![Nicholas Jones](https://profiles-cardiff.imgix.net/attachments/4213?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Dr Nicholas Jones
(e/fe)
- Ar gael fel goruchwyliwr ôl-raddedig
Timau a rolau for Nicholas Jones
Pennaeth yr Ysgol Cerddoriaeth a Darllenydd mewn Cerddoriaeth
Trosolwyg
Rwy'n Bennaeth yr Ysgol Cerddoriaeth ac yn Ddarllenydd mewn Cerddoleg. Mae fy niddordebau ymchwil yn bennaf yng ngherddoriaeth Prydain ers 1900 ac mae fy ngwaith yn canolbwyntio ar ddadansoddi cerddoriaeth, dehongli, astudio braslunio, lle a thirwedd, ac agweddau ar fywgraffiad, cyd-destun a hunaniaeth genedlaethol. Rwyf wedi cyd-olygu llyfrau ar gyfer Gwasg Prifysgol Caergrawnt ar Peter Maxwell Davies (2009), Michael Tippett (2013) a Harrison Birtwistle (2015). Ymhlith ei gyhoeddiadau eraill mae Peter Maxwell Davies, Selected Writings (CUP, 2017), The Music of Peter Maxwell Davies (Boydell & Brewer, 2020) a phennod yn A History of Welsh Music (CUP, 2022). Ar hyn o bryd rwy'n gweithio ar lyfr wedi'i olygu yn ymwneud â symffoni Prydain ac Iwerddon ers 1900 (CWPAN, sydd ar ddod yn 2025).
Rwy'n Gyd-gyfarwyddwr Canolfan Ymchwil Cerddoriaeth Brydeinig Prifysgol Caerdydd (CUBRIT) a Rhwydwaith Ymchwil Peter Maxwell Davies, ac yn aelod o Fwrdd Cynghori Golygyddol y cyfnodolyn Tempo.
Yn yr Ysgol Cerddoriaeth, rwyf eisoes wedi dal rolau Cyfarwyddwr Perfformiad (2022-23) a Chyfarwyddwr Recriwtio a Derbyn (2018-21).
Rwy'n Uwch Gymrawd yr Academi Addysg Uwch (SFHEA) ac mae gen i Dystysgrif Ôl-raddedig mewn Addysgu a Dysgu Prifysgolion (PCUTL). Rwyf wedi dal swyddi Arholwr Allanol ym Mhrifysgol Caeredin, Y Brifysgol Agored a Phrifysgol Aberystwyth, ac yn 2024 bûm yn aelod o Banel Cynghori Cerddoriaeth QAA, yn gyfrifol am ddatblygu Datganiad Meincnod Pwnc 2025 ar gyfer Cerddoriaeth. Rwy'n aelod o Gymdeithas Astudiaethau Cerddoriaeth Prydain Gogledd America (NABMSA); Ar hyn o bryd rwy'n Gynullydd ar gyfer Symposiwm 2025 ac rwyf hefyd yn gwasanaethu ar Bwyllgor Aelodaeth NABMSA.
Cyhoeddiad
2024
- Jones, N. 2024. Argraffiadau Cymraeg: Exploring Welsh identity in the music of three ‘Cardiff Group’ composers. Presented at: North American British Music Studies Association Conference 2024, Oberlin College and Conservatory, Ohio, USA, 25–29 July 2024.
- Jones, N. 2024. Art Music and 'Welshness': Perspectives from Cardiff. Presented at: 5th Silpakorn Conference on Sound and Music 2024 (SICSAM), Bangkok Art and Culture Centre (BACC), Thailand, 7-8 June 2024.
2023
- Jones, N. 2023. The symphony in Britain and Ireland since 1900: A critical history - the editor’s perspective. Presented at: NABMSA Colloquium Series - North American British Music Studies Association, Online, 27 November 2023.
- Jones, N. 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35(1), pp. 75-105. (10.1017/S0954586723000046)
- Jones, N. 2023. The role of the child in Peter Maxwell Davies's The Doctor of Myddfai: Characterisation and Agency. Presented at: Research Colloquia, KU Leuven, Katholieke Universiteit Leuven, Belgium, 20 March 2023.
2022
- Jones, N. 2022. Composing Cymru: Art music since 1940. In: Herbert, T., Clarke, M. V. and Barlow, H. eds. Cambridge History of Welsh Music. Cambridge University Press, pp. 264-290., (10.1017/9781009036511.015)
- Jones, N. 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.
- Jones, N. 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.
2021
- Jones, N. 2021. Incantations: early chamber works of Peter Maxwell Davies. [Performed at Unmasking Max: Peter Maxwell Davies Study Day, School of Music, Cardiff University, 4 December 2021].
- Jones, N. 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.
- Jones, N. 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.
2020
- Jones, N. 2020. Landscape and place. In: Jones, N. and McGregor, R. eds. The Music of Peter Maxwell Davies. Woodbridge: Boydell & Brewer, pp. 251-302., (10.1017/9781787446823.008)
- Jones, N. and McGregor, R. 2020. The music of Peter Maxwell Davies. Boydell & Brewer.
- Jones, N. 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.
2019
- Jones, N. 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html
2018
- Jones, N. 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.
- Jones, N. 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.
2017
- Jones, N. 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.
- Jones, N. ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900. Cambridge: Cambridge University Press. (10.1017/9781316662519)
- Jones, N. 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.
2016
- Jones, N. and Warnaby, J. 2016. Davies, Peter Maxwell. In: Oxford Music Online. Oxford: Oxford University Press
2015
- Beard, D. J., Gloag, K. and Jones, N. eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Jones, N. 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, D., Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 175-205., (10.1017/CBO9781316145326.008)
- Jones, N. 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.
2013
- Gloag, K. and Jones, N. eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music. Cambridge: Cambridge University Press.
- Jones, N. 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. In: The Cambridge Companion to Michael Tippett. Cambridge: Cambridge University Press, pp. 206-228.
- Jones, N. 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.
2012
- Jones, N. 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.
- Jones, N. 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.
2011
- Jones, N. 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92(2), pp. 330-332. (10.1093/ml/gcr014)
2010
- Jones, N. 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64(254), pp. 11-19. (10.1017/S0040298210000380)
- Jones, N. 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7(2), pp. 267-270. (10.1017/S1478572211000223)
- Jones, N. 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151(1911), pp. 118-120.
- Jones, N. and McGregor, R. 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151, pp. 53-86.
- Jones, N. 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151(1912), pp. 109-112.
2009
- Gloag, K. and Jones, N. eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Jones, N. 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90(3), pp. 514-516. (10.1093/ml/gcp016)
- Jones, N. 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150(1906), pp. 100-103.
- Jones, N. 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. In: Peter Maxwell Davies Studies. Cambridge: Cambridge University Press, pp. 21-44.
- Jones, N. 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, K. and Jones, N. eds. Peter Maxwell Davies Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 231-241.
2008
- Jones, N. 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
2007
- Jones, N. 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. The Open University. - teaching_resource
- Jones, N. 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148(1901), pp. 111-114. (10.2307/25434506)
- Jones, N. 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148(1899), pp. 81-88. (10.2307/25434460)
2006
- Jones, N. 2006. "Disparagement and Invidious Comparisons": assessing critical reactions to Mathias's First Symphony. Tempo 60(238), pp. 8-14. (10.1017/S0040298206000283)
2005
- Jones, N. 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146, pp. 71-81. (10.2307/30044107)
- Jones, N. 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.
2004
- Jones, N. 2004. Ranging over the forest: a conversation with Anthony Powers. Tempo 58(228), pp. 23-31. (10.1017/S0040298204000117)
- Jones, N. 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.
2003
- Jones, N. 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144(1884), pp. 26-35. (10.2307/3650698)
2002
- Jones, N. 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143(1878), pp. 37-45. (10.2307/1004421)
- Jones, N. 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143(1879), pp. 78-79. (10.2307/1004607)
- Jones, N. 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83(1), pp. 147-151. (10.1093/ml/83.1.147)
2000
- Jones, N. 2000. Peter Maxwell Davies's 'submerged cathedral': architectural principles in the Third Symphony. Music & Letters 81(3), pp. 402-432. (10.1093/ml/81.3.402)
- Jones, N. 2000. Towards the Symphonic odyssey: Maxwell Davies's Works for Orchestra 1958-73. [Online]. Maxopus.com. Available at: http://www.maxopus.com/resources_detail.aspx?key=64
- Jones, N. 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141(1872), pp. 24-32. (10.2307/1004395)
- Jones, N. 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.
1998
- Jones, N. 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204, pp. 14-22.
Adrannau llyfrau
- Jones, N. 2022. Composing Cymru: Art music since 1940. In: Herbert, T., Clarke, M. V. and Barlow, H. eds. Cambridge History of Welsh Music. Cambridge University Press, pp. 264-290., (10.1017/9781009036511.015)
- Jones, N. 2020. Landscape and place. In: Jones, N. and McGregor, R. eds. The Music of Peter Maxwell Davies. Woodbridge: Boydell & Brewer, pp. 251-302., (10.1017/9781787446823.008)
- Jones, N. and Warnaby, J. 2016. Davies, Peter Maxwell. In: Oxford Music Online. Oxford: Oxford University Press
- Jones, N. 2015. The sound of Raasay: Birtwistle's Hebridean experience. In: Beard, D., Gloag, K. and Jones, N. eds. Harrison Birtwistle Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 175-205., (10.1017/CBO9781316145326.008)
- Jones, N. 2013. Formal archetypes, revered masters and singing nightingales: Tippett’s string quartets. In: The Cambridge Companion to Michael Tippett. Cambridge: Cambridge University Press, pp. 206-228.
- Jones, N. 2009. The writings of a young British composer: Peter Maxwell Davies in the 1950s. In: Peter Maxwell Davies Studies. Cambridge: Cambridge University Press, pp. 21-44.
- Jones, N. 2009. Peter Maxwell Davies's articles, lectures, interviews and radio broadcasts. In: Gloag, K. and Jones, N. eds. Peter Maxwell Davies Studies. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 231-241.
Cynadleddau
- Jones, N. 2024. Argraffiadau Cymraeg: Exploring Welsh identity in the music of three ‘Cardiff Group’ composers. Presented at: North American British Music Studies Association Conference 2024, Oberlin College and Conservatory, Ohio, USA, 25–29 July 2024.
- Jones, N. 2024. Art Music and 'Welshness': Perspectives from Cardiff. Presented at: 5th Silpakorn Conference on Sound and Music 2024 (SICSAM), Bangkok Art and Culture Centre (BACC), Thailand, 7-8 June 2024.
- Jones, N. 2023. The symphony in Britain and Ireland since 1900: A critical history - the editor’s perspective. Presented at: NABMSA Colloquium Series - North American British Music Studies Association, Online, 27 November 2023.
- Jones, N. 2023. The role of the child in Peter Maxwell Davies's The Doctor of Myddfai: Characterisation and Agency. Presented at: Research Colloquia, KU Leuven, Katholieke Universiteit Leuven, Belgium, 20 March 2023.
- Jones, N. 2022. Art music and Welsh identity. Presented at: 58th Annual Conference of the Royal Musical Association, Durham, UK, 8-10 September 2022.
- Jones, N. 2022. ‘The northern night-fire calls us to our sleep’: Peter Maxwell Davies’s The Hogboon and the Dynamics of Late Style. Presented at: Music Since 1900 Twelfth Biennial International Conference, Birmingham Conservatoire, 17-20 June 2022.
- Jones, N. 2021. Composing Cymru: Welsh identity and British art music since 1945. Presented at: John Bird Research Lectures 2021-22, School of Music, Cardiff University, 13 October 2021.
- Jones, N. 2021. Peter Maxwell Davies’s The Doctor of Myddfai: Using the sketches and other primary source material to unveil the creative process. Presented at: Peter Maxwell Davies Research Network Friday Forum, Online, 12 November 2021.
- Jones, N. 2020. Manchester Resonances: Peter Maxwell Davies’s Juvenilia. Presented at: 2020 North American British Music Studies Association Conference, Illinois State University [virtual conference], 21–26 July 2020.
- Jones, N. 2018. ‘Death’s dark door stands open’: Peter Maxwell Davies’s Tenth Symphony. Presented at: 54th Annual Conference of the Royal Musicians Assocation, Bristol, UK, 13-15 September 2018.
- Jones, N. 2018. 'For the Islands I sing': composing the Orkney landscape. Presented at: New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury Christ Church University, UK, 12 May 2018.
- Jones, N. 2017. 'Max the Mighty carved these runes': editing the writings of Peter Maxwell Davies. Presented at: Kenneth Gloag In Memoriam One Day Public Symposium, Chamber Recital and Jazz Concert, School of Music, Cardiff University, Cardiff, 2 December 2017.
- Jones, N. 2017. British classical music, landscape and a sense of place. Presented at: AWEN [Arts-Whitchurch-Eglwys-Newydd] Public Lecture, Whitchurch, Cardiff, UK, 13 June 2017.
- Jones, N. 2015. Das Land ohne Musik? British classical music, from Elgar to the Cultural Olympiad. Presented at: Exploring the Past Lecture Series, Cardiff University, Cardiff, UK, 20 May 2015.
- Jones, N. 2013. Embedding assessment into course design: a view from Lifelong Learning. Presented at: UALL Annual Conference: Who and What are Universities For?, Durham University, UK, 20-22 March 2013.
- Jones, N. 2012. Interlacings: Reflections on issues of autobiography in two works of Peter Maxwell Davies. Presented at: New Music in Britain, Canterbury Christ Church University, UK, 10-12 May 2012.
- Jones, N. 2012. Being British: Issues of national identity in classical music, from Edward Elgar to Peter Maxwell Davies. Presented at: Creative Minds Festival of Ideas, Cardiff University, Cardiff, UK, 13 November 2012.
- Jones, N. 2005. The music of Peter Maxwell Davies: An introduction. Presented at: Cardiff Recorded Music Society Lecture Series, Cardiff, UK, 30 November 2005.
- Jones, N. 2004. Peter Maxwell Davies and sonata form. Presented at: Peter Maxwell Davies One-Day Conference, Canterbury Christ Church University, Canterbury, UK, 16 October 2004.
- Jones, N. 2000. Architectural perspectives on Peter Maxwell Davies's Third Symphony. Presented at: Peter Maxwell Davies Conference, St Martin's College, Lancaster, UK, 1-2 April 2000.
Erthyglau
- Jones, N. 2023. ‘The rain soaked sky is leaden’: Welsh identity and dystopian impulses in The Doctor of Myddfai. Cambridge Opera Journal 35(1), pp. 75-105. (10.1017/S0954586723000046)
- Jones, N. 2011. György Kurtág: Three Interviews and Ligeti Homages. Compiled & ed. by Bálint András Varga. [Book review]. Music & Letters 92(2), pp. 330-332. (10.1093/ml/gcr014)
- Jones, N. 2010. Peter Maxwell Davies in the 1950s: a conversation with the composer. Tempo 64(254), pp. 11-19. (10.1017/S0040298210000380)
- Jones, N. 2010. Northcott Bayan, The Way We Listen Now and Other Writings on Music, ed. Wintle Christopher (London: Plumbago, 2009) [Book Review]. Twentieth-Century Music 7(2), pp. 267-270. (10.1017/S1478572211000223)
- Jones, N. 2010. Review: Second chance. Havergal Brian on music, volume two: European and American music in his time, edited by Malcolm MacDonald [Book Review]. Musical Times 151(1911), pp. 118-120.
- Jones, N. and McGregor, R. 2010. Peter Maxwell Davies's Opus and WoO Numbers: A New Work List. Musical Times 151, pp. 53-86.
- Jones, N. 2010. Review: Managing modernism 2. Reviewed work: Musical modernism at the turn of the twenty-first century by David Metzer [Book review]. The Musical Times 151(1912), pp. 109-112.
- Jones, N. 2009. The music of Hugh Wood. By Edward Venn. [Book review]. Music and Letters 90(3), pp. 514-516. (10.1093/ml/gcp016)
- Jones, N. 2009. Review: Law & Order. Serialism by Arnold Whittall. Musical Times 150(1906), pp. 100-103.
- Jones, N. 2007. Review: Dumbing up. The way of music: aural training for the Internet generation by Robin Maconie [Book review]. Musical Times 148(1901), pp. 111-114. (10.2307/25434506)
- Jones, N. 2007. Review: Existential Elgar. Edward Elgar, Modernist by JPE Harper-Scott [Book review]. Musical Times 148(1899), pp. 81-88. (10.2307/25434460)
- Jones, N. 2006. "Disparagement and Invidious Comparisons": assessing critical reactions to Mathias's First Symphony. Tempo 60(238), pp. 8-14. (10.1017/S0040298206000283)
- Jones, N. 2005. 'Playing the Great Game'? Peter Maxwell Davies, Sonata form, and the Naxos Quartet no. 1. Musical Times 146, pp. 71-81. (10.2307/30044107)
- Jones, N. 2004. Ranging over the forest: a conversation with Anthony Powers. Tempo 58(228), pp. 23-31. (10.1017/S0040298204000117)
- Jones, N. 2003. Anthony Powers at 50: Luminous, but with shadows. Musical Times 144(1884), pp. 26-35. (10.2307/3650698)
- Jones, N. 2002. Dominant Logic: Peter Maxwell Davies's basic unifying hypothesis. The Musical Times 143(1878), pp. 37-45. (10.2307/1004421)
- Jones, N. 2002. Review: All Set. Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe by MJ Grant [Book Review]. Musical Times 143(1879), pp. 78-79. (10.2307/1004607)
- Jones, N. 2002. Perspectives on Peter Maxwell Davies edited by R. McGregor [Book Review]. Music and Letters 83(1), pp. 147-151. (10.1093/ml/83.1.147)
- Jones, N. 2000. Peter Maxwell Davies's 'submerged cathedral': architectural principles in the Third Symphony. Music & Letters 81(3), pp. 402-432. (10.1093/ml/81.3.402)
- Jones, N. 2000. Mathias's String Quartet No.1. Something to shout about. The Musical Times 141(1872), pp. 24-32. (10.2307/1004395)
- Jones, N. 1998. 'Preliminary workings': The precompositional process in Maxwell Davies's Third Symphony. Tempo 204, pp. 14-22.
Gwefannau
- Jones, N. 2019. Sir Peter Maxwell Davies: the man and the music. [Online]. themaxtrust.org: The Peter Maxwell Davies Trust. Available at: https://www.themaxtrust.org/about.html
- Jones, N. 2000. Towards the Symphonic odyssey: Maxwell Davies's Works for Orchestra 1958-73. [Online]. Maxopus.com. Available at: http://www.maxopus.com/resources_detail.aspx?key=64
Llyfrau
- Jones, N. and McGregor, R. 2020. The music of Peter Maxwell Davies. Boydell & Brewer.
- Jones, N. ed. 2017. Peter Maxwell Davies, selected writings. Music since 1900. Cambridge: Cambridge University Press. (10.1017/9781316662519)
- Beard, D. J., Gloag, K. and Jones, N. eds. 2015. Harrison Birtwistle studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
- Gloag, K. and Jones, N. eds. 2013. The Cambridge companion to Michael Tippett. Cambridge Companions to Music. Cambridge: Cambridge University Press.
- Gloag, K. and Jones, N. eds. 2009. Peter Maxwell Davies Studies. Cambridge Composer Studies. Cambridge: Cambridge University Press.
Perfformiadau
- Jones, N. 2021. Incantations: early chamber works of Peter Maxwell Davies. [Performed at Unmasking Max: Peter Maxwell Davies Study Day, School of Music, Cardiff University, 4 December 2021].
teaching_resource
- Jones, N. 2008. Seaside music: The Beach Boys and The Who [Chapter in Book 4 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2008. Madonna as pop diva [Chapter in Book 1 of AA100 The Arts Past and Present]. The Open University. - teaching_resource
- Jones, N. 2007. 'The End' by The Doors [Chapter in Block 5 of A179 Start Listening to Music]. The Open University. - teaching_resource
Ymchwil
Mae fy niddordebau ymchwil yn bennaf yng ngherddoriaeth Prydain ers 1900 ac mae fy ngwaith yn canolbwyntio ar ddadansoddi cerddoriaeth, dehongli, astudiaethau braslunio, lle a thirwedd, ac agweddau ar fywgraffiad, cyd-destun a hunaniaeth genedlaethol. Rwyf wedi cyd-olygu llyfrau ar gyfer Gwasg Prifysgol Caergrawnt ar Peter Maxwell Davies (2009), Michael Tippett (2013) a Harrison Birtwistle (2015). Mae cyhoeddiadau eraill yn cynnwys Peter Maxwell Davies, Selected Writings (CUP, 2017), The Music of Peter Maxwell Davies (Boydell & Brewer, 2020) a phennod yn A History of Welsh Music (CUP, 2022). Ar hyn o bryd rwy'n gweithio ar lyfr wedi'i olygu yn ymwneud â symffoni Prydain ac Iwerddon ers 1900 (CWPAN, sydd ar ddod yn 2025).
Addysgu
Gan redeg ochr yn ochr â'm gweithgareddau ymchwil, mae gen i ddiddordeb proffesiynol ym mhob maes addysg ar lefel AU, yn enwedig mewn perthynas â gwella'r profiad addysgol i ddysgwyr, archwilio dulliau gwahanol o asesu, gwella adborth i fyfyrwyr, prosesau sicrhau ansawdd ac addysg wedi'i gwella gan dechnoleg. Rwyf wedi dyfeisio, gweithredu a chynnal prosiectau a rhaglenni ar raddfa fawr, ac mae gen i brofiad rheoli arweinyddiaeth a lefel uwch sylweddol hefyd.
Rwy'n Uwch Gymrawd yr Academi Addysg Uwch (SFHEA) ac mae gen i Dystysgrif Ôl-raddedig mewn Addysgu a Dysgu Prifysgolion (PCUTL).
Bywgraffiad
Rwyf wedi graddio o Brifysgol Caerdydd (BMus 1994, MMus 1995), lle dyfarnwyd PhD i mi (yn 1999) am astudiaeth ddadansoddol o Drydedd Symffoni Syr Peter Maxwell Davies a phortffolio o gyfansoddiadau gwreiddiol. Rhwng 2005 a 2007, roeddwn yn Ddarlithydd Cerddoriaeth ac yn Ddirprwy Gadeirydd y rhaglen MA mewn Cerddoriaeth yn Y Brifysgol Agored, ac o 2008 i 2017, fe wnes i gydlynu rhaglen y Dyniaethau yn Is-adran Addysg Broffesiynol a Pharhaus Prifysgol Caerdydd.
Safleoedd academaidd blaenorol
- 2023 - : Pennaeth yr Ysgol Cerddoriaeth, Prifysgol Caerdydd
- 2022 - : Darllenydd mewn Cerddoleg, Ysgol Cerddoriaeth, Prifysgol Caerdydd
- 2016 - 2022: Uwch Ddarlithydd, Ysgol Cerddoriaeth, Prifysgol Caerdydd
- 2008 - 2017: Cydlynu Darlithydd yn y Dyniaethau, Addysg Barhaus a Phroffesiynol, Prifysgol Caerdydd
- 2005 - 2007: Darlithydd mewn Cerddoriaeth, Y Brifysgol Agored
- 2001 - 2010: Darlithydd Cyswllt mewn Cerddoriaeth, Y Brifysgol Agored
- 1996 - 2012: Darlithydd Cyswllt mewn Cerddoriaeth, Prifysgol Caerdydd
Pwyllgorau ac adolygu
Member of the Editorial Advisory Board, Tempo
Meysydd goruchwyliaeth
Rwyf wedi goruchwylio PhD yn llwyddiannus ar Ddatguddiad a Chwymp Peter Maxwell Davies a thros 30 o draethodau hir MA.
Ar hyn o bryd, rwy'n goruchwylio 5 myfyriwr PhD.
- Byddwn yn croesawu ymholiadau gan y rhai sydd â diddordeb mewn ymchwil PhD i unrhyw agwedd ar gerddoriaeth Brydeinig yr 20fed a'r 21ain ganrif, yn enwedig Peter Maxwell Davies a cherddoriaeth gelf Gymreig. Mae'r rhai sydd â diddordeb mewn cerddoriaeth yr 20fed ganrif yn fwy cyffredinol hefyd yn cael eu hannog i gysylltu â mi.
