Yr Athro Carl Plasa
BA (Oxon); MA, PhD (Southampton)
- Ar gael fel goruchwyliwr ôl-raddedig
Timau a rolau for Carl Plasa
Athro
Ysgol y Dyniaethau Byd-eang
Trosolwg
Rwy'n rhan o grwpiau ymchwil Llenyddiaeth Saesneg a Theori Beirniadol a Diwylliannol yr Ysgol.
Fy mhrosiect presennol yw monograff sy'n archwilio ail-ddychmygiadau llenyddol o Dante Gabriel Rossetti ac Elizabeth Siddal mewn llenyddiaeth gan fenywod o ddiwedd y 1950au hyd heddiw.
Rwyf wedi ysgrifennu nifer o draethodau ac erthyglau ar Lenyddiaeth Prydain, Americanaidd, Caribïaidd ac Affricanaidd Americanaidd, yn ogystal â phedwar llyfr: Literature, Art and Slavery: Ekphrastic Visions (Gwasg Prifysgol Caeredin, 2023); Slaves to Sweetness: British and Caribbean Literatures of Sugar (Gwasg Prifysgol Lerpwl, 2009); Charlotte Brontë (Palgrave, 2004); a Textual Politics from Slavery to Postcolonialism: Race and Identification (Macmillan, 2000).
Cyhoeddiad
2024
- Plasa, C. 2024. Charlotte Brontë’s mythic figures: Prometheus and Medusa in ‘The Death of Napoleon,’ The Professor and Jane Eyre. In: Wynne, D. and Regis, A. eds. The Edinburgh Companion to the Brontës and the Arts. Edinburgh: Edinburgh University Press. , pp.207-220. (10.3366/edinburgh/9781474487610.003.0014)
- Plasa, C. 2024. Lost and found: Textual and intertextual retrieval in Dante Gabriel Rossetti's exhumation letters and the 'Willowwood' sonnets. Connotations: A Journal for Critical Debate 33 , pp.190-225. (10.25623/conn033-plasa-1)
2023
- Plasa, C. 2023. Literature, art and slavery: Ekphrastic visions. Edinburgh: Edinburgh University Press.
2021
- Plasa, C. 2021. Race and gender: Inkle, Yarico, intertextual revisions and the problem of female vengeance. In: Hudson, N. ed. A Cultural History of Race in the Reformation and Enlightenment. Vol. 4, Bloomsbury Academic. , pp.127-143.
2019
- Plasa, C. 2019. Rewriting conjure: routes of revision in Frederick Douglass, Shirley Graham and Jewell Parker Rhodes. In: Mellis, J. ed. Voodoo, Hoodoo and Conjure in African American Literature: critical essays. Jefferson, NC: McFarland. , pp.31-50.
2018
- Plasa, C. 2018. Towards a bigger picture: transatlantic ekphrasis in William B. Patrick's 'The Slave Ship'. The Wenshan Review of Literature and Culture 11 (2), pp.27-59. (10.30395/WSR.201806_11(2).0003)
2017
- Plasa, C. 2017. 'In another light': new intertexts for David Dabydeen's 'Turner'. Connotations: A Journal for Critical Debate 26 , pp.163-203.
2015
- Plasa, C. 2015. Poetry in the archive: reimagining Amistad in Kevin Young's Ardency. In: Metcalf, J. and Spaulding, C. eds. African American Culture and Society after Rodney King: Provocations and Protests, Progression and 'Post-Racialism'. Farnham: Ashgate. , pp.83-106. (10.4324/9781315565989-11)
- Plasa, C. 2015. Ekphrastic poetry and the Middle Passage: recent encounters in the Black Atlantic. Connotations: A Journal for Critical Debate 24 (2), pp.290-324.
2014
- Plasa, C. 2014. Tim Armstrong, The logic of slavery: debt, technology, and pain in American literature [Book Review]. Review of English Studies 65 (269), pp.377-379. (10.1093/res/hgt099)
- Plasa, C. 2014. Prefigurements and afterlives: Bertha Mason's literary histories. Bronte Studies 39 (1), pp.6-13. (10.1179/1474893213Z.00000000091)
2013
- Plasa, C. 2013. Black skin, blue books: African Americans and Wales, 1845-1945 by Daniel G. Williams (Cardiff: University of Wales Press, 2012) [Book Review]. New Welsh Review 99 , pp.89-91.
- Plasa, C. 2013. "Mainly story-telling and play-acting": theatricality and the Middle Passage in Barry Unsworth's Sacred Hunger. In: Gohrisch, J. and Grünkemeier, E. eds. Postcolonial Studies Across the Disciplines. Amsterdam: Rodopi. , pp.151-166.
- Plasa, C. 2013. "The object of his craving": loss and compensation in Toni Morrison’s Song of Solomon. In: Emig, R. ed. Treasure in Literature and Culture. Heidelberg: Universitätsverlag Winter. , pp.117-132.
2012
- Plasa, C. 2012. Doing the slave trade in different voices: poetics and politics in Robert Hayden’s first Middle Passage. African American Review 45 (4), pp.557-573.
- Plasa, C. 2012. Simon Gikandi. Slavery and the culture of taste [Book Review]. The Review of English Studies 63 (261), pp.705-706. (10.1093/res/hgs009)
- Plasa, C. 2012. "Tangled skeins": Henry Timrod's The Cotton Boll and the slave narratives. Southern Literary Journal 45 (1), pp.1-20. (10.1353/slj.2012.0025)
2010
- Plasa, C. 2010. Saccharographies. In: Emig, R. and Lindner, O. eds. Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English. Cross/cultures Vol. 127.Amsterdam: Rodopi. , pp.41-61.
2009
- Plasa, C. 2009. Imperialism, reform, and the making of Englishness in Jane Eyre [Book Review]. Women's Writing 16 (2), pp.353-355. (10.1080/09699080903016771)
- Plasa, C. 2009. Slaves to sweetness: British and Caribbean literatures of sugar. Liverpool Studies in International Slavery Vol. 1Liverpool: Liverpool University Press.
2008
- Plasa, C. 2008. "Conveying away the trash": sweetening slavery in Matthew Lewis’s Journal of a West India Proprietor, Kept During a Residence in the Island of Jamaica. Romanticism and Victorianism on the Net 50 (8)(10.7202/018150ar)
2007
- Plasa, C. 2007. "Stained with spots of human blood": sugar, abolition and cannibalism. Atlantic Studies: Literary, Historical and Cultural Perspectives 4 (2), pp.225-243. (10.1080/14788810701510860)
2005
- Plasa, C. 2005. George Eliot's "confectionery business": sugar and slavery in Brother Jacob. LIT: Literature Interpretation Theory 16 (3), pp.285-309. (10.1080/10436920500183878)
2004
- Plasa, C. 2004. Charlotte Brontë. Critical Issues Basingstoke: Palgrave Macmillan.
2001
- Plasa, C. ed. 2001. Jean Rhys: Wide Sargasso Sea. Readers' Guides to Essential Criticism Icon.
2000
- Plasa, C. ed. 2000. Toni Morrison, Beloved: A reader's guide to essential criticism. Icon Reader's Guides to Essential Criticism Icon.
- Plasa, C. 2000. Charlotte Brontë's foreign bodies: slavery and sexuality in The Professor. Journal of Narrative Theory 30 (1), pp.1-28.
- Plasa, C. 2000. Textual politics from slavery to postcolonialism: race and identification. Basingstoke: Palgrave Macmillan.
1998
- Plasa, C. 1998. Reading "the geography of hunger" in Tsitsi Dangarembga's Nervous Conditions: from Frantz Fanon to Charlotte Brontë. Journal of Commonwealth Literature 33 (1), pp.35-45. (10.1177/002200949803300104)
- Plasa, C. 1998. Tennyson revised: influence and doubling in Four Quartets. Symbiosis: A Journal of Anglo-American Literary Relations 2 (1), pp.56-74.
- Plasa, C. 1998. "To whom does he address himself?": Reading Wordsworth in Browning's Pauline. In: Day, G. ed. Varieties of Victorianism: The Uses of a Past. Basingstoke: Palgrave Macmillan. , pp.161-178.
1995
- Plasa, C. 1995. Fantasias of war: language, intertextuality and gender in Dulce et Decorum Est. Krieg und Literatur / War and Literature 1 , pp.61-78.
- Plasa, C. 1995. Revision and repression in Keats's Hyperion: "pure creations of the poet's brain". Keats-Shelley Journal 44 , pp.117-146.
1994
- Plasa, C. and Ring, B. J. eds. 1994. The discourse of slavery: From Aphra Behn to Toni Morrison. Abingdon and New York: Routledge. (10.4324/9781315800233)
- Plasa, C. 1994. "Silent revolt": slavery and the politics of metaphor in Jane Eyre. In: Plasa, C. and Ring, B. J. eds. The Discourse of Slavery: Aphra Behn to Toni Morrison. Routledge. , pp.64-93.
- Plasa, C. and Ring, B. J. 1994. Introduction. In: Plasa, C. and Ring, B. J. eds. The Discourse of Slavery: Aphra Behn to Toni Morrison. Routledge. , pp.xiii-xix.
1993
- Plasa, C. 1993. "Qui est là": race, identity and the politics of fantasy in Wide Sargasso Sea. Gulliver: Deutsch-Englische Jahrbücher , pp.42-59.
1992
- Plasa, C. 1992. "Cracked from side to side": sexual politics in The Lady of Shalott. Victorian Poetry 30 (3/4), pp.247-264.
1991
- Plasa, C. 1991. Lost in the Post-Miltonic: reading Keats's letters. Prose Studies: History, Theory, Criticism 15 (1), pp.30-48. (10.1080/01440359208586457)
- Plasa, C. 1991. Reading Tennyson in Four Quartets: The example of East Coker. English: The Journal of the English Association 40 (168), pp.239-258. (10.1093/english/40.168.239)
Articles
- Plasa, C. 2024. Lost and found: Textual and intertextual retrieval in Dante Gabriel Rossetti's exhumation letters and the 'Willowwood' sonnets. Connotations: A Journal for Critical Debate 33 , pp.190-225. (10.25623/conn033-plasa-1)
- Plasa, C. 2018. Towards a bigger picture: transatlantic ekphrasis in William B. Patrick's 'The Slave Ship'. The Wenshan Review of Literature and Culture 11 (2), pp.27-59. (10.30395/WSR.201806_11(2).0003)
- Plasa, C. 2017. 'In another light': new intertexts for David Dabydeen's 'Turner'. Connotations: A Journal for Critical Debate 26 , pp.163-203.
- Plasa, C. 2015. Ekphrastic poetry and the Middle Passage: recent encounters in the Black Atlantic. Connotations: A Journal for Critical Debate 24 (2), pp.290-324.
- Plasa, C. 2014. Tim Armstrong, The logic of slavery: debt, technology, and pain in American literature [Book Review]. Review of English Studies 65 (269), pp.377-379. (10.1093/res/hgt099)
- Plasa, C. 2014. Prefigurements and afterlives: Bertha Mason's literary histories. Bronte Studies 39 (1), pp.6-13. (10.1179/1474893213Z.00000000091)
- Plasa, C. 2013. Black skin, blue books: African Americans and Wales, 1845-1945 by Daniel G. Williams (Cardiff: University of Wales Press, 2012) [Book Review]. New Welsh Review 99 , pp.89-91.
- Plasa, C. 2012. Doing the slave trade in different voices: poetics and politics in Robert Hayden’s first Middle Passage. African American Review 45 (4), pp.557-573.
- Plasa, C. 2012. Simon Gikandi. Slavery and the culture of taste [Book Review]. The Review of English Studies 63 (261), pp.705-706. (10.1093/res/hgs009)
- Plasa, C. 2012. "Tangled skeins": Henry Timrod's The Cotton Boll and the slave narratives. Southern Literary Journal 45 (1), pp.1-20. (10.1353/slj.2012.0025)
- Plasa, C. 2009. Imperialism, reform, and the making of Englishness in Jane Eyre [Book Review]. Women's Writing 16 (2), pp.353-355. (10.1080/09699080903016771)
- Plasa, C. 2008. "Conveying away the trash": sweetening slavery in Matthew Lewis’s Journal of a West India Proprietor, Kept During a Residence in the Island of Jamaica. Romanticism and Victorianism on the Net 50 (8)(10.7202/018150ar)
- Plasa, C. 2007. "Stained with spots of human blood": sugar, abolition and cannibalism. Atlantic Studies: Literary, Historical and Cultural Perspectives 4 (2), pp.225-243. (10.1080/14788810701510860)
- Plasa, C. 2005. George Eliot's "confectionery business": sugar and slavery in Brother Jacob. LIT: Literature Interpretation Theory 16 (3), pp.285-309. (10.1080/10436920500183878)
- Plasa, C. 2000. Charlotte Brontë's foreign bodies: slavery and sexuality in The Professor. Journal of Narrative Theory 30 (1), pp.1-28.
- Plasa, C. 1998. Reading "the geography of hunger" in Tsitsi Dangarembga's Nervous Conditions: from Frantz Fanon to Charlotte Brontë. Journal of Commonwealth Literature 33 (1), pp.35-45. (10.1177/002200949803300104)
- Plasa, C. 1998. Tennyson revised: influence and doubling in Four Quartets. Symbiosis: A Journal of Anglo-American Literary Relations 2 (1), pp.56-74.
- Plasa, C. 1995. Fantasias of war: language, intertextuality and gender in Dulce et Decorum Est. Krieg und Literatur / War and Literature 1 , pp.61-78.
- Plasa, C. 1995. Revision and repression in Keats's Hyperion: "pure creations of the poet's brain". Keats-Shelley Journal 44 , pp.117-146.
- Plasa, C. 1993. "Qui est là": race, identity and the politics of fantasy in Wide Sargasso Sea. Gulliver: Deutsch-Englische Jahrbücher , pp.42-59.
- Plasa, C. 1992. "Cracked from side to side": sexual politics in The Lady of Shalott. Victorian Poetry 30 (3/4), pp.247-264.
- Plasa, C. 1991. Lost in the Post-Miltonic: reading Keats's letters. Prose Studies: History, Theory, Criticism 15 (1), pp.30-48. (10.1080/01440359208586457)
- Plasa, C. 1991. Reading Tennyson in Four Quartets: The example of East Coker. English: The Journal of the English Association 40 (168), pp.239-258. (10.1093/english/40.168.239)
Book sections
- Plasa, C. 2024. Charlotte Brontë’s mythic figures: Prometheus and Medusa in ‘The Death of Napoleon,’ The Professor and Jane Eyre. In: Wynne, D. and Regis, A. eds. The Edinburgh Companion to the Brontës and the Arts. Edinburgh: Edinburgh University Press. , pp.207-220. (10.3366/edinburgh/9781474487610.003.0014)
- Plasa, C. 2021. Race and gender: Inkle, Yarico, intertextual revisions and the problem of female vengeance. In: Hudson, N. ed. A Cultural History of Race in the Reformation and Enlightenment. Vol. 4, Bloomsbury Academic. , pp.127-143.
- Plasa, C. 2019. Rewriting conjure: routes of revision in Frederick Douglass, Shirley Graham and Jewell Parker Rhodes. In: Mellis, J. ed. Voodoo, Hoodoo and Conjure in African American Literature: critical essays. Jefferson, NC: McFarland. , pp.31-50.
- Plasa, C. 2015. Poetry in the archive: reimagining Amistad in Kevin Young's Ardency. In: Metcalf, J. and Spaulding, C. eds. African American Culture and Society after Rodney King: Provocations and Protests, Progression and 'Post-Racialism'. Farnham: Ashgate. , pp.83-106. (10.4324/9781315565989-11)
- Plasa, C. 2013. "Mainly story-telling and play-acting": theatricality and the Middle Passage in Barry Unsworth's Sacred Hunger. In: Gohrisch, J. and Grünkemeier, E. eds. Postcolonial Studies Across the Disciplines. Amsterdam: Rodopi. , pp.151-166.
- Plasa, C. 2013. "The object of his craving": loss and compensation in Toni Morrison’s Song of Solomon. In: Emig, R. ed. Treasure in Literature and Culture. Heidelberg: Universitätsverlag Winter. , pp.117-132.
- Plasa, C. 2010. Saccharographies. In: Emig, R. and Lindner, O. eds. Commodifying (Post)Colonialism: Othering, Reification, Commodification and the New Literatures and Cultures in English. Cross/cultures Vol. 127.Amsterdam: Rodopi. , pp.41-61.
- Plasa, C. 1998. "To whom does he address himself?": Reading Wordsworth in Browning's Pauline. In: Day, G. ed. Varieties of Victorianism: The Uses of a Past. Basingstoke: Palgrave Macmillan. , pp.161-178.
- Plasa, C. 1994. "Silent revolt": slavery and the politics of metaphor in Jane Eyre. In: Plasa, C. and Ring, B. J. eds. The Discourse of Slavery: Aphra Behn to Toni Morrison. Routledge. , pp.64-93.
- Plasa, C. and Ring, B. J. 1994. Introduction. In: Plasa, C. and Ring, B. J. eds. The Discourse of Slavery: Aphra Behn to Toni Morrison. Routledge. , pp.xiii-xix.
Books
- Plasa, C. 2023. Literature, art and slavery: Ekphrastic visions. Edinburgh: Edinburgh University Press.
- Plasa, C. 2009. Slaves to sweetness: British and Caribbean literatures of sugar. Liverpool Studies in International Slavery Vol. 1Liverpool: Liverpool University Press.
- Plasa, C. 2004. Charlotte Brontë. Critical Issues Basingstoke: Palgrave Macmillan.
- Plasa, C. ed. 2001. Jean Rhys: Wide Sargasso Sea. Readers' Guides to Essential Criticism Icon.
- Plasa, C. ed. 2000. Toni Morrison, Beloved: A reader's guide to essential criticism. Icon Reader's Guides to Essential Criticism Icon.
- Plasa, C. 2000. Textual politics from slavery to postcolonialism: race and identification. Basingstoke: Palgrave Macmillan.
- Plasa, C. and Ring, B. J. eds. 1994. The discourse of slavery: From Aphra Behn to Toni Morrison. Abingdon and New York: Routledge. (10.4324/9781315800233)
Ymchwil
Prosiect cyfredol:
Pre-Raphaelite Revenants: Literary Afterlives of Elizabeth Siddal and Dante Gabriel Rossetti
Mae bywydau personol a chreadigol cydgysylltiedig Elizabeth Siddal a Dante Gabriel Rossetti wedi dal diddordeb ers amser maith mewn bywgraffwyr o Hall Caine a Violet Hunt i Jan Marsh. Ond mae ganddynt hefyd atseiniant cymhellol i'r awduron llenyddol y mae fy monograff presennol yn canolbwyntio arnynt, pob un ohonynt yn fenywod ac wedi'u lleoli yn y cyfnod rhwng diwedd y 1950au a'r presennol. Er bod awduron o'r fath o reidrwydd yn cymryd eu ciw o'r adroddiadau bywgraffyddol o'r ddau Cyn-Raphaelites blaenllaw hyn, nid ydynt yn cael eu cyfyngu ganddynt. Yn hytrach, maent yn ailfodelu stori Siddal-Rossetti (lle efallai eu bod yn dal cipolwg arnyn nhw eu hunain a menywod eraill) ar draws gwahanol genres mewn ffyrdd sy'n wreiddiol, anturus ac weithiau hyd yn oed yn feiddgar - ac yn hunan-ymwybodol wedi'u llywio gan ffeministiaeth sy'n datblygu'r cyfnod. Wrth gymryd rhan felly yn y prosesau hyn o hamdden dychmygus, mae'r awduron yn dod yn rhyfedd ac yn eironig yn debyg i'r artist-ffigwr yn "In an Artist's Studio" Christina Rossetti, y mae ei phortreadau obsesiynol o'i eisteddwr nid yw'n ei gwneud hi "fel y mae hi, ond wrth iddi lenwi ei freuddwyd."
Nid yw'r deunyddiau y mae'r llyfr yn eu dadansoddi (cerddi, nofelau a straeon byrion) wedi denu bron unrhyw sylw beirniadol hyd yma ac yn hyn o beth mae'n dioddef o ymylu nad yw'n annhebyg i'r hyn a effeithiodd ar gynnyrch artistig a barddonol Siddal ei hun tan ddiwedd y 1980au. Yn union fel y mae statws gwaith Siddal ers hynny wedi cael ei gydnabod fwyfwy, felly mae angen dod â'i bywydau llenyddol cyfoes - a rhai Rossetti, y maent wedi'u cydgysylltu'n ddwfn â nhw - bellach yn cael eu dwyn i'r amlwg, eu cloddio, fel y dywedir, o'r distawrwydd y maent wedi'u claddu i raddau helaeth.
Diddordebau ymchwil:
- Bywydau llenyddol Elizabeth Siddal a Dante Gabriel Rossetti
- Cyn-Raphaelitiaeth
- Llenyddiaeth Fictoraidd
- Cynrychioliadau llenyddol a gweledol o gaethwasiaeth (1760 hyd heddiw)
Addysgu
Mae fy mhortffolio addysgu cyfredol yn cynnwys darlithoedd blwyddyn gyntaf ar Transforming Visions: Text and Image, ynghyd â modiwl ail flwyddyn ar lenyddiaeth Affricanaidd Americanaidd o Frederick Douglass i Toni Morrison a modiwl trydedd flwyddyn ar gynrychioliadau llenyddol o gaethwasiaeth y Caribî o'r ddeunawfed ganrif i'r unfed ganrif ar hugain. Rwyf hefyd yn dysgu opsiwn MA ar ôl-fywydau llenyddol Elizabeth Siddal.
Bywgraffiad
I am currently a Professor of English Literature at Cardiff, having worked previously at the Universities of Manchester and Cork.
My teaching portfolio includes first-year lectures on Literature, Culture, Place and Introduction to the Novel, together with second- and third-year modules on African American Literature and on the literary and visual representation of British Caribbean slavery, respectively.
I also teach an MA option entitled Slavery and Nineteenth-Century Literature. I have supervised the successful completion of some thirteen PhDs to date, across a wide array of topics ranging from the Harlem Renaissance to Richard Wright and from Dickens and empire to Wordsworthian legacies in Victorian poetry.
Meysydd goruchwyliaeth
Byddwn yn croesawu ceisiadau gan fyfyrwyr sy'n gweithio yn unrhyw un o'r meysydd canlynol:
- Cyn-Raphaelitiaeth a'i etifeddiaeth lenyddol
- Cynrychioliadau llenyddol a gweledol o gaethwasiaeth (1760 hyd heddiw)
- Llenyddiaeth ekphrastic
- Charlotte Brontë
- Alfred, yr Arglwydd Tennyson
Prosiectau'r gorffennol
Ers 1994, rwyf wedi goruchwylio (neu gyd-oruchwylio) cwblhau 17 PhD yn llwyddiannus:
2026: Morgan Lee, "Re-Momoriam Alfred, Yr Arglwydd Tennyson: Dadansoddiad Llenyddol a Diwylliannol o Tennyson a'i Spectres."
2025: Joanne Rush (cyd-oruchwyliaeth gyda'r Athro Gerard Woodward ym Mhrifysgol Bath Spa): "The Girl in the Locket and Imagining Lost Stories: Ekphrasis as a Response to Archival Gaps" (traethawd ymchwil Ysgrifennu Creadigol a ariennir gan yr AHRC).
2023: Gareth Smith, "Wilde, Wildeblood and the Welfare State: Exploring Homosexuality, Class and Culture on Page, Stage and Screen in Britain, 1945-67" (cyd-oruchwyliaeth gyda'r Athro Irene Morra, Prifysgol Toronto).
2016: Caleb Sivyer, "Gwleidyddiaeth Rhywedd a'r Gweledol yn Virginia Woolf ac Angela Carter."
2014: Jayne Thomas, "O gyfeiriad at Intertext: Darllen Wordsworth yn Tennyson, Browning a Hopkins."
2014: Mohamed Maaloum, "The Loss of the Referent: Identity and Fragmentation in Richard Wright's Fiction."
2013: Phillip Roberts, "Sinema a Rheolaeth."
2013: Theresa Wray, "A Reappraisal of the Short Stories of Mary Lavin."
2011: Anthony Austin, "'The Great Dread of Our Age': Reading Alzheimer's and the Gothic."
2009: Renée Chow, "Postcolonial Hauntologies: Creole Identity in Jean Rhys, Patrick Chamoiseau and David Dabydeen."
2008: Jodie Matthews (Cymrawd Ymchwil ar hyn o bryd, Academi Astudiaethau Prydeinig a Gwyddelig, Prifysgol Huddersfield), "Darllen y Sipsiwn Fictoraidd."
2004: Dale Duddridge, "'Ein Anderer Schauplatz': Gweledigaethau Theatrig mewn Seicodadansoddiad Freudaidd."
2002: Sean Purchase, "Dickens's Silent Empire."
2001: Adam Woodruff, "Walter Benjamin a Moderniaeth: Tuag at Farddoniaeth Cynrychiolaeth Trefol."
1999: Tiffany Atkinson (Athro Ysgrifennu Creadigol ar hyn o bryd, Prifysgol East Anglia), "The Dissenting Flesh: Corporeality, Representation and Theory."
1998: Simon Lee-Price, "Hybridity Hiliol a Dadeni Harlem: Hanes, Llenyddiaeth, Theori."
1996: Alan Grossman (Cyfarwyddwr y Ganolfan Ymchwil Trawsddiwylliannol ac Ymarfer y Cyfryngau, Sefydliad Technoleg Dulyn), "'Things Welsh': Identities on the March(es)."
Contact Details
+44 29208 75013
Adeilad John Percival , Ystafell 2.13, Rhodfa Colum, Caerdydd, CF10 3EU
Themâu ymchwil
Arbenigeddau
- Llenyddiaeth a chaethwasiaeth
- ekphrasis
- Llenyddiaeth Fictoraidd
- Ôl-effeithiau cyn-Raphaelite