![Carlo Cenciarelli BA (Soton) MMus (KCL) PhD (KCL)](https://profiles-cardiff.imgix.net/attachments/2776?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Dr Carlo Cenciarelli BA (Soton) MMus (KCL) PhD (KCL)
Darlithydd a Chyfarwyddwr Astudiaethau Israddedig
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
I specialise in the intersection between music and visual culture in the late twentieth and early twenty-first centuries.
My main publications have been on the cinematic afterlife of J. S. Bach, on opera and digital culture, and on the aesthetics of musical borrowing. I am currently writing a book on the representation of listening in film.
Before joining Cardiff, I was a British Academy Postdoctoral Fellow at Royal Holloway, University of London. I hold a PhD in Musicology from King’s College London (2011).
Cyhoeddiad
2021
- Cenciarelli, C. 2021. The possibilities of cinematic listening - an introduction. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford University Press, pp. 1-26., (10.1093/oxfordhb/9780190853617.013.1)
- Cenciarelli, C. 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks Oxford: Oxford University Press, pp. 669-689., (10.1093/oxfordhb/9780190853617.013.35)
- Cenciarelli, C. ed. 2021. The Oxford handbook of cinematic listening. Oxford Handbooks. Oxford: Oxford University Press.
2018
- Cenciarelli, C. 2018. The sense of an ending: music, time and romance in Before Sunrise. In: Bayman, L. and Pinazza, N. eds. Journeys on Screen: Theory, Ethics and Aesthetics. Edinburgh: Edinburgh University Press, pp. 167-182.
2016
- Cenciarelli, C. 2016. The limits of operatic deadness. Cambridge Opera Journal 28(2), pp. 221-226. (10.1017/S0954586716000276)
2015
- Cenciarelli, C. 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, D. ed. Verdi on Screen. Lausanne: L'Age d'Homme, pp. 251-267.
2014
- Cenciarelli, C. 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012 Presented at Fornoni, F. ed.Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti
2013
- Cenciarelli, C. 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25(2), pp. 203-223. (10.1017/S0954586713000074)
- Cenciarelli, C. 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94(1), pp. 119-137. (10.1093/ml/gct038)
2012
- Cenciarelli, C. 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137(1), pp. 107-134. (10.1080/02690403.2012.669929)
2011
- Cenciarelli, C. 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night.. Twentieth-Century Music 7(2), pp. 219-243. (10.1017/S147857221100017X)
2009
- Cenciarelli, C. 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90(2), pp. 320-322. (10.1093/ml/gcn123)
2006
- Cenciarelli, C. 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006(1), pp. 84 pars.
Adrannau llyfrau
- Cenciarelli, C. 2021. The possibilities of cinematic listening - an introduction. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford University Press, pp. 1-26., (10.1093/oxfordhb/9780190853617.013.1)
- Cenciarelli, C. 2021. iPod listening as an I-voice: solitary listeners and imagined interlocutors across cinema and personal stereos. In: Cenciarelli, C. ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks Oxford: Oxford University Press, pp. 669-689., (10.1093/oxfordhb/9780190853617.013.35)
- Cenciarelli, C. 2018. The sense of an ending: music, time and romance in Before Sunrise. In: Bayman, L. and Pinazza, N. eds. Journeys on Screen: Theory, Ethics and Aesthetics. Edinburgh: Edinburgh University Press, pp. 167-182.
- Cenciarelli, C. 2015. 'Warped singing': opera from cinema to YouTube. In: Vincent, D. ed. Verdi on Screen. Lausanne: L'Age d'Homme, pp. 251-267.
Cynadleddau
- Cenciarelli, C. 2014. Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione. Presented at: Convegno internazionale di studi: Donizetti in scena. Vedere l’opera, Bergamo, 12-14 October 2012 Presented at Fornoni, F. ed.Donizetti in scena : attualità det testo-spettacolo : atti del Convegno internazionale, Bergamo, 12-14 ottobre 2012. Bergamo: Fondazione Donizetti
Erthyglau
- Cenciarelli, C. 2016. The limits of operatic deadness. Cambridge Opera Journal 28(2), pp. 221-226. (10.1017/S0954586716000276)
- Cenciarelli, C. 2013. At the margins of the televisual: picture frames, loops and ‘cinematics’ in the paratexts of opera videos. Cambridge Opera Journal 25(2), pp. 203-223. (10.1017/S0954586713000074)
- Cenciarelli, C. 2013. "What Never Was Has Ended": Bach, Bergman and the Beatles in Christopher Münch’s 'The Hours and Times'. Music and Letters 94(1), pp. 119-137. (10.1093/ml/gct038)
- Cenciarelli, C. 2012. Dr Lecter’s taste for 'Goldberg', or: the horror of Bach in the Hannibal franchise. Journal of the Royal Musical Association 137(1), pp. 107-134. (10.1080/02690403.2012.669929)
- Cenciarelli, C. 2011. Bach and cigarettes: imagining the everyday in Jarmusch’s Int. Trailer. Night.. Twentieth-Century Music 7(2), pp. 219-243. (10.1017/S147857221100017X)
- Cenciarelli, C. 2009. Off key: when film and music won't work together. By Kay Dickinson [Book Review]. Music and Letters 90(2), pp. 320-322. (10.1093/ml/gcn123)
- Cenciarelli, C. 2006. The case against Nyman revisited: “affirmative” and “critical” evidence in Michael Nyman’s appropriation of Mozart. Radical Musicology 2006(1), pp. 84 pars.
Llyfrau
- Cenciarelli, C. ed. 2021. The Oxford handbook of cinematic listening. Oxford Handbooks. Oxford: Oxford University Press.
Ymchwil
My research focuses on late-twentieth and early twenty-first century audiovisual cultures.
At present I am particularly interested in finding ways to theorise the nature of cinematic listening and the relationship between listening cultures inside and outside the movie theatre -- a topic that I am exploring in a monograph and through a broader collaborative project (see cinematiclistening.org).
Previous projects include a study of the cinematic appropriation of J. S. Bach’s music and of the place of opera in digital culture. My essays are found in edited collections and in journals including JRMA, twentieth-century music, COJ and Music and Letters.
Addysgu
On the UG programme I run a film music course (‘Reading Film Sound’, MU2179 and MU2181) that aims to give students historical and theoretical frameworks for interpreting the role of sound in film.
At MA level I teach a module titled ‘Studying Musical Multimedia’ (MUT201), which tackles a wide range of phenomena from fiction film to documentaries, music video, virtual bands, opera broadcasts, TV commercials, and video games. I also run the PG forum, a weekly meeting with Masters and PhD students where we discuss the practical and intellectual challenges of doing research in Music (for more information, see our blog at http://blogs.cardiff.ac.uk/musicresearch/category/100-objects/)
I have supervised UG and MA students on various issues in the history and theory of musical multimedia, and on a wider range of topics including musical borrowing, intertextuality, minimalism and the history of recordings.
I welcome applications from potential PhD students on film music and on topics concerning sound, media and technology more broadly.
Bywgraffiad
Addysg a Chymwysterau
2011: PhD, Coleg y Brenin Llundain
2005: MMus, King's College Llundain
2003: BMus, Prifysgol Southampton
Anrhydeddau a dyfarniadau
Gwobr Westrup, a ddyfarnwyd am erthyglau o ragoriaeth arbennig a gyhoeddwyd yn Music and Letters, 2014
Premio Giuseppe Verdi, Istituto Nazionale di Studi Verdiani, Parma, Yr Eidal, 2010
Aelodaethau proffesiynol
Cymrawd yr Academi Addysg Uwch
Safleoedd academaidd blaenorol
Cymrawd Ôl-ddoethurol yr Academi Brydeinig, Royal Holloway, Prifysgol Llundain
Darlithydd Gwadd ym Mhrifysgol Manceinion, Prifysgol y Ddinas, Coleg y Brenin Llundain, Oxford Brookes, a Phrifysgol Surrey.
Pwyllgorau ac adolygu
Cadeirydd, Bwrdd Astudiaethau Israddedigion (2020-presennol)
Cadeirydd, Byrddau Arholiadau a Blwyddyn (2020-presennol)
Cyfarwyddwr Astudiaethau Israddedig (2020-presennol)
Cyfarwyddwr Derbyniadau Israddedigion (2016-2018)
Cynullydd Cyfres Darlithoedd John Bird (2015-2020)