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Dr Nicholas Jones
Darllenydd mewn Cerddeg
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
Rwy'n ddarllenydd mewn Cerddoriaeth. Mae fy niddordebau ymchwil yn bennaf yng ngherddoriaeth Prydain ers 1900 ac mae fy ngwaith yn canolbwyntio ar ddadansoddi cerddoriaeth, dehongli, astudiaethau braslunio, lle a thirwedd, ac agweddau ar fywgraffiad, cyd-destun a hunaniaeth genedlaethol. Rwyf wedi cyd-olygu llyfrau ar gyfer Gwasg Prifysgol Caergrawnt ar Peter Maxwell Davies (2009), Michael Tippett (2013) a Harrison Birtwistle (2015). Mae cyhoeddiadau eraill yn cynnwys Peter Maxwell Davies, Selected Writings (CUP, 2017), The Music of Peter Maxwell Davies (Boydell & Brewer, 2020) a phennod yn A History of Welsh Music (CUP, 2022). Ar hyn o bryd rwy'n gweithio ar lyfr wedi'i olygu yn ymwneud â symffoni Prydain ac Iwerddon ers 1900 (CWPAN, sydd ar ddod yn 2025).
Rwy'n Gyd-gyfarwyddwr Canolfan Ymchwil Cerddoriaeth Brydeinig Prifysgol Caerdydd (CUBRIT) a Rhwydwaith Ymchwil Peter Maxwell Davies, ac yn aelod o Fwrdd Cynghori Golygyddol y cyfnodolyn Tempo.
Yn yr Ysgol Cerddoriaeth, fi yw'r Cyfarwyddwr Perfformiad ar hyn o bryd ac yn flaenorol rwyf wedi dal swydd Cyfarwyddwr Recriwtio a Derbyn (2018-2021). O fis Awst 2023, byddaf yn ymgymryd â swydd Pennaeth yr Ysgol Cerddoriaeth.
Rwy'n Uwch Gymrawd yr Academi Addysg Uwch (SFHEA) ac mae gen i Dystysgrif Ôl-raddedig mewn Addysgu a Dysgu Prifysgolion (PCUTL). Rwyf wedi dal swyddi Arholwr Allanol ym Mhrifysgol Caeredin, Y Brifysgol Agored a Phrifysgol Aberystwyth.
Cyhoeddiad
2023
- Jones, N. 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35(1), pp. 75-105. (10.1017/S0954586723000046)
2022
- Jones, N. 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.
- Jones, N. 2022. Composing Cymru: Art music since 1940. In: Herbert, T., Clarke, M. V. and Barlow, H. eds. Cambridge History of Welsh Music. Cambridge University Press, pp. 264-290., (10.1017/9781009036511.015)
- Jones, N. 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.
2021
- Jones, N. 2021. Incantations: early chamber works of Peter Maxwell Davies. [Performed at Unmasking Max: Peter Maxwell Davies Study Day, School of Music, Cardiff University, 4 December 2021].
- Jones, N. 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.
- Jones, N. 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.
2020
- Jones, N. 2020. Landscape and place. In: Jones, N. and McGregor, R. eds. The Music of Peter Maxwell Davies. Woodbridge: Boydell & Brewer, pp. 251-302., (10.1017/9781787446823.008)
- Jones, N. and McGregor, R. 2020. The music of Peter Maxwell Davies. Boydell & Brewer.
- Jones, N. 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.
2019
- Jones, N. 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html
2018
- Jones, N. 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.
- Jones, N. 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.
2017
- Jones, N. 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.
- Jones, N. ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900. Cambridge: Cambridge University Press. (10.1017/9781316662519)
- Jones, N. 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.
2016
- Jones, N. and Warnaby, J. 2016. Davies, Peter Maxwell. In: Oxford Music Online. Oxford: Oxford University Press
2015
- Beard, D. J., Gloag, K. and Jones, N. eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Jones, N. 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, D., Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 175-205., (10.1017/CBO9781316145326.008)
- Jones, N. 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.
2013
- Gloag, K. and Jones, N. eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music. Cambridge: Cambridge University Press.
- Jones, N. 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. In: The Cambridge Companion to Michael Tippett. Cambridge: Cambridge University Press, pp. 206-228.
- Jones, N. 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.
2012
- Jones, N. 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.
- Jones, N. 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.
2011
- Jones, N. 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92(2), pp. 330-332. (10.1093/ml/gcr014)
2010
- Jones, N. 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64(254), pp. 11-19. (10.1017/S0040298210000380)
- Jones, N. 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7(2), pp. 267-270. (10.1017/S1478572211000223)
- Jones, N. and McGregor, R. 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151, pp. 53-86.
- Jones, N. 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151(1912), pp. 109-112.
- Jones, N. 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151(1911), pp. 118-120.
2009
- Gloag, K. and Jones, N. eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Jones, N. 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90(3), pp. 514-516. (10.1093/ml/gcp016)
- Jones, N. 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. In: Peter Maxwell Davies Studies. Cambridge: Cambridge University Press, pp. 21-44.
- Jones, N. 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, K. and Jones, N. eds. Peter Maxwell Davies Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 231-241.
- Jones, N. 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150(1906), pp. 100-103.
2008
- Jones, N. 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
2007
- Jones, N. 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. The Open University. - teaching_resource
- Jones, N. 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148(1901), pp. 111-114. (10.2307/25434506)
- Jones, N. 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148(1899), pp. 81-88. (10.2307/25434460)
2006
- Jones, N. 2006. "Disparagement and Invidious Comparisons": assessing critical reactions to Mathias's First Symphony. Tempo 60(238), pp. 8-14. (10.1017/S0040298206000283)
2005
- Jones, N. 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146, pp. 71-81. (10.2307/30044107)
- Jones, N. 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.
2004
- Jones, N. 2004. Ranging over the forest: a conversation with Anthony Powers. Tempo 58(228), pp. 23-31. (10.1017/S0040298204000117)
- Jones, N. 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.
2003
- Jones, N. 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144(1884), pp. 26-35. (10.2307/3650698)
2002
- Jones, N. 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143(1878), pp. 37-45. (10.2307/1004421)
- Jones, N. 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143(1879), pp. 78-79. (10.2307/1004607)
- Jones, N. 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83(1), pp. 147-151. (10.1093/ml/83.1.147)
2000
- Jones, N. 2000. Peter Maxwell Davies's 'submerged cathedral': architectural principles in the Third Symphony. Music & Letters 81(3), pp. 402-432. (10.1093/ml/81.3.402)
- Jones, N. 2000. Towards the Symphonic odyssey: Maxwell Davies's Works for Orchestra 1958-73. [Online]. Maxopus.com. Available at: http://www.maxopus.com/resources_detail.aspx?key=64
- Jones, N. 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141(1872), pp. 24-32. (10.2307/1004395)
- Jones, N. 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.
1998
- Jones, N. 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204, pp. 14-22.
Articles
- Jones, N. 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35(1), pp. 75-105. (10.1017/S0954586723000046)
- Jones, N. 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92(2), pp. 330-332. (10.1093/ml/gcr014)
- Jones, N. 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64(254), pp. 11-19. (10.1017/S0040298210000380)
- Jones, N. 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7(2), pp. 267-270. (10.1017/S1478572211000223)
- Jones, N. and McGregor, R. 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151, pp. 53-86.
- Jones, N. 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151(1912), pp. 109-112.
- Jones, N. 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151(1911), pp. 118-120.
- Jones, N. 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90(3), pp. 514-516. (10.1093/ml/gcp016)
- Jones, N. 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150(1906), pp. 100-103.
- Jones, N. 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148(1901), pp. 111-114. (10.2307/25434506)
- Jones, N. 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148(1899), pp. 81-88. (10.2307/25434460)
- Jones, N. 2006. "Disparagement and Invidious Comparisons": assessing critical reactions to Mathias's First Symphony. Tempo 60(238), pp. 8-14. (10.1017/S0040298206000283)
- Jones, N. 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146, pp. 71-81. (10.2307/30044107)
- Jones, N. 2004. Ranging over the forest: a conversation with Anthony Powers. Tempo 58(228), pp. 23-31. (10.1017/S0040298204000117)
- Jones, N. 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144(1884), pp. 26-35. (10.2307/3650698)
- Jones, N. 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143(1878), pp. 37-45. (10.2307/1004421)
- Jones, N. 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143(1879), pp. 78-79. (10.2307/1004607)
- Jones, N. 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83(1), pp. 147-151. (10.1093/ml/83.1.147)
- Jones, N. 2000. Peter Maxwell Davies's 'submerged cathedral': architectural principles in the Third Symphony. Music & Letters 81(3), pp. 402-432. (10.1093/ml/81.3.402)
- Jones, N. 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141(1872), pp. 24-32. (10.2307/1004395)
- Jones, N. 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204, pp. 14-22.
Book sections
- Jones, N. 2022. Composing Cymru: Art music since 1940. In: Herbert, T., Clarke, M. V. and Barlow, H. eds. Cambridge History of Welsh Music. Cambridge University Press, pp. 264-290., (10.1017/9781009036511.015)
- Jones, N. 2020. Landscape and place. In: Jones, N. and McGregor, R. eds. The Music of Peter Maxwell Davies. Woodbridge: Boydell & Brewer, pp. 251-302., (10.1017/9781787446823.008)
- Jones, N. and Warnaby, J. 2016. Davies, Peter Maxwell. In: Oxford Music Online. Oxford: Oxford University Press
- Jones, N. 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, D., Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 175-205., (10.1017/CBO9781316145326.008)
- Jones, N. 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. In: The Cambridge Companion to Michael Tippett. Cambridge: Cambridge University Press, pp. 206-228.
- Jones, N. 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. In: Peter Maxwell Davies Studies. Cambridge: Cambridge University Press, pp. 21-44.
- Jones, N. 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, K. and Jones, N. eds. Peter Maxwell Davies Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 231-241.
Books
- Jones, N. and McGregor, R. 2020. The music of Peter Maxwell Davies. Boydell & Brewer.
- Jones, N. ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900. Cambridge: Cambridge University Press. (10.1017/9781316662519)
- Beard, D. J., Gloag, K. and Jones, N. eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Gloag, K. and Jones, N. eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music. Cambridge: Cambridge University Press.
- Gloag, K. and Jones, N. eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
Conferences
- Jones, N. 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.
- Jones, N. 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.
- Jones, N. 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.
- Jones, N. 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.
- Jones, N. 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.
- Jones, N. 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.
- Jones, N. 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.
- Jones, N. 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.
- Jones, N. 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.
- Jones, N. 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.
- Jones, N. 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.
- Jones, N. 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.
- Jones, N. 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.
- Jones, N. 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.
- Jones, N. 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.
- Jones, N. 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.
Performances
- Jones, N. 2021. Incantations: early chamber works of Peter Maxwell Davies. [Performed at Unmasking Max: Peter Maxwell Davies Study Day, School of Music, Cardiff University, 4 December 2021].
Websites
- Jones, N. 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html
- Jones, N. 2000. Towards the Symphonic odyssey: Maxwell Davies's Works for Orchestra 1958-73. [Online]. Maxopus.com. Available at: http://www.maxopus.com/resources_detail.aspx?key=64
teaching_resource
- Jones, N. 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. The Open University. - teaching_resource
Ymchwil
Mae fy niddordebau ymchwil yn bennaf yng ngherddoriaeth Prydain ers 1900 ac mae fy ngwaith yn canolbwyntio ar ddadansoddi cerddoriaeth, dehongli, astudiaethau braslunio, lle a thirwedd, ac agweddau ar fywgraffiad, cyd-destun a hunaniaeth genedlaethol. Rwyf wedi cyd-olygu llyfrau ar gyfer Gwasg Prifysgol Caergrawnt ar Peter Maxwell Davies (2009), Michael Tippett (2013) a Harrison Birtwistle (2015). Mae cyhoeddiadau eraill yn cynnwys Peter Maxwell Davies, Selected Writings (CUP, 2017), The Music of Peter Maxwell Davies (Boydell & Brewer, 2020) a phennod yn A History of Welsh Music (CUP, 2022). Ar hyn o bryd rwy'n gweithio ar lyfr wedi'i olygu yn ymwneud â symffoni Prydain ac Iwerddon ers 1900 (CWPAN, sydd ar ddod yn 2025).
Addysgu
Gan redeg ochr yn ochr â'm gweithgareddau ymchwil, mae gen i ddiddordeb proffesiynol ym mhob maes addysg ar lefel AU, yn enwedig mewn perthynas â gwella'r profiad addysgol i ddysgwyr, archwilio dulliau gwahanol o asesu, gwella adborth i fyfyrwyr, prosesau sicrhau ansawdd ac addysg wedi'i gwella gan dechnoleg. Rwyf wedi dyfeisio, gweithredu a chynnal prosiectau a rhaglenni ar raddfa fawr, ac mae gen i brofiad rheoli arweinyddiaeth a lefel uwch sylweddol hefyd.
Rwy'n Uwch Gymrawd yr Academi Addysg Uwch (SFHEA) ac mae gen i Dystysgrif Ôl-raddedig mewn Addysgu a Dysgu Prifysgolion (PCUTL).
Bywgraffiad
Rwyf wedi graddio o Brifysgol Caerdydd (BMus 1994, MMus 1995), lle dyfarnwyd PhD i mi (yn 1999) am astudiaeth ddadansoddol o Drydedd Symffoni Syr Peter Maxwell Davies a phortffolio o gyfansoddiadau gwreiddiol. Rhwng 2005 a 2007, roeddwn yn Ddarlithydd Cerddoriaeth ac yn Ddirprwy Gadeirydd y rhaglen MA mewn Cerddoriaeth yn Y Brifysgol Agored, ac o 2008 i 2017, fe wnes i gydlynu rhaglen y Dyniaethau yn Is-adran Addysg Broffesiynol a Pharhaus Prifysgol Caerdydd.
Safleoedd academaidd blaenorol
- 2016 - 2017: Associate Senior Lecturer, School of Music, Cardiff University
- 2008 - 2017: Co-ordinating Lecturer in the Humanities, Continuing and Professional Education, Cardiff University
- 2005 - 2007: Lecturer in Music, Open University
- 2001 - 2010: Associate Lecturer in Music, Open University
- 1996 - 2012: Associate Lecturer in Music, Cardiff University
Pwyllgorau ac adolygu
Member of the Editorial Advisory Board, Tempo
Meysydd goruchwyliaeth
Rwyf wedi goruchwylio PhD yn llwyddiannus ar Ddatguddiad a Chwymp Peter Maxwell Davies a thros 30 o draethodau hir MA.
Ar hyn o bryd, rwy'n goruchwylio 5 myfyriwr PhD.
- Byddwn yn croesawu ymholiadau gan y rhai sydd â diddordeb mewn ymchwil PhD i unrhyw agwedd ar gerddoriaeth Brydeinig yr 20fed a'r 21ain ganrif, yn enwedig Peter Maxwell Davies a cherddoriaeth gelf Gymreig. Mae'r rhai sydd â diddordeb mewn cerddoriaeth yr 20fed ganrif yn fwy cyffredinol hefyd yn cael eu hannog i gysylltu â mi.
Goruchwyliaeth gyfredol
Miss Fenella Briggs
Myfyriwr ymchwil
