising cyfryngau cwlt.
Goruchwyliaeth gyfredol
Prosiectau'r gorffennol
Mae pynciau myfyrwyr PhD blaenorol wedi cynnwys:
- Adeiladwaith o 'leoedd arswydus' o fewn ffilm (goruchwyliaeth ar y cyd â chydweithwyr o'r Ysgol Pensaernïaeth)
Contact Details
Themâu ymchwil
Arbenigeddau
- Twristiaeth y cyfryngau
- Profiad Economi
- rhith-realiti
- Ffilm a theledu
- Diwylliant Poblogaidd