Professor David Jones

2026

• Jones, D. W. 2026. Johann Strauss-Topographien: Klang—Raum—Wien . Ed. by Isabella Sommer [Book Review]. Music & Letters gcag044. (10.1093/ml/gcag044)
• Jones, D. W. 2026. Concerts and concert venues. In: Keefe, S. P. ed. Vienna: A Musical History. Cambridge: Cambridge University Press. , pp.188-209. (10.1017/9781009399456.011)

2020

• Jones, D. W. 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.166-188. (10.1017/9781108552813.009)

2019

• Jones, D. 2019. Institutions. In: Clark, C. and Day-O'Connell, S. eds. The Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press. , pp.167-177.
• Jones, D. 2019. Religious views. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press. , pp.27-33.
• Jones, D. 2019. Vienna. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press. , pp.88-96.

2017

• Jones, D. W. 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. In: Händel-Jahrbuch. Vol. 63, Basel: Bärenreiter Kassel. , pp.73-86.

2016

• Jones, D. W. 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.

2015

• Jones, D. W. ed. 2015. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate.
• Jones, D. W. 2015. Mozart's spirit from Seyfried's hands. In: Keefe, S. P. ed. Mozart Studies 2. Cambridge Composer Studies Cambridge: Cambridge University Press. , pp.195-228. (10.1017/CBO9781107360051.009)
• Jones, D. W. 2015. Introduction. In: Jones, D. W. ed. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate. , pp.xi-xxv.

2013

• Jones, D. W. 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, R. and Jones, D. W. eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library. , pp.1-21.

2011

• Jones, D. W. 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8 (2), pp.287-305. (10.1017/S147857061100008X)

2010

• Jones, D. W. 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51 (1-2), pp.29-40. (10.1556/SMus.51.2010.1-2.3)

2009

• Jones, D. W. ed. 2009. Oxford composer companions: Haydn. Oxford Companions Oxford: Oxford University Press.
• Jones, D. W. 2009. The life of Haydn. Musical Lives Cambridge: Cambridge University Press.

2006

• Jones, D. W. 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, I. ed. Festschrift Otto Biba zum 60. Geburtstag. Tutzing: Hans Schneider. , pp.39-56.
• Jones, D. W. 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002). Strumenti della ricerca musicale Vol. 9.Lucca: Lim Editrice. , pp.3-19.
• Jones, D. W. 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, G. , Soldati, S. and Zomparelli, E. eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994). Palestrina: Fondazione Giovanni Pierluigi da Palestrina. , pp.1061-1074.
• Jones, D. W. 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.

2005

• Jones, D. W. 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn. Cambridge Collections Online Cambridge: Cambridge University Press. , pp.45-57. (10.1017/CCOL9780521833479.005)
• Jones, D. W. 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, R. ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography. Berliner Wissenschafts-Verlag. , pp.140-58.

2003

• Jones, D. W. 2003. Beethoven and the Viennese Legacy. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press. , pp.210-237. (10.1017/CCOL9780521801942.011)
• Jones, D. W. 2003. The origins of the quartet. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press. , pp.177-184. (10.1017/CCOL9780521801942.009)

2002

• Jones, D. W. 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8 (4), pp.413 - 17.

2001

• Jones, D. W. 2001. "ma in Ispagna..." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49 (1/2), pp.40-50.

2000

• Jones, D. W. ed. 2000. Music in Eighteenth-Century Britain. Aldershot: Ashgate.

1998

• Jones, D. W. 1998. The life of Beethoven. Musical Lives Cambridge: Cambridge University Press.
• Jones, D. W. 1998. Austrian symphonies in the Royal Palace, Madrid. In: Boyd, M. and Carreras, J. eds. Music in Spain during the Eighteenth Century. Cambridge: Cambridge University Press. , pp.125-143. (10.2277/ 0521481392)

1996

• Jones, D. W. ed. 1996. Music in eighteenth-century Austria. Cambridge: Cambridge University Press.
• Jones, D. W. 1996. Introduction: new challenges, new perspectives. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press. , pp.1-10. (10.2277/ 0521453496)
• Biba, O. and Jones, D. W. eds. 1996. Studies in music history: Presented to H.C. Robbins Landon on his seventieth birthday. London: Thames & Hudson.
• Jones, D. W. 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. In: Biba, O. and Jones, D. W. eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday. London: Thames & Hudson. , pp.105-114.
• Jones, D. W. 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press. , pp.89-111. (10.2277/ 0521453496)

1995

• Jones, D. W. 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks Cambridge: Cambridge University Press.

1992

• Jones, D. W. 1992. A Spanish Source for Haydn’s “Non nobis Domine”. In: Landon, H. C. R. ed. Haydn Yearbook. Vol. 17, London: Thames & Hudson. , pp.167-169.

1990

• Jones, D. W. 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51 , pp.280-289.

1988

• Landon, H. R. and Jones, D. W. 1988. Haydn: his life and work. London: Thames & Hudson.

1984

• Jones, D. W. 1984. Haydn's music in London in the period 1760-1790. In: Landon, H. R. ed. Haydn Yearbook. Vol. 14, Cardiff: University College Cardiff Press. , pp.144-172.

1978

• Jones, D. W. 1978. Robert Bremner and the periodical overture. Soundings (7), pp.63-84.