Dr Derek Dunne
Lecturer
- Media commentator
- Available for postgraduate supervision
Overview
I joined Cardiff University in 2017 as a Lecturer in English Literature. Previous to this I have taught at Shakespeare’s Globe (London), Queen’s University Belfast, and the University of Fribourg (Switzerland). In 2018/19 I have been named one of the British Academy's Rising Stars, for my new podcast & summit on 'Survival Strategies for Humanities ECAs': ECASurvival.com.
I am an early modernist by training and inclination, with a particular focus on the works of Shakespeare. My first monograph, Shakespeare, Revenge Tragedy, and Early Modern Law: Vindictive Justice (Palgrave, 2016) examined revenge dramatists’ critique of early modern legal systems from a law and literature perspective.
Since then I have begun a new research project entitled “Rogues’ Licence: Counterfeiting Authority in early modern England”, with a focus on the relationship between literature and bureaucracy, discourses of authority, and the practice of forgery. This has been awarded fellowships by the Folger Shakespeare Library (Washington DC), the Huntington (California), and the Newberry (Chicago).
I am happy to supervise PhDs in the following areas: early modern drama; rogue literature; Inns of Court culture; discourses of forgery; early modern bureaucracy; popular print v manuscript culture. Please contact me to discuss topics in these or related areas.
Publication
2022
- Dunne, D. 2022. Filling in the blanks in early modern drama. Huntington Library Quarterly 85(2), pp. 259-287.
- Dunne, D. 2022. The first Shakespearean forgeries. The Review of English Studies 73(310), pp. 459–475. (10.1093/res/hgab097)
2019
- Dunne, D. 2019. Revenge tragedy: Hoffman. In: Cadman, D., Duxfield, A. and Hopkins, L. eds. The Genres of Renaissance Tragedy. Manchester University Press, pp. 132-147.
2017
- Dunne, D. 2017. Rogues' licence: counterfeiting authority in Early Modern literature. Shakespeare Studies 45, pp. 137-143.
- Dunne, D. 2017. Inside the collection: Derek Dunne on Early Modern licences. [Online]. YouTube: Folger Shakespeare Library. Available at: https://www.youtube.com/watch?v=QKOcZY-Zqh0
- 2017. Shakespeare in Ireland; An academic blog of Early Modern events and research in Ireland. [Online]. Wordpress. Available at: https://shakespeareinireland.wordpress.com/
2016
- Dunne, D. 2016. The ‘Thyestian’ motif in Antonio’s Revenge and interpolated stage directions. Notes and Queries 63(3), pp. 448-450. (10.1093/notesj/gjw103)
- Dunne, D. 2016. Blushing on cue: forensics of the blush in Early Modern drama. Shakespeare Bulletin 34(2), pp. 233-252. (10.1353/shb.2016.0026)
- Dunne, D. 2016. Shakespeare, Revenge Tragedy and Early Modern law: Vindictive justice. Early Modern Literature in History. Basingstoke: Palgrave Macmillan UK. (10.1007/978-1-137-57287-5)
- Dunne, D. 2016. Titus (1999) - film adaptation of Shakespeare's Titus Andronicus. The Literary Encyclopedia
2015
- Dunne, D. 2015. Re-assessing trial by jury in Early Modern law and literature. Literature Compass 12(10), pp. 517-526. (10.1111/lic3.12264)
- Dunne, D. 2015. Decentring the law in Hamlet. Law and Humanities 9(1), pp. 55-77.
2014
- Dunne, D. 2014. ‘Partialitie in a Iudge, is a Turpitude’: partial judges and impartial revengers in Early Modern English drama. In: Murphy, K. and Traninger, A. eds. The Emergence of Impartiality: Towards a History of Objectivity. Leiden: Brill
- Dunne, D. 2014. 'Superfluous death' and the mathematics of revenge. Journal of the Northern Renaissance 6
2013
- Dunne, D. 2013. Playing Shakespeare Project: Interview with a Globe Associate Lecturer. [Online]. YouTube: Shakespeare's Globe. Available at: https://www.youtube.com/watch?v=7bU-5tg4lnY
2012
- Dunne, D. 2012. Mohammedis Imposturae: that is, a discovery of the manifold forgeries, falsehood, and horrible impieties of the blasphemous seducer Mohammed. Reading East: Irish Sources and Resources, article number: Essay 4.
Articles
- Dunne, D. 2022. Filling in the blanks in early modern drama. Huntington Library Quarterly 85(2), pp. 259-287.
- Dunne, D. 2022. The first Shakespearean forgeries. The Review of English Studies 73(310), pp. 459–475. (10.1093/res/hgab097)
- Dunne, D. 2017. Rogues' licence: counterfeiting authority in Early Modern literature. Shakespeare Studies 45, pp. 137-143.
- Dunne, D. 2016. The ‘Thyestian’ motif in Antonio’s Revenge and interpolated stage directions. Notes and Queries 63(3), pp. 448-450. (10.1093/notesj/gjw103)
- Dunne, D. 2016. Blushing on cue: forensics of the blush in Early Modern drama. Shakespeare Bulletin 34(2), pp. 233-252. (10.1353/shb.2016.0026)
- Dunne, D. 2016. Titus (1999) - film adaptation of Shakespeare's Titus Andronicus. The Literary Encyclopedia
- Dunne, D. 2015. Re-assessing trial by jury in Early Modern law and literature. Literature Compass 12(10), pp. 517-526. (10.1111/lic3.12264)
- Dunne, D. 2015. Decentring the law in Hamlet. Law and Humanities 9(1), pp. 55-77.
- Dunne, D. 2014. 'Superfluous death' and the mathematics of revenge. Journal of the Northern Renaissance 6
- Dunne, D. 2012. Mohammedis Imposturae: that is, a discovery of the manifold forgeries, falsehood, and horrible impieties of the blasphemous seducer Mohammed. Reading East: Irish Sources and Resources, article number: Essay 4.
Book sections
- Dunne, D. 2019. Revenge tragedy: Hoffman. In: Cadman, D., Duxfield, A. and Hopkins, L. eds. The Genres of Renaissance Tragedy. Manchester University Press, pp. 132-147.
- Dunne, D. 2014. ‘Partialitie in a Iudge, is a Turpitude’: partial judges and impartial revengers in Early Modern English drama. In: Murphy, K. and Traninger, A. eds. The Emergence of Impartiality: Towards a History of Objectivity. Leiden: Brill
Books
- Dunne, D. 2016. Shakespeare, Revenge Tragedy and Early Modern law: Vindictive justice. Early Modern Literature in History. Basingstoke: Palgrave Macmillan UK. (10.1007/978-1-137-57287-5)
Websites
- Dunne, D. 2017. Inside the collection: Derek Dunne on Early Modern licences. [Online]. YouTube: Folger Shakespeare Library. Available at: https://www.youtube.com/watch?v=QKOcZY-Zqh0
- 2017. Shakespeare in Ireland; An academic blog of Early Modern events and research in Ireland. [Online]. Wordpress. Available at: https://shakespeareinireland.wordpress.com/
- Dunne, D. 2013. Playing Shakespeare Project: Interview with a Globe Associate Lecturer. [Online]. YouTube: Shakespeare's Globe. Available at: https://www.youtube.com/watch?v=7bU-5tg4lnY
Research
My doctoral research was in the field of Law & Literature, with a particular focus on the genre of revenge tragedy. This led to the publication of my first monograph, Shakespeare, Revenge Tragedy, and Early Modern Law: Vindictive Justice (Palgrave, 2016). Revenge tragedy’s common ancestry with law on both sides – through the subject matter of revenge, and through the medium of theatre – makes the genre an ideal testing ground for the staging of the law in early modern England.
I have written articles on topics including:
- The forensics of the blush in early modern drama
- The mathematics of revenge
- Hamlet’s lack of engagement with legal culture
- Editorial intervention in Marston’s Antonio’s Revenge
In my latest research I aim for a more interdisciplinary mode of research. I was drawn to the subject of forgery and bureaucracy through the so-called ‘cony-catching’ pamphlets, and this led me to examine the prominence of bureaucracy in the formation of early modern literature. My aim is to show that Shakespeare and his contemporaries were fully and on occasion painfully aware of the importance of the licence and related documentation, which then found its way into the process of composition itself. This brings together related subfields such as law and literature, manuscript studies, theatre history and literary criticism in new and productive configurations. My ongoing work in this area includes pieces on:
- The first Shakespearean forgeries
- Prison paperwork on the early modern stage
- Forgery and authority in the cony-catching pamphlets
- The Earl of Essex and Shakespeare’s Twelfth Night
- Hands, Seals, and Documentary Authority in Sir Thomas More & Henry VIII
This work will result in a monograph on Shakespeare’s Licence: The Power of Paperwork in Early Modern Literature & Culture.
I have also written exploratory blogposts on my latest research, including:
- ‘“This Device is Licensed”: The Material and Immaterial Bureaucracy of Research’, for ‘The Materiality of Research’ series, LSE Review of Books
- ‘Sign Here Please: ________ Blank Forms from the Folger Collection’, for The Collation research blog, Folger Shakespeare Library
- ‘The Man with the Golden Pen’, for the Before Shakespeare project blog
Teaching
I have devised and delivered a range of modules including:
- ‘Experimental Early Modern Drama’
- ‘Criminal Shakespeare’
- ‘Theatre & Architecture’
- ‘Hamlet: Texts & Contexts’
- ‘Shakespeare at the Globe’
- ‘Shakespearean Childhoods’
- 'Poetic Justice? Law & Literature in Shakespeare's England' (MA)
- ‘Early modern Playhouse Practice’ (MA)
- ‘Shakespeare’s Globe & Contemporary Culture’ (MA)
I also contribute teaching to ‘Star Cross’d Lovers: The Politics of Desire’
Biography
I completed my studies at Trinity College Dublin, plus a year at St. John’s College Cambridge for the MPhil in Renaissance Literature. Since finishing my PhD I have had numerous academic appointments, which include a teaching position within the Education department of Shakespeare’s Globe, a post-doc at the University of Fribourg, and a long-term research fellowship at the Folger Shakespeare Library, Washington DC.
I hold a British Academy Rising Star Engagement Award for 2018/19, which provides resources towards building a podcast & summit focused on 'Survival Strategies for Humanities ECAs'. This will launch in November 2018 with a 2-day summit at Cardiff University, with a keynote address from Prof. Stefan Collini (Cambridge University).
I am one of the co-creators of the Shakespeare in Ireland website. I have organised panels and seminars on topics including ‘Women on Trial’ (with Penelope Geng, RSA 2016), ‘Shakespeare & Counterfeiting’ (with Harry Newman, SAA 2017), and ‘Authors & Bureaucracy’ (with Julianne Werlin, RSA 2018).
Honours and awards
2018 Research Fellowship at the Huntington Library, California
2017 Library Fellowship at University of Durham IMEMS centre
2016 – 2017 Mowat Mellon long-term fellowship, Folger Shakespeare Library
Committees and reviewing
I am frequently called on to give theatre and book reviews, which have appeared in publications including Renaissance Studies, Around the Globe, Early Theatre, Papers of the Bibliographical Society of America and Cahiers Élisabéthains. I also coordinate reviews for the Shakespeare in Ireland website.
Contact Details
+44 29208 75144
John Percival Building, Room 1.12, Colum Drive, Cardiff, CF10 3EU