![David Jones](https://profiles-cardiff.imgix.net/attachments/2785?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Professor David Jones
- Welsh speaking
Teams and roles for David Jones
Emeritus Professor
Overview
David Wyn Jones was appointed as Lecturer in 1974, becoming Senior Lecturer in 1998 and Reader in 2002. He was awarded a Professorial Chair in 2007 and was Head of School March 2008 - July 2013.
His main interest lies in the music of the Classical Period, in particular Haydn, Beethoven and Vienna, and in aspects of music dissemination and publishing.
He was a member of the core group for the international project, 'The Circulation of Music, 1600-1900', sponsored by the European Science Foundation (2000-04).
Publication
2020
- Jones, D. W. 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 166-188., (10.1017/9781108552813.009)
2019
- Jones, D. 2019. Institutions. In: Clark, C. and Day-O'Connell, S. eds. The Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press, pp. 167-177.
- Jones, D. 2019. Religious views. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 27-33.
- Jones, D. 2019. Vienna. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 88-96.
2017
- Jones, D. W. 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. In: Händel-Jahrbuch., Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.
2016
- Jones, D. W. 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.
2015
- Jones, D. W. 2015. Mozart's spirit from Seyfried's hands. In: Keefe, S. P. ed. Mozart Studies 2. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 195-228., (10.1017/CBO9781107360051.009)
- Jones, D. W. 2015. Introduction. In: Jones, D. W. ed. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate, pp. xi-xxv.
- Jones, D. W. ed. 2015. Haydn. The Late Eighteenth-Century Composers. Surrey: Ashgate.
2013
- Jones, D. W. 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, R. and Jones, D. W. eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library, pp. 1-21.
2011
- Jones, D. W. 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8(2), pp. 287-305. (10.1017/S147857061100008X)
2010
- Jones, D. W. 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51(1-2), pp. 29-40. (10.1556/SMus.51.2010.1-2.3)
2009
- Jones, D. W. ed. 2009. Oxford composer companions: Haydn. Oxford Companions. Oxford: Oxford University Press.
- Jones, D. W. 2009. The life of Haydn. Musical Lives. Cambridge: Cambridge University Press.
2006
- Jones, D. W. 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.
- Jones, D. W. 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, I. ed. Festschrift Otto Biba zum 60. Geburtstag. Tutzing: Hans Schneider, pp. 39-56.
- Jones, D. W. 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, G., Soldati, S. and Zomparelli, E. eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994). Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.
- Jones, D. W. 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002). Strumenti della ricerca musicale Vol. 9. Lucca: Lim Editrice, pp. 3-19.
2005
- Jones, D. W. 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn. Cambridge Collections Online Cambridge: Cambridge University Press, pp. 45-57., (10.1017/CCOL9780521833479.005)
- Jones, D. W. 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, R. ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography. Berliner Wissenschafts-Verlag, pp. 140-58.
2003
- Jones, D. W. 2003. Beethoven and the Viennese Legacy. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 210-237., (10.1017/CCOL9780521801942.011)
- Jones, D. W. 2003. The origins of the quartet. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 177-184., (10.1017/CCOL9780521801942.009)
2002
- Jones, D. W. 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8(4), pp. 413 - 17.
2001
- Jones, D. W. 2001. "ma in Ispagna.." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49(1/2), pp. 40-50.
2000
- Jones, D. W. ed. 2000. Music in Eighteenth-Century Britain. Aldershot: Ashgate.
1998
- Jones, D. W. 1998. The life of Beethoven. Musical Lives. Cambridge: Cambridge University Press.
- Jones, D. W. 1998. Austrian symphonies in the Royal Palace, Madrid. In: Boyd, M. and Carreras, J. eds. Music in Spain during the Eighteenth Century. Cambridge: Cambridge University Press, pp. 125-143., (10.2277/ 0521481392)
1996
- Jones, D. W. ed. 1996. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press.
- Jones, D. W. 1996. Introduction: new challenges, new perspectives. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 1-10., (10.2277/ 0521453496)
- Jones, D. W. 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 89-111., (10.2277/ 0521453496)
- Biba, O. and Jones, D. W. eds. 1996. Studies in music history: Presented to H.C. Robbins Landon on his seventieth birthday. London: Thames & Hudson.
- Jones, D. W. 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. In: Biba, O. and Jones, D. W. eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday. London: Thames & Hudson, pp. 105-114.
1995
- Jones, D. W. 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks. Cambridge: Cambridge University Press.
1992
- Jones, D. W. 1992. A Spanish Source for Haydn’s “Non nobis Domine”. In: Landon, H. C. R. ed. Haydn Yearbook., Vol. 17. London: Thames & Hudson, pp. 167-169.
1990
- Jones, D. W. 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51, pp. 280-289.
1988
- Landon, H. R. and Jones, D. W. 1988. Haydn: his life and work. London: Thames & Hudson.
1984
- Jones, D. W. 1984. Haydn's Music in London in the Period 1760-1790. In: Landon, H. R. ed. Haydn Yearbook., Vol. 14. Cardiff: University College Cardiff Press, pp. 144-172.
1978
- Jones, D. W. 1978. Robert Bremner and the periodical overture. Soundings(7), pp. 63-84.
Articles
- Jones, D. W. 2011. Haydn's forgotten quartets: Three of the 'Paris' symphonies arranged for string quartet. Eighteenth-Century Music 8(2), pp. 287-305. (10.1017/S147857061100008X)
- Jones, D. W. 2010. Becoming a complete Kapellmeister: Haydn and Mattheson's 'Der vollkommene Capellmeister'. Studia Musicologica 51(1-2), pp. 29-40. (10.1556/SMus.51.2010.1-2.3)
- Jones, D. W. 2002. A newly identified sketchleaf for Haydn's quartet in D minor, "Opus 103". Haydn-Studien 8(4), pp. 413 - 17.
- Jones, D. W. 2001. "ma in Ispagna.." Manuscript sources for Mozart's Music in the Royal Palace, Madrid. Mitteilungen der Internationalen Stiftung Mozarteum 49(1/2), pp. 40-50.
- Jones, D. W. 1990. Why did Mozart compose his last three Symphonies? Some new Hypotheses. Music Review 51, pp. 280-289.
- Jones, D. W. 1978. Robert Bremner and the periodical overture. Soundings(7), pp. 63-84.
Book sections
- Jones, D. W. 2020. Shared identities and thwarted narratives: Beethoven and the Austrian Allgemeine musikalische Zeitung, 1817-1824. In: Chapin, K. and Jones, D. W. eds. Beethoven Studies 4. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 166-188., (10.1017/9781108552813.009)
- Jones, D. 2019. Institutions. In: Clark, C. and Day-O'Connell, S. eds. The Cambridge Haydn Encyclopedia. Cambridge: Cambridge University Press, pp. 167-177.
- Jones, D. 2019. Religious views. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 27-33.
- Jones, D. 2019. Vienna. In: Keefe, S. ed. Mozart in Context. Composers in Context Cambridge: Cambridge University Press, pp. 88-96.
- Jones, D. W. 2017. 'What noble simplicity, what strength and, certainly, melody this music has.' Handel's reputation in Beethoven's Vienna. In: Händel-Jahrbuch., Vol. 63. Basel: Bärenreiter Kassel, pp. 73-86.
- Jones, D. W. 2015. Mozart's spirit from Seyfried's hands. In: Keefe, S. P. ed. Mozart Studies 2. Cambridge Composer Studies Cambridge: Cambridge University Press, pp. 195-228., (10.1017/CBO9781107360051.009)
- Jones, D. W. 2015. Introduction. In: Jones, D. W. ed. Haydn. The Late Eighteenth-Century Composers Surrey: Ashgate, pp. xi-xxv.
- Jones, D. W. 2013. Haydn, Austria and Britain: Music, culture and politics in the 1790s. In: Chesser, R. and Jones, D. W. eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library, pp. 1-21.
- Jones, D. W. 2006. Haydn, Hoffmeister, Beethoven and Mozart: Salomon's 1801 concert series. In: Fuchs, I. ed. Festschrift Otto Biba zum 60. Geburtstag. Tutzing: Hans Schneider, pp. 39-56.
- Jones, D. W. 2006. The stylus a cappella masses of the Viennese classical school: Palestrina honoured and transformed. In: Rostirolla, G., Soldati, S. and Zomparelli, E. eds. Palestrina e l'Europa: Atti del III Convegno Internazionale di Studi (Palestrina, 6-9 ottobre 1994). Palestrina: Fondazione Giovanni Pierluigi da Palestrina, pp. 1061-1074.
- Jones, D. W. 2006. Some aspects of Clementi’s career as a publisher. In: Antolini, B. M. and Mastroprimiano, C. eds. Muzio Clementi: Compositore, (Forte) Pianista, editore: Atti del Convegno internazionale di studi (Perugia, Conservatorio di Musica, 4-6 ottobre 2002). Strumenti della ricerca musicale Vol. 9. Lucca: Lim Editrice, pp. 3-19.
- Jones, D. W. 2005. First among equals: Haydn and his fellow composers. In: Clark, C. ed. The Cambridge Companion to Haydn. Cambridge Collections Online Cambridge: Cambridge University Press, pp. 45-57., (10.1017/CCOL9780521833479.005)
- Jones, D. W. 2005. 'What do surviving copies of early printed music tell us?'. In: Rudolf, R. ed. Music Publishing in Europe 1600-1900. Concepts and Issues. Bibliography. Berliner Wissenschafts-Verlag, pp. 140-58.
- Jones, D. W. 2003. Beethoven and the Viennese Legacy. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 210-237., (10.1017/CCOL9780521801942.011)
- Jones, D. W. 2003. The origins of the quartet. In: Stowell, R. ed. The Cambridge Companion to the String Quartet. Cambridge Companions to Music Cambridge: Cambridge University Press, pp. 177-184., (10.1017/CCOL9780521801942.009)
- Jones, D. W. 1998. Austrian symphonies in the Royal Palace, Madrid. In: Boyd, M. and Carreras, J. eds. Music in Spain during the Eighteenth Century. Cambridge: Cambridge University Press, pp. 125-143., (10.2277/ 0521481392)
- Jones, D. W. 1996. Introduction: new challenges, new perspectives. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 1-10., (10.2277/ 0521453496)
- Jones, D. W. 1996. Haydn’s Missa sunt bona mixta malis and the a cappella tradition. In: Jones, D. W. ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, pp. 89-111., (10.2277/ 0521453496)
- Jones, D. W. 1996. From Artaria to Longman & Broderip: Mozart's music on sale in London. In: Biba, O. and Jones, D. W. eds. Studies in Music History: Presented to H. C. Robbins Landon on his Seventieth Birthday. London: Thames & Hudson, pp. 105-114.
- Jones, D. W. 1992. A Spanish Source for Haydn’s “Non nobis Domine”. In: Landon, H. C. R. ed. Haydn Yearbook., Vol. 17. London: Thames & Hudson, pp. 167-169.
- Jones, D. W. 1984. Haydn's Music in London in the Period 1760-1790. In: Landon, H. R. ed. Haydn Yearbook., Vol. 14. Cardiff: University College Cardiff Press, pp. 144-172.
Books
- Jones, D. W. 2016. Music in Vienna: 1700, 1800, 1900. Woodbridge: The Boydell Press.
- Jones, D. W. ed. 2015. Haydn. The Late Eighteenth-Century Composers. Surrey: Ashgate.
- Jones, D. W. ed. 2009. Oxford composer companions: Haydn. Oxford Companions. Oxford: Oxford University Press.
- Jones, D. W. 2009. The life of Haydn. Musical Lives. Cambridge: Cambridge University Press.
- Jones, D. W. 2006. The symphony in Beethoven's Vienna. Cambridge: Cambridge University Press.
- Jones, D. W. ed. 2000. Music in Eighteenth-Century Britain. Aldershot: Ashgate.
- Jones, D. W. 1998. The life of Beethoven. Musical Lives. Cambridge: Cambridge University Press.
- Jones, D. W. ed. 1996. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press.
- Biba, O. and Jones, D. W. eds. 1996. Studies in music history: Presented to H.C. Robbins Landon on his seventieth birthday. London: Thames & Hudson.
- Jones, D. W. 1995. Beethoven: The Pastoral Symphony. Cambridge Music Handbooks. Cambridge: Cambridge University Press.
- Landon, H. R. and Jones, D. W. 1988. Haydn: his life and work. London: Thames & Hudson.
