Dr Nick Hodgin

2026

• Hodgin, N. 2026. Palast der Republik, haus der lüge. Die vielen leben des Ostberliner aushangeschilds. In: Rottjer, J. and Szumski, J. eds. Transformation der Aufarbeitung – Transformation der Erinnerung Umbenennung und Denkmalsturz in der Republik Polen und der Bundesrepublik Deutschland seit 1990. Vol. 43, Veröffentlichungen des Deutschen Polen-Instituts, Darmstadt Wiesbaden: Harrasowitz

2024

• Hodgin, N. 2024. ‘How far can you go?’: Everyday lives in the films of Kurt Tetzlaff. In: Allan, S. and Heiduschke, S. eds. Documenting Socialism: East German Documentary Cinema. New York: Berghahn Books. , pp.116-136. (10.3167/9781805396574)
• Hodgin, N. 2024. Construction, demolition, extirpation? The Palast der Republik and the conflicting desires of German unification. German Life and Letters 77 (2), pp.238-262. (10.1111/glal.12409)

2019

• Hodgin, N. 2019. Futures remembered: Kosmonauts, the GDR, and the retrospective impulse. In: Skrodzka, A. , Lu, X. and Marciniak, K. eds. The Oxford Handbook of Communist Visual Cultures. Oxford Handbooks Oxford: Oxford University Press(10.1093/oxfordhb/9780190885533.013.28)

2018

• Hodgin, N. 2018. 'Like a Dream': Film, fears, fantasies and nightmares of the Wende. In: Byrnes, D. , Conacher, J. E. and Holfter, G. eds. Reunification and the Legacy of East-German Literature and Culture. Brill. , pp.17-32.

2017

• Hodgin, N. and Thakkar, A. eds. 2017. Scars and wounds: film and legacies of trauma. Basingstoke: Palgrave Macmillan. (10.1007/978-3-319-41024-1)
• Preece, J. and Hodgin, N. eds. 2017. Andreas Dresen. Contemporary German Writers and Filmmakers Vol. 4Peter Lang.
• Hodgin, N. 2017. Introduction: Trauma studies, film and the scar motif. In: Hodgin, N. and Thakkar, A. eds. Scars and Wounds: Film and Legacies of Trauma. Basingstoke: Palgrave. , pp.1-29.
• Hodgin, N. 2017. Proximity and distance: approaching trauma in Katrina Films. In: Hodgin, N. and Thakkar, A. eds. Scars and Wounds: Film and Legacies of Trauma. Basingstoke: Palgrave. , pp.101-126.

2016

• Hodgin, N. 2016. DEFA's Last Gasp. Ruins, Melancholy and the End of East German Filmmaking. In: Allan, S. and Heiduschke, S. eds. RE-Imagining DEFA East German Cinema in its National and Transnational Contexts. Berghahn Books. , pp.271-292.
• Hodgin, N. 2016. The cosmopolitan Communist: Joris Ivens, transnational film-maker before transnationalism?. Transnational Cinemas 7 (1), pp.34-49. (10.1080/20403526.2016.1140947)

2015

• Hodgin, N. 2015. 'Only one noble topic remained: the workers.' Sympathy, subtlety and subversion in East German documentary films. Studies in Eastern European Cinema 6 (1), pp.49-63. (10.1080/2040350X.2014.992130)
• Hodgin, N. 2015. East Germany revisited, reimagined, repositioned: Representing the GDR in Dominik Graf's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012). In: Gott, M. and Herzog, T. eds. East, West and Centre: Reframing post-1989 European Cinema. Edinburgh: Edinburgh University Press. , pp.237-252.
• Hodgin, N. 2015. In praise of authenticity? Atmosphere, song, and Southern states of mind in Searching for the Wrong-eyed Jesus. In: Mazierska, E. and Gregory, G. eds. Relocating Popular Music. Pop Music, Culture and Identity Basingstoke: Palgrave Macmillan. , pp.186-206. (10.1057/9781137463388_10)

2014

• Hodgin, N. 2014. Cannibals, carnival and clowns: the grotesque in German unification films. Studies in Eastern European Cinema 5 (2), pp.124-138. (10.1080/17411548.2014.925333)
• Hodgin, N. 2014. Chingachgook, the great snake. In: Langford, M. ed. Directory of World Cinema: German 2. Intellect. , pp.108-109.
• Hodgin, N. 2014. The sons of Great Bear. In: Langford, M. ed. Directory of World Cinema: German 2. Intellect. , pp.104-106.
• Hodgin, N. 2014. Trail of the falcon. In: Langford, M. ed. Directory of World Cinema: German 2. Intellect. , pp.110-112.
• Hodgin, N. 2014. Alternative realities and authenticity in DEFA's documentary films. In: Silberman, M. and Wrage, H. eds. DEFA at the Crossroads of East German and International Film Culture: A Companion. Companions to Contemporary German Culture Berlin and Boston: Walter de Gruyter. , pp.281-304.

2011

• Hodgin, N. 2011. Aiming to please? Consensus and consciousness-raising in Wolfgang Becker's Good Bye, Lenin! (2003). In: Cooke, P. and Homewood, C. eds. New Directions in German Cinema. Taurus World Cinema Series I.B. Tauris. , pp.94-112.
• Hodgin, N. 2011. Screening the East: Heimat, memory and nostalgia in German film since 1989. Film Europa Berghahn Books.
• Hodgin, N. and Pearce, C. eds. 2011. The GDR remembered: Representations of the East German state since 1989. Studies in German Literature Linguistics and Culture Boydell & Brewer, Camden House. (10.7722/j.ctt1x71tf)
• Hodgin, N. 2011. Screening the Stasi: the politics of representation in postunification film. In: Hodgin, N. and Pearce, C. eds. The GDR Remembered: Representations of the East German State since 1989. Camden House/Boydell&Brewer. , pp.69-92.
• Hodgin, N. and Pearce, C. 2011. Introduction. In: Hodgin, N. and Pearce, C. eds. The GDR Remembered: Representations of the East German State since 1989. Camden House/Boydell&Brewer. , pp.1-16.

2010

• Hodgin, N. 2010. Eastern blues, southern comforts: searching for Heimat on the Bayous. Mississippi Quarterly 3-4 , pp.512-534.

2007

• Hodgin, N. 2007. Marginalized subjects, mainstream objectives: insights on outsiders in recent German Film. New Readings 8 , pp.1-21. (10.18573/newreadings.55)

2006

• Hodgin, N. 2006. Berlin is in Germany and good bye Lenin! taking leave of the GDR?. Debatte: Journal of Contemporary Central and Eastern Europe 12 (1), pp.25-45. (10.1080/0965156042000230106)