Dr Hannah Hamad
(she/her)
BA (Hons), MA, PhD
Reader in Media and Communication
School of Journalism, Media and Culture
- Available for postgraduate supervision
Overview
Hannah joined Cardiff University's School of Journalism, Media and Cultural Studies as a senior lecturer in Media and Communication in September 2017.
She researches, teaches and supervises principally in the area of feminist media studies and the cultural politics of identity in popular media cultures.
Publication
2024
- Hamad, H. 2024. 'As in life, so in drama': COVID, the NHS and the ‘very special’ return of Casualty. Television and New Media 25(6), pp. 533-544. (10.1177/15274764241251763)
- Hamad, H. 2024. Recuperating women’s care work in 2010s television fictions of nurses and nursing in the neoliberal NHS. In: Tomsett, E., Weidhase, N. and Wilde, P. eds. Working Women on Screen: Paid Labour and Fourth Wave Feminism. Palgrave Studies in (Re)Presenting Gender Palgrave Macmillan, pp. 125-145., (10.1007/978-3-031-49576-2_6)
- Hamad, H. and Wood, H. 2024. Digging in’ and the challenge of redistribution for anti-racist feminist media and cultural studies. Feminist Theory
2023
- Hamad, H. 2023. “The sadness of goodbye in a funny movie”: Desiree Akhavan’s Appropriate Behavior and the melancholic legacy of Annie Hall in contemporary US film and television break-up narratives. In: Ellis, J. and Sanchez-Arce, A. M. eds. Remembering Annie Hall. Bloomsbury Academic, pp. 227-245.
- Hamad, H. 2023. Remediating the “Yorkshire Ripper” event in the era of feminist true crime. In: Boyle, K. and Berridge, S. eds. Routledge Companion to Gender, Media and Violence. Routledge, pp. 242-250.
2022
- Beeston, A., Solomon, S., Hamad, H., Redrobe, K. and Rouxel, M. 2022. Unfinished: Women Filmmakers in Process (catalogue). Cardiff: Image Works: Research and Practice in Visual Culture. (https://issuu.com/imageworkscardiff/docs/unfinished)
- Hamad, H. 2022. The Shining and UK feminist activism. In: Ritzenhoff, K. A., Metlić, D. and Szaniawski, J. eds. Gender, Power, and Identity in The Films of Stanley Kubrick. London and New York: Routledge, pp. 104-118.
- Hamad, H. 2022. Remediating the 1990s with Ryan Murphy: Gender, race and (inter) generational cultural politics in The People Vs. OJ Simpson. In: Weber, B. R. and Greven, D. eds. Ryan Murphy's Queer America. London and New York: Routledge, pp. 89-104., (10.4324/9781003170358-8)
- Hamad, H. 2022. Resilience is a feminist issue: A response to Angela McRobbie’s Feminism and the Politics of Resilience in the context of Britain during the coronavirus pandemic. European Journal of Cultural Studies 25(1), pp. 316-320. (10.1177/13675494211037686)
- Hamad, H. 2022. Black Lives Matter 2014-2020: Celebrity flashpoints and iconic images. Celebrity Studies 13(1), pp. 123-129. (10.1080/19392397.2022.2026146)
2021
- Hamad, H. 2021. BOOK REVIEW: Black Film British Cinema II, edited by Clive Nwonka and Anamik Saha. Journal of British Cinema and Television 9(1), pp. 114-117. (10.3366/jbctv.2022.0609)
- Hamad, H. 2021. All in the ‘fam’: interrogating kinship networks with the thirteenth Doctor. In: Cherry, B., Hills, M. and O'Day, A. eds. Doctor Who: New Dawn - Essays on the Jodie Whittaker Era. Manchester University Press
- Hamad, H. 2021. Leeds animation workshop’s give us a smile: a feminist revenge fantasy. [Online]. www.fantasy-animation.org: Fantasy/Animation. Available at: https://www.fantasy-animation.org/current-posts/leeds-animation-workshops-give-us-a-smile-a-feminist-revenge-fantasy
- Hamad, H. 2021. "Women are angry': remember the feminist protests at UK cinemas of November and December 1980, forty years on.. [Online]. Women’s Film & Television History Network-UK/Ireland: WFTHN. Available at: https://womensfilmandtelevisionhistory.wordpress.com/2021/01/19/women-are-angry-remembering-the-feminist-protests-at-uk-cinemas-of-november-and-december-1980-forty-years-on/
- Hamad, H. 2021. The origins of the Guardian Women's page. In: Freedman, D. ed. Capitalism's Conscience: 200 Years of the Guardian. Pluto Press
2020
- Hamad, H. 2020. ‘Nice shoes’: Will Smith, mid-2000s (post) racial discourse and the symbolic significance of shoes in I, Robot (Alex Proyas, 2004) and The Pursuit of Happyness (Gabriele Muccino, 2006). In: Ezra, E. and Wheatley, C. eds. Shoe Reels: The History and Philosophy of Footwear in Film. Edinburgh University Press
- Hamad, H. 2020. The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire ripper murders. In: Fenwick, J., Foster, K. and Eldridge, D. eds. Shadow Cinema: The Historical and Production Contexts of Unmade Films. Bloomsbury Academic
- Negra, D. and Hamad, H. 2020. The new Plutocratic (post)feminism. In: Cooke, J. ed. The New Feminist Literary Studies. Cambridge University Press, pp. 83-96.
- Wemyss, G., Yuval-Davis, N., Hamad, H., White, J., Patel, K., Grayson, D. and Wedderburn, A. 2020. Notes from lockdown: A series of reflections on some of the political and cultural impacts of the pandemic [NHS workers and the UK media]. Soundings: A Journal of Politics and Culture 75, pp. 13-36(18-21). (10.3898/SOUN.75.01.2020)
- Hamad, H. 2020. Bromance. In: The International Encyclopedia of Gender, Media, and Communication. Wiley, (\10.1002/9781119429128.iegmc137)
- Hamad, H. 2020. BOOK REVIEW: Revisiting the Yorkshire Ripper murders: histories of gender, violence and victimhood, by Louise Wattis, Palgrave Macmillan, 2018.. Feminist Review 125(1), pp. 132-134. (10.1177/0141778920911019)
- Gill, R., Hamad, H., Kauser, M., Negra, D. and Roshini, N. 2020. Intergenerational feminism and media: a roundtable. In: Keller, J., Littler, J. and Winch, A. eds. An Intergenerational Feminist Media Studies: Conflicts and Connectivities. Routledge, pp. 170-180.
- Hamad, H. 2020. Gender politics and celebrity. In: The International Encyclopedia of Gender, Media, and Communication. Wiley, (10.1002/9781119429128.iegmc209)
- Hamad, H. 2020. ''I Will Be with You, Whatever': Blair and Bush's Baghdadi bromance'. In: Brickman, B. J., Jermyn, D. and Trost, T. L. eds. Love Across the Atlantic: US-UK Romance in Popular Culture. Edinburgh: Edinburgh University Press
2019
- Hamad, H. 2019. Book Review: Jane Arthurs and Ben Little, Russell Brand: comedy, celebrity, politics. European Journal of Cultural Studies 23(4), pp. 672-676. (10.1177/1367549419861705)
2018
- Cobb, S. and Hamad, H. 2018. Friends: 'The Last One'. In: Howard, D. and Bianculli, D. eds. Finale: Considering the Ends of Television Series: From Howdy Doody to Girls. Television and Popular Culture Syracuse, New York: Syracuse University Press, pp. 123-128., (10.2307/j.ctv14h4x4.25)
- Hamad, H. 2018. Book Review: The evolution of black women in television: mammies, matriarchs and mistresses by Imani M. Cheers. Critical Studies in Television 13(4), pp. 525-529. (10.1177/1749602018798190d)
- Cobb, S., Ewen, N. and Hamad, H. 2018. Friends reconsidered: Cultural politics, intergenerationality, and afterlives. Television and New Media 19(8), pp. 683. (10.1177/1527476418778426)
- Hamad, H. 2018. The one with the feminist critique: revisiting millennial postfeminism with Friends. Television and New Media 19(8), pp. 692-707. (10.1177/1527476418779624)
- Hamad, H. 2018. Celebrity in the contemporary era. In: Elliott, A. ed. Routledge Handbook of Celebrity Studies. Routledge International Handbooks New York and London: Routledge, pp. 44-57.
- Hamad, H. 2018. 'You always said you were as good as any doctor' - trust me: a post mid-staffs nurses' revenge fantasy. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/you-always-said-you-were-as-good-as-any-doctor-trust-me-a-post-mid-staffs-nurses-revenge-fantasy-by-hannah-hamad/
- Hamad, H. 2018. 'Take four girls'.. and diversify them: The evolving intersectionality of call the midwife. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/take-four-girls-and-diversify-them-the-evolving-intersectionality-of-call-the-midwife-by-hannah-hamad/
- Hamad, H. 2018. Introduction: ‘new’ celebrity feminisms, media users’ responses to celebrity coming out narratives and the photographic celebrity memoir. Celebrity Studies 9(1), pp. 97-98. (10.1080/19392397.2017.1346048)
- Hamad, H. 2018. Black star: A BFI compendium, edited by James Bell, London, BFI, 2016, 160 pp., £13.99 (paperback), ISBN 978-1-84-457971-6 [Book Review]. Celebrity Studies 9(3), pp. 409-411. (10.1080/19392397.2018.1493823)
2017
- Hamad, H. 2017. Introduction: the ‘quiet charisma’ of Brad Pitt; Trump and Hitler; and Elvis at the O2. Celebrity Studies 10(2), pp. 294-295. (10.1080/19392397.2017.1390953)
- Hamad, H. 2017. Introduction: farming fame, memorialising Amy Winehouse, and recuperating Salman Khan. Celebrity Studies 8(2), pp. 344-345. (10.1080/19392397.2017.1311626)
- Hamad, H. 2017. Introduction: literary celebrity and politics. Celebrity Studies 8(1), pp. 151. (10.1080/19392397.2016.1275327)
2016
- Hamad, H. 2016. Introduction: literary celebrity and industry practice. Celebrity Studies 7(4), pp. 575-576. (10.1080/19392397.2016.1234809)
- Hamad, H. 2016. Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies 7(3), pp. 419-420. (10.1080/19392397.2016.1202660)
- Hamad, H. 2016. Contemporary medical television and crisis in the NHS. Critical Studies in Television 11(2), pp. 136-150. (10.1177/1749602016645778)
- Hamad, H. 2016. Introduction: gal pals, gamers and hacktivists in contemporary cultures of celebrity. Celebrity Studies 7(2), pp. 280-281. (10.1080/19392397.2016.1165004)
- Hamad, H. 2016. Introduction: transgender celebrity, celebrity political endorsements, and the practice of celebrity public relations. Celebrity Studies 7(1), pp. 113-114. (10.1080/19392397.2016.1131010)
2015
- Hamad, H. 2015. 'Tom Cruise: performing masculinity in post-Vietnam Hollywood' by Ruth O'Donnell [Book Review]. Feminist Media Studies 16(1), pp. 186-187. (10.1080/14680777.2016.1120495)
- Hamad, H. 2015. Introduction: intersections of fame, politics and power in the contemporary celebrity mediascape. Celebrity Studies 6(4), pp. 601-602. (10.1080/19392397.2015.1092212)
- Hamad, H. 2015. Eddie Murphy’s baby mama drama and Smith family values: the (post-) racial familial politics of Hollywood celebrity couples. In: Cobb, S. and Ewen, N. eds. First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics. London and New York: Bloomsbury, pp. 116-132.
- Hamad, H. 2015. Girlfriends and postfeminist sisterhood, by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013 [Book Review]. Australian Feminist Studies 30(83), pp. 99-101. (10.1080/08164649.2014.998454)
- Hamad, H. and Taylor, A. 2015. Introduction: feminism and contemporary celebrity culture. Celebrity Studies 6(1), pp. 124-127. (10.1080/19392397.2015.1005382)
- Bennett, J. and Hamad, H. 2015. Introduction: new faces, recurrent themes and research agendas. Celebrity Studies 6(2), pp. 252-253. (10.1080/19392397.2015.1029772)
- Hamad, H. 2015. “I’m Not Past My Sell By Date Yet!”: Sarah Jane’s adventures in postfeminist rejuvenation and the later life celebrity of Elisabeth Sladen. In: Jermyn, D. and Holmes, S. eds. Women, Celebrity and Cultures of Ageing: Freeze Frame. Basingstoke and New York: Palgrave Macmillan, pp. 162-177.
2014
- Hamad, H. 2014. Paternalising the rejuvenation of later life masculinity in twenty-first century film. In: Whelehan, I. and Gwynne, J. eds. Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, pp. 105-119.
- Hamad, H. 2014. Fairy jobmother to the rescue: postfeminism and the recessionary cultures of reality TV. In: Negra, D. and Tasker, Y. eds. Gendering the Recession: Media and Culture in an Age of Austerity. Durham and London: Duke University Press, pp. 223-245., (10.1215/9780822376538-010)
- Hamad, H. 2014. “Don’t let him take Britain back to the 1980s”: Ashes to Ashes as postfeminist recession television. Continuum, pp. 201-212. (10.1080/10304312.2014.888041)
2013
- Hamad, H. 2013. Postfeminism and paternity in contemporary US film: Framing fatherhood. Advances in Film Studies. New York and London: Routledge.
- Hamad, H. 2013. Age of austerity celebrity expertise in UK reality television. Celebrity Studies 4(2), pp. 245-248. (10.1080/19392397.2013.791056)
- Hamad, H. 2013. Hollywood fatherhood: paternal Postfeminism in contemporary popular cinema. In: Gwynne, J. and Muller, N. eds. Postfeminism and Contemporary Hollywood Cinema. Basingstoke and New York: Palgrave Macmillan, pp. 99-115.
2011
- Hamad, H. 2011. Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005). In: Radner, H. and Stringer, R. eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. London and New York: Routledge, pp. 241-254.
- Godfrey, S. and Hamad, H. 2011. Save the cheerleader, save the males: Resurgent protective paternalism in popular film and television after 9/11. In: Ross, K. ed. The Handbook of Gender, Sex and Media. Oxford: John Wiley & Sons, pp. 157-173.
- Hamad, H. 2011. A tear for Sarah Jane: a feminist aca-obit. Flow TV: A Critical Forum in Media and Culture
- Hamad, H. 2011. Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. In: Griffin, S. ed. What Dreams Were Made Of: Movie Stars of the 1940s. Star Decades: American Culture/American Cinema New Brunswick, New Jersey: Rutgers University Press, pp. 142-165.
- Hamad, H. 2011. 'My wife calls him my boyfriend': Gary Barlow and Robbie Williams' reconciliatory bromance. Flow TV: A Critical Forum on Media and Culture
2010
- Hamad, H. 2010. A 'whoniverse' of runaway brides. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2010. ‘Hollywood’s hot dads’: tabloid, reality and scandal discourses of celebrity postfeminist fatherhood. Celebrity Studies 1(2), pp. 151-169. (10.1080/19392397.2010.482270)
- Hamad, H. 2010. Postfeminist primary colors: coding femininities in media culture. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2010. “Attack of boss-zilla!” – female conflict and generational discord in postfeminism’s new monstrous feminine. Flow TV: A Critical Forum on Media and Culture
2009
- Hamad, H. 2009. Dad TV - postfeminism and the paternalization of US television drama. Flow TV: A Critical Forum on Media and Culture
2007
- Hamad, H. 2007. 'The position of annoying talking animal has already been taken!' The unspeakability of race in the rearticulated star persona of Eddie Murphy. In: McDonald, T. J. and Wells, E. eds. Realities and Remediations: The Limits of Representation in Film. Newcastle-Upon-Tyne: Cambridge Scholars Press, pp. 45-63.
Adrannau llyfrau
- Hamad, H. 2024. Recuperating women’s care work in 2010s television fictions of nurses and nursing in the neoliberal NHS. In: Tomsett, E., Weidhase, N. and Wilde, P. eds. Working Women on Screen: Paid Labour and Fourth Wave Feminism. Palgrave Studies in (Re)Presenting Gender Palgrave Macmillan, pp. 125-145., (10.1007/978-3-031-49576-2_6)
- Hamad, H. 2023. “The sadness of goodbye in a funny movie”: Desiree Akhavan’s Appropriate Behavior and the melancholic legacy of Annie Hall in contemporary US film and television break-up narratives. In: Ellis, J. and Sanchez-Arce, A. M. eds. Remembering Annie Hall. Bloomsbury Academic, pp. 227-245.
- Hamad, H. 2023. Remediating the “Yorkshire Ripper” event in the era of feminist true crime. In: Boyle, K. and Berridge, S. eds. Routledge Companion to Gender, Media and Violence. Routledge, pp. 242-250.
- Hamad, H. 2022. The Shining and UK feminist activism. In: Ritzenhoff, K. A., Metlić, D. and Szaniawski, J. eds. Gender, Power, and Identity in The Films of Stanley Kubrick. London and New York: Routledge, pp. 104-118.
- Hamad, H. 2022. Remediating the 1990s with Ryan Murphy: Gender, race and (inter) generational cultural politics in The People Vs. OJ Simpson. In: Weber, B. R. and Greven, D. eds. Ryan Murphy's Queer America. London and New York: Routledge, pp. 89-104., (10.4324/9781003170358-8)
- Hamad, H. 2021. All in the ‘fam’: interrogating kinship networks with the thirteenth Doctor. In: Cherry, B., Hills, M. and O'Day, A. eds. Doctor Who: New Dawn - Essays on the Jodie Whittaker Era. Manchester University Press
- Hamad, H. 2021. The origins of the Guardian Women's page. In: Freedman, D. ed. Capitalism's Conscience: 200 Years of the Guardian. Pluto Press
- Hamad, H. 2020. ‘Nice shoes’: Will Smith, mid-2000s (post) racial discourse and the symbolic significance of shoes in I, Robot (Alex Proyas, 2004) and The Pursuit of Happyness (Gabriele Muccino, 2006). In: Ezra, E. and Wheatley, C. eds. Shoe Reels: The History and Philosophy of Footwear in Film. Edinburgh University Press
- Hamad, H. 2020. The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire ripper murders. In: Fenwick, J., Foster, K. and Eldridge, D. eds. Shadow Cinema: The Historical and Production Contexts of Unmade Films. Bloomsbury Academic
- Negra, D. and Hamad, H. 2020. The new Plutocratic (post)feminism. In: Cooke, J. ed. The New Feminist Literary Studies. Cambridge University Press, pp. 83-96.
- Hamad, H. 2020. Bromance. In: The International Encyclopedia of Gender, Media, and Communication. Wiley, (\10.1002/9781119429128.iegmc137)
- Gill, R., Hamad, H., Kauser, M., Negra, D. and Roshini, N. 2020. Intergenerational feminism and media: a roundtable. In: Keller, J., Littler, J. and Winch, A. eds. An Intergenerational Feminist Media Studies: Conflicts and Connectivities. Routledge, pp. 170-180.
- Hamad, H. 2020. Gender politics and celebrity. In: The International Encyclopedia of Gender, Media, and Communication. Wiley, (10.1002/9781119429128.iegmc209)
- Hamad, H. 2020. ''I Will Be with You, Whatever': Blair and Bush's Baghdadi bromance'. In: Brickman, B. J., Jermyn, D. and Trost, T. L. eds. Love Across the Atlantic: US-UK Romance in Popular Culture. Edinburgh: Edinburgh University Press
- Cobb, S. and Hamad, H. 2018. Friends: 'The Last One'. In: Howard, D. and Bianculli, D. eds. Finale: Considering the Ends of Television Series: From Howdy Doody to Girls. Television and Popular Culture Syracuse, New York: Syracuse University Press, pp. 123-128., (10.2307/j.ctv14h4x4.25)
- Hamad, H. 2018. Celebrity in the contemporary era. In: Elliott, A. ed. Routledge Handbook of Celebrity Studies. Routledge International Handbooks New York and London: Routledge, pp. 44-57.
- Hamad, H. 2015. Eddie Murphy’s baby mama drama and Smith family values: the (post-) racial familial politics of Hollywood celebrity couples. In: Cobb, S. and Ewen, N. eds. First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics. London and New York: Bloomsbury, pp. 116-132.
- Hamad, H. 2015. “I’m Not Past My Sell By Date Yet!”: Sarah Jane’s adventures in postfeminist rejuvenation and the later life celebrity of Elisabeth Sladen. In: Jermyn, D. and Holmes, S. eds. Women, Celebrity and Cultures of Ageing: Freeze Frame. Basingstoke and New York: Palgrave Macmillan, pp. 162-177.
- Hamad, H. 2014. Paternalising the rejuvenation of later life masculinity in twenty-first century film. In: Whelehan, I. and Gwynne, J. eds. Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones. Palgrave Macmillan, pp. 105-119.
- Hamad, H. 2014. Fairy jobmother to the rescue: postfeminism and the recessionary cultures of reality TV. In: Negra, D. and Tasker, Y. eds. Gendering the Recession: Media and Culture in an Age of Austerity. Durham and London: Duke University Press, pp. 223-245., (10.1215/9780822376538-010)
- Hamad, H. 2013. Hollywood fatherhood: paternal Postfeminism in contemporary popular cinema. In: Gwynne, J. and Muller, N. eds. Postfeminism and Contemporary Hollywood Cinema. Basingstoke and New York: Palgrave Macmillan, pp. 99-115.
- Hamad, H. 2011. Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005). In: Radner, H. and Stringer, R. eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. London and New York: Routledge, pp. 241-254.
- Godfrey, S. and Hamad, H. 2011. Save the cheerleader, save the males: Resurgent protective paternalism in popular film and television after 9/11. In: Ross, K. ed. The Handbook of Gender, Sex and Media. Oxford: John Wiley & Sons, pp. 157-173.
- Hamad, H. 2011. Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. In: Griffin, S. ed. What Dreams Were Made Of: Movie Stars of the 1940s. Star Decades: American Culture/American Cinema New Brunswick, New Jersey: Rutgers University Press, pp. 142-165.
- Hamad, H. 2007. 'The position of annoying talking animal has already been taken!' The unspeakability of race in the rearticulated star persona of Eddie Murphy. In: McDonald, T. J. and Wells, E. eds. Realities and Remediations: The Limits of Representation in Film. Newcastle-Upon-Tyne: Cambridge Scholars Press, pp. 45-63.
Arall
- Beeston, A., Solomon, S., Hamad, H., Redrobe, K. and Rouxel, M. 2022. Unfinished: Women Filmmakers in Process (catalogue). Cardiff: Image Works: Research and Practice in Visual Culture. (https://issuu.com/imageworkscardiff/docs/unfinished)
Erthyglau
- Hamad, H. 2024. 'As in life, so in drama': COVID, the NHS and the ‘very special’ return of Casualty. Television and New Media 25(6), pp. 533-544. (10.1177/15274764241251763)
- Hamad, H. and Wood, H. 2024. Digging in’ and the challenge of redistribution for anti-racist feminist media and cultural studies. Feminist Theory
- Hamad, H. 2022. Resilience is a feminist issue: A response to Angela McRobbie’s Feminism and the Politics of Resilience in the context of Britain during the coronavirus pandemic. European Journal of Cultural Studies 25(1), pp. 316-320. (10.1177/13675494211037686)
- Hamad, H. 2022. Black Lives Matter 2014-2020: Celebrity flashpoints and iconic images. Celebrity Studies 13(1), pp. 123-129. (10.1080/19392397.2022.2026146)
- Hamad, H. 2021. BOOK REVIEW: Black Film British Cinema II, edited by Clive Nwonka and Anamik Saha. Journal of British Cinema and Television 9(1), pp. 114-117. (10.3366/jbctv.2022.0609)
- Wemyss, G., Yuval-Davis, N., Hamad, H., White, J., Patel, K., Grayson, D. and Wedderburn, A. 2020. Notes from lockdown: A series of reflections on some of the political and cultural impacts of the pandemic [NHS workers and the UK media]. Soundings: A Journal of Politics and Culture 75, pp. 13-36(18-21). (10.3898/SOUN.75.01.2020)
- Hamad, H. 2020. BOOK REVIEW: Revisiting the Yorkshire Ripper murders: histories of gender, violence and victimhood, by Louise Wattis, Palgrave Macmillan, 2018.. Feminist Review 125(1), pp. 132-134. (10.1177/0141778920911019)
- Hamad, H. 2019. Book Review: Jane Arthurs and Ben Little, Russell Brand: comedy, celebrity, politics. European Journal of Cultural Studies 23(4), pp. 672-676. (10.1177/1367549419861705)
- Hamad, H. 2018. Book Review: The evolution of black women in television: mammies, matriarchs and mistresses by Imani M. Cheers. Critical Studies in Television 13(4), pp. 525-529. (10.1177/1749602018798190d)
- Cobb, S., Ewen, N. and Hamad, H. 2018. Friends reconsidered: Cultural politics, intergenerationality, and afterlives. Television and New Media 19(8), pp. 683. (10.1177/1527476418778426)
- Hamad, H. 2018. The one with the feminist critique: revisiting millennial postfeminism with Friends. Television and New Media 19(8), pp. 692-707. (10.1177/1527476418779624)
- Hamad, H. 2018. Introduction: ‘new’ celebrity feminisms, media users’ responses to celebrity coming out narratives and the photographic celebrity memoir. Celebrity Studies 9(1), pp. 97-98. (10.1080/19392397.2017.1346048)
- Hamad, H. 2018. Black star: A BFI compendium, edited by James Bell, London, BFI, 2016, 160 pp., £13.99 (paperback), ISBN 978-1-84-457971-6 [Book Review]. Celebrity Studies 9(3), pp. 409-411. (10.1080/19392397.2018.1493823)
- Hamad, H. 2017. Introduction: the ‘quiet charisma’ of Brad Pitt; Trump and Hitler; and Elvis at the O2. Celebrity Studies 10(2), pp. 294-295. (10.1080/19392397.2017.1390953)
- Hamad, H. 2017. Introduction: farming fame, memorialising Amy Winehouse, and recuperating Salman Khan. Celebrity Studies 8(2), pp. 344-345. (10.1080/19392397.2017.1311626)
- Hamad, H. 2017. Introduction: literary celebrity and politics. Celebrity Studies 8(1), pp. 151. (10.1080/19392397.2016.1275327)
- Hamad, H. 2016. Introduction: literary celebrity and industry practice. Celebrity Studies 7(4), pp. 575-576. (10.1080/19392397.2016.1234809)
- Hamad, H. 2016. Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies 7(3), pp. 419-420. (10.1080/19392397.2016.1202660)
- Hamad, H. 2016. Contemporary medical television and crisis in the NHS. Critical Studies in Television 11(2), pp. 136-150. (10.1177/1749602016645778)
- Hamad, H. 2016. Introduction: gal pals, gamers and hacktivists in contemporary cultures of celebrity. Celebrity Studies 7(2), pp. 280-281. (10.1080/19392397.2016.1165004)
- Hamad, H. 2016. Introduction: transgender celebrity, celebrity political endorsements, and the practice of celebrity public relations. Celebrity Studies 7(1), pp. 113-114. (10.1080/19392397.2016.1131010)
- Hamad, H. 2015. 'Tom Cruise: performing masculinity in post-Vietnam Hollywood' by Ruth O'Donnell [Book Review]. Feminist Media Studies 16(1), pp. 186-187. (10.1080/14680777.2016.1120495)
- Hamad, H. 2015. Introduction: intersections of fame, politics and power in the contemporary celebrity mediascape. Celebrity Studies 6(4), pp. 601-602. (10.1080/19392397.2015.1092212)
- Hamad, H. 2015. Girlfriends and postfeminist sisterhood, by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013 [Book Review]. Australian Feminist Studies 30(83), pp. 99-101. (10.1080/08164649.2014.998454)
- Hamad, H. and Taylor, A. 2015. Introduction: feminism and contemporary celebrity culture. Celebrity Studies 6(1), pp. 124-127. (10.1080/19392397.2015.1005382)
- Bennett, J. and Hamad, H. 2015. Introduction: new faces, recurrent themes and research agendas. Celebrity Studies 6(2), pp. 252-253. (10.1080/19392397.2015.1029772)
- Hamad, H. 2014. “Don’t let him take Britain back to the 1980s”: Ashes to Ashes as postfeminist recession television. Continuum, pp. 201-212. (10.1080/10304312.2014.888041)
- Hamad, H. 2013. Age of austerity celebrity expertise in UK reality television. Celebrity Studies 4(2), pp. 245-248. (10.1080/19392397.2013.791056)
- Hamad, H. 2011. A tear for Sarah Jane: a feminist aca-obit. Flow TV: A Critical Forum in Media and Culture
- Hamad, H. 2011. 'My wife calls him my boyfriend': Gary Barlow and Robbie Williams' reconciliatory bromance. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2010. A 'whoniverse' of runaway brides. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2010. ‘Hollywood’s hot dads’: tabloid, reality and scandal discourses of celebrity postfeminist fatherhood. Celebrity Studies 1(2), pp. 151-169. (10.1080/19392397.2010.482270)
- Hamad, H. 2010. Postfeminist primary colors: coding femininities in media culture. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2010. “Attack of boss-zilla!” – female conflict and generational discord in postfeminism’s new monstrous feminine. Flow TV: A Critical Forum on Media and Culture
- Hamad, H. 2009. Dad TV - postfeminism and the paternalization of US television drama. Flow TV: A Critical Forum on Media and Culture
Gwefannau
- Hamad, H. 2021. Leeds animation workshop’s give us a smile: a feminist revenge fantasy. [Online]. www.fantasy-animation.org: Fantasy/Animation. Available at: https://www.fantasy-animation.org/current-posts/leeds-animation-workshops-give-us-a-smile-a-feminist-revenge-fantasy
- Hamad, H. 2021. "Women are angry': remember the feminist protests at UK cinemas of November and December 1980, forty years on.. [Online]. Women’s Film & Television History Network-UK/Ireland: WFTHN. Available at: https://womensfilmandtelevisionhistory.wordpress.com/2021/01/19/women-are-angry-remembering-the-feminist-protests-at-uk-cinemas-of-november-and-december-1980-forty-years-on/
- Hamad, H. 2018. 'You always said you were as good as any doctor' - trust me: a post mid-staffs nurses' revenge fantasy. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/you-always-said-you-were-as-good-as-any-doctor-trust-me-a-post-mid-staffs-nurses-revenge-fantasy-by-hannah-hamad/
- Hamad, H. 2018. 'Take four girls'.. and diversify them: The evolving intersectionality of call the midwife. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/take-four-girls-and-diversify-them-the-evolving-intersectionality-of-call-the-midwife-by-hannah-hamad/
Llyfrau
- Hamad, H. 2013. Postfeminism and paternity in contemporary US film: Framing fatherhood. Advances in Film Studies. New York and London: Routledge.
Research
Hannah’s research is principally in the area of feminist media studies, the cultural politics of contemporary popular media (focussing in particular on feminist and postfeminist cultures of popular film and television) and feminist media history.
She has related interests in cultures of stardom and celebrity, especially from the perspective of gender, race and ethnicity, and media representations of NHS workers (especially women, and women of colour).
Current research projects include:
- Media, culture and misogyny in the Yorkshire Ripper years - this project investigates UK media cultures of misogyny in the 1970s and 1980s, arguing that the media discourse surrounding the ongoing 'Yorkshire Ripper' murders is a key context in relation to which both feminist activism and cultural misogyny of the period must be understood. The project encompasses the forthcoming book (in progress) Film, Feminism and Rape Culture in the Yorkshire Ripper Years.
- Mary Stott, 'Women in Media' and the emergence of UK feminist media studies - this project interrogates the relationship between women working the UK media industries, feminist activism in the 1970s and 1980s and the emergence of feminist media studies within UK higher education, focussing on the roles played by lynchpin figure and (former Guardian women's page editor) Mary Stott, and the activist pressure group 'Women in Media'.
Teaching
Hannah's teaches broadly in the field of feminist media studies, and within that, principally in the areas of film and television. She also contributes to JOMEC's teaching of research methods, principally in the area of textual analysis.
Biography
Teaching Overview
Prior to joining Cardiff University in 2017, Hannah taught media studies at the University of East Anglia, film and media studies at King's College London, and media studies at Massey University in New Zealand. Before becoming a university lecturer she taught film and media studies in the FE section at City College Norwich, and Long Road Sixth Form College, Cambridge.
Hannah has guest lectured on gender and celebrity for the Feminist Media and Cultural Studies summer school at Lancaster University, and the MA in Global Media and Communication at the University of Warwick. She has acted as external examiner for undergraduate programmes at Royal Holloway University of London, international foundation programmes at Queen Mary University of London and taught postgraduate programmes at the London School of Economics and Political Science and University College Dublin, and currently the University of Leicester and Lancaster University.
Research Overview
Hannah’s first major research project was on the postfeminist representation of fatherhood in contemporary US film, television and media. It originated from her doctoral studies in this area at the University of East Anglia from 2004-2008, where she worked under the supervision of Professor Diane Negra, now Professor of Film and Screen Cultures at University College Dublin.
This project made a significant contribution to scholarly theorisations of postfeminist masculinities, and it resulted in the publication of the first book-length study to deal primarily with postfeminist masculinity as a cultural identity formation, and the first to explore the relationship between fatherhood and postfeminist discourse in popular cinema.
The book interrogates representations of fatherhood across the spectrum of popular US film of the early twenty-first century. It situates them in relation to postfeminist discourse, identifying and discussing dominant paradigms and tropes that emerge from the tendency of popular cinema to configure ideal masculinity in paternal terms. It analyses postfeminist fatherhood across a range of genres including historical epics, war films, westerns, ‘bromantic’ comedies, male melodramas, action films, family comedies, and others. It also explores recurring themes and intersections such as the rejuvenation of aging masculinities through fatherhood, the paternalised recuperation of immature adult masculinities, the relationship between fatherhood in film and 9/11 culture, post-racial discourse in representations of fatherhood, and historically located formations of fatherhood.
It is now widely cited in new scholarship to emerge in the growing field of studies of contemporary mediated masculinities. Reviews have described it as making “a key contribution to contemporary film and media studies, as well as contemporary gender studies” (Elana Levine, University of Wisconsin-Milwaukee), and as “an important study bringing together a pair of too often neglected subjects, popular contemporary movies outside the critical canon and the representation of masculinity in those movies” (Mike Chopra-Gant, London Metropolitan University).
Hannah’s work on mediated fatherhood extends to publications in journals like Celebrity Studies and edited collections like Joel Gwynne and Nadine Muller’s Postfeminism and Contemporary Hollywood Cinema. Although her research interests have expanded, she still speaks and writes on this area on occasion.
Hannah has also published widely in the fields of celebrity studies, recessionary media culture, gender and reality television, postfeminist cultures of popular film and television, and the NHS and the media.
News articles:
- An interview with Hannah is quoted in this article in Vice magazine about the gendered nature of the phenomenon of the celebrity car crash. https://www.vice.com/en_au/article/happy-10th-birthday-2007-the-year-of-the-celebrity-car-crash
- And this edition of iNews about the postfeminism of Kelly Anne Conway. https://inews.co.uk/explainers/postfeminism-came-back/
- Hannah features as a contributor to this edition of the Today programme on BBC Radio 4 about Hollywood franchises and their reliance for them on pre-existing source material over original content. http://www.bbc.co.uk/programmes/b05wn3x8
- And this edition of The Review Show for BBC Radio Wales. https://www.bbc.co.uk/programmes/m0009skw
Videos:
- Hannah is interviewed about gender and sexuality in the James Bond films in Stuart Arnott’s video essay ‘The Unloveable James Bond’, produced for the BFI Love season in 2015. https://youtu.be/v4qpGpHEKEE
- Hannah's research seminar' Eddie Murphy's Baby Mama Drama and Smith Family Values: The (Post) Racial Familial Politics of Hollywood Celebrity Couples' at the University of Winchester, 9th March 2016. https://www.youtube.com/watch?v=WRmUlkRWcQM
Events:
LSE Commission on Gender, Inequality and Power
Hannah gave evidence to the Media and Culture evidence gathering session of the LSE Commission on Gender, Inequality and Power in April 2015. http://www.lse.ac.uk/genderInstitute/research/commission/mediaSession.aspx
Her evidence was used in the Commission’s subsequent report, which published its findings. http://www.lse.ac.uk/genderInstitute/pdf/Confronting-Inequality.pdf
She then responded to the Commission’s 2015 findings and recommendations at the LSE event ‘Confronting Gender Inequality in Uncertain Times’ in January 2017 which reviewed them in light of social, political and economic change since that time, and ahead of publication of an update to the report. http://www.lse.ac.uk/genderInstitute/events/eventsProfiles/201617/Confronting-Gender-Inequality-in-Uncertain-Times.aspx
BFI, Stanley Kubrick
Hannah took part in the event 'Kubrick on Masculinity' at BFI Southbank as part of the British Film Institute's two month season on the work of filmmaker Stanley Kubrick, delivering her talk 'Toxic Masculinity in The Shining' in May 2019.
BFI, The Hot Take: Masculinity at the Movies
Hannah contributed to the first of the BFI's 'hot take' format of discussion events with her talk 'Fathers in Film' as a contribution to the event 'Masculinity at the Movies' in April 2018.
Men, Women and Scorsese
Hannah was part of an panel of speakers at a British Film Institute discussion event on gender in the films of Martin Scorsese at BFI Southbank in February 2017.
BFI Black Star
Hannah participated in the event ‘On Blackness, Cinema and the Moving Image: a KCL Symposium’, which was organised between the Department of Film Studies at King’s College London and the British Film Institute as part of the BFI Black Star season in November 2016, by delivering her talk ‘The Cultural Politics of Black Stars in 10 Iconic Images’ The event is reviewed here by Bex Shorunke (with photography by Runyarao Mapfumo) in gal-dem magazine: http://www.gal-dem.com/blackness-cinema-moving-image-kings-college-london-symposium/
She later participated in the comedian themed entry in the Black Star Stories series of library talks at the BFI Reuben Library in December 2016, where she delivered a talk on Eddie Murphy and Will Smith.
BFI Love
Hannah contributed to the event ‘The Feminist Guide To Love: The Whitewash of Romance’, co-organised between The Bechdel Test Fest and the British Film Institute, in November 2015. She delivered a ‘lightning talk’ that presented an academic perspective on the topic:
http://bechdeltestfest.com/2016/the-feminists-guide-to-love-the-whitewash-of-romance/
She later participated in the BFI Love study day ‘Approaches to Rom Com’ also in November 2015.
Honours and awards
- King's College London Teaching Excellence Award (nominated 2014)
- Massey University Women's Award (awarded 2012)
Academic positions
- 2017 - present: Senior Lecturer in Media and Communication, Cardiff University, UK
- 2015-2017: Senior Lecturer in Media Studies, University of East Anglia, UK
- 2013-2015: Lecturer in Film Studies, King's College London, UK
- 2009-2012: Lecturer in Media Studies, Massey University, New Zealand
Committees and reviewing
- Forum section editor, Celebrity Studies journal, 2014-2017
- Editorial advisory board member, Soundings Journal of Politics and Culture, 2017-
- Editorial board member, Australian Feminist Studies, 2018-
- Editorial board member, Television & New Media, 2014-
- Peer reviewer for European Journal of Cultural Studies, Feminist Review, Journal of Gender Studies, Television & New Media, Critical Studies in Television, Celebrity Studies, Feminist Media Studies, Frontiers, International Journal of English Studies Screening the Past [journals]; and Routledge, Palgrave Macmillan, Bloomsbury Academic, State University of fNew York Press, New York University Press, Peter Lang and Continuum [book publishers].
Supervisions
I am interested in supervising PhD students in the areas of:
- Feminist Media Studies
- intersectional identity formations in popular media
- Celebrity Culture
- the cultural politics of contemporary Hollywood
- UK feminist media histories
Current supervision
Violet Olivia Thompson
Graduate Tutor
Contact Details
+44 29225 10781
Two Central Square, Room 2.53, Central Square, Cardiff, CF10 1FS