Yr Athro Anthony Mandal
BA (Dunelm), MA, PhD (Wales)

Reader in Print and Digital Cultures

Ysgol Saesneg, Cyfathrebu ac Athroniaeth

: Mandal@caerdydd.ac.uk
: +44 29208 75626
: Adeilad John Percival , Ystafell 1.13, Rhodfa Colum, Caerdydd, CF10 3EU

: Ar gael fel goruchwyliwr ôl-raddedig

I am part of the School's English Literature department. I am also Directo of the Centre for Editorial and Intertextual Research.

Additional publications

Editorships

Editor, Romantic Textualities: Literature and Print Culture, 1780–1840. ISSN 1478-0116 (Online: Internet, 1997–present). Published as Cardiff Corvey: Reading the Romantic Text between 1997 and 2004.

General Editor, with Stephen D. Arata, Richard Dury and Penny Fielding, The New Edinburgh Edition of the Works of Robert Louis Stevenson, 39 vols (Edinburgh: EUP, 2014–).

Books and equivalent items

Editor, Mary Brunton, Self-Control: A Novel (London and Brookfield, VT: Pickering & Chatto, 2014). liv + 425 pp. Chawton House Library: Women’s Novels series.

Jane Austen and the Popular Novel: The Determined Author (Basingstoke and New York: Palgrave, 2007). xii + 253 pp.

Co-editor, with Brian Southam, and introduction. The Reception of Jane Austen in Europe (London and New York: Continuum, 2007; new edn, London: Bloomsbury, 2014). xxxvi + 424 pp.

Co-editor, with Peter Garside, et al. The English Novel, 1830–1836: A Bibliographical Survey of Prose Fiction Published in the British Isles (Cardiff: Centre for Editorial and Intertextual Research, 2003). xx + 382 pp. Funded by the British Academy.

Databases and other electronic outputs

With Julia Thomas, et al. Database of Mid-Victorian Wood-Engraved Illustration (Online: Internet, 2007; version 2.0, 2012). Funded by the AHRC.

With Peter Garside, et al. British Fiction: A Database of Production, Circulation & Reception (Online: Internet, 2004). Funded by the AHRC.

Co-editor, with Andrew Davies, Wales-Related Fiction of the Romantic Era (Wildberg: Belser Wissenschaftlicher Dienst, 2002). Facsimile set of 50 titles on CD-ROM with historical introduction and bibliographical checklist.

Journal articles and book chapters

‘Gothic 2.0: Remixing Revenants in the Transmedia Age’, in The Gothic Compass: New Directions in Scholarship and Inquiry, ed. by Lorna-Piatti Farnell and Donna Lee Brien (London and New York: Routledge, 2015), pp. 84–100.

With Keir Waddington, ‘The Pathology of Common Life: “Domestic” Medicine as Gothic Disruption’, Gothic Studies, 17.1 (May 2015): 44–60.

‘Fiction’, in The Cambridge Companion to Women’s Writing in the Romantic Period, ed. by Devoney Looser (Cambridge: CUP, 2015), pp. 16–31.

‘Evangelical Fiction’, in The Oxford History of the Novel in English, Volume 2: 1750–1820, ed. by Peter Garside and Karen O’Brien (Oxford: OUP, 2015), pp. 255–72.

‘Two Centuries of Pride and Prejudice: Why Celebrate?’, in ‘Pride and Prejudice’: A Bicentennial Bricolage, ed. Caterina Colomba (Udine: Forum, 2014), o pp. 19–32.

‘Introduction’, to Mary Brunton, Self-Control: A Novel, ed. by Anthony Mandal (London and Brookfield, VT: Pickering & Chatto, 2014), pp. xiii–xliii.

‘Gothic and the Publishing World, 1790–1830’, in The Gothic World, ed. Glennis Byron and Dale Townshend (London and New York: Routledge, 2013), pp. 159–71.

‘Publication History’, in The Cambridge Companion to ‘Pride and Prejudice’, ed. by Janet Todd (Cambridge: CUP, 2013), pp. 42–55.

‘Bridging the Gap (of Sighs)? Fiction and Sensibility after 1800’, in From Queen Anne to Queen Victoria: Readings in 18th- and 19th-Century British Literature and Culture, vol. 2, ed. by Grazyna Bystydzienska and Emma Harris (Warsaw: University of Warsaw Press, 2010), pp. 299–321.

‘Austen’s European Reception’, in A Companion to Jane Austen, ed. by Claudia Johnson and Clara Tuite (Oxford: Blackwell, 2009), pp. 422–33.

‘Making Austen MAD: Benjamin Crosby and the Non-Publication of Susan’, Review of English Studies, 57:231 (September 2006): 507–25.

‘Language’, in Jane Austen in Context, ed. by Janet Todd (Cambridge: Cambridge University Press, 2005), pp. 23–32.

‘Jane Austen and the Literary Marketplace: A Context’, in Re-Drawing Austen: Picturesque Travels in Austenland, ed. by B. Battaglia and D. Saglia (Naples: Liguori, 2004), pp. 405–14.

‘Revising the Radcliffean Model: Jane Austen’s Northanger Abbey and Regina Maria Roche’s Clermont’,Cardiff Corvey: Reading the Romantic Text, 3 (September 1999).

With Peter Garside, ‘Producing Fiction in Britain, 1800–1829’, Cardiff Corvey: Reading the Romantic Text, 1 (August 1997).

Entries in reference works

Blackwell Encyclopedia of the Gothic, ed. by William Hughes, David Punter and Andrew Smith (Oxford: Blackwell, 2013): ‘Inheritance’, ‘Intertext’, ‘Phobia’.

Oxford Dictionary of National Biography (Oxford: OUP, 2004): ‘Hannah Maria Jones’, ‘Catherine George Ward’.

Literary Dictionary and Encyclopaedia (2001), Online: Internet: www.encyclit.com: ‘Decadent Fiction’.

Cambridge Bibliography of English Literature, Volume IV (1800–1900), ed. by Joanne Shattock (Cambridge: CUP, 1999): ‘Anna Eliza Bray’, ‘Thomas Gaspey’, ‘William Nugent Glascock’, ‘Thomas Colley Grattan’, ‘George Robert Gleig’, ‘Theodore Edward Hook’, ‘James Justinian Morier’, ‘William Pitt Scargill’, ‘Horatio (Horace) Smith’, ‘Catherine George Ward’; with Peter Garside: ‘Jane Austen’.

The Encyclopaedia of the Novel, ed. by Paul Schellinger (Chicago and London: Fitzroy-Dearborn, 1998): ‘J.-K. Huysmans, Against Nature’, ‘The Decadent Novel’, ‘Ann Radcliffe, The Mysteries of Udolpho’.

Book reviews

John B. Thompson, Merchants of Culture: The Publishing Business in the Twenty-First Century, 2nd edn (Cambridge: Polity, 2012). In European Journal of Cultural Studies (2013). ISSN 1367-5494.

Franz Potter, The History of Gothic Publishing, 1800–1835: Exhuming the Trade (Basingstoke & New York: Palgrave Macmillan, 2005). In The Journal of the Edinburgh Bibliographical Society, 5 (2010), 140–41. ISSN 0006-193X.

Walter Scott, Peveril of the Peak, ed. by Alison Lumsden (Edinburgh: EUP, 2007). In Studies in Hogg and his World, 19 (2008): 8–11. ISSN 0960-6025.

Frances Brooke, The History of Emily Montague, ed. by Laura Moss (Ottawa: Tecumseh Press, 2001). In the British Journal of Canadian Studies, 16 (2003): 407. ISSN 0269-9222.

James Hogg, The Private Memoirs and Confessions of a Justified Sinner (Edinburgh: Soft Editions, 2002). In Studies in Hogg and his World, 14 (2003): 133–35. ISSN 0960-6025.

Mary Waldron, Jane Austen and the Fiction of her Time (CUP, 1999). In Notes and Queries,n.s. 47 (2000): 375–76.

Date
Type

2024

Mandal, A. 2024. Austen reloaded: Digital approaches to Jane Austen and the arts. In: Bray, J. and Moss, H. eds. The Edinburgh Companion to Jane Austen and the Arts. Edinburgh: Edinburgh University Press, pp. 491-512.

2023

Mandal, A. and van Woudenberg, M. 2023. Editorial. Romantic Textualities(24), pp. 7-9. (10.18573/romtext.118)
Garside, P., Belanger, J., Ragaz, S. and Mandal, A. 2023. The English novel, 1800–1829 & 1830–1836: update 8 (April 2000–June 2023). Romantic Textualities(24), pp. 197-305. (10.18573/romtext.116)

2020

Mandal, A. and Woudenberg, M. v. 2020. Editorial. Romantic Textualities(23), pp. 7-9. (10.18573/romtext.68)
Garside, P. D., Belanger, J., Mandal, A. and Ragaz, S. 2020. The English Novel, 1800–1829 & 1830–1836: Update 7 (August 2009–July 2020). Romantic Textualities(23), pp. 257-278. (10.18573/romtext.82)
Mandal, A. 2020. Gothic fiction, from shilling shockers to penny bloods. In: Townshend, D., Wright, A. and Catherine Spooner, . eds. The Cambridge History of the Gothic., Vol. 2. Cambridge: Cambridge University Press, pp. 139-161., (10.1017/9781108561082.007)
Mandal, A. 2020. Fear and loathing in the library: anxious textuality in recent gothic fiction. In: Ascari, M., Baiesi, S. and Palatinus, D. L. eds. Gothic Metamorphoses across the Centuries: Contexts, Legacies, Media. Critical Perspectives on English and American Literature, Communication and Culture Peter Lang, pp. 165-178.

2019

Mandal, A. 2019. 19 Digital Humanities. Year's Work in Critical and Cultural Theory 27(1), pp. 364-386. (10.1093/ywcct/mbz020)

2018

Mandal, A. 2018. Digital humanities. Year's Work in Critical and Cultural Theory 26(1), pp. 305-326., article number: 16. (10.1093/ywcct/mby016)
Mandal, A. 2018. Mrs. Meeke and Minerva: The mystery of the marketplace. Eighteenth-Century Life 42(2), pp. 131-151. (10.1215/00982601-4384591)
Mandal, A. 2018. The ghost story and the Victorian literary marketplace. In: Brewster, S. and Thurston, L. eds. The Routledge Handbook to the Ghost Story. Routledge Handbooks New York and London: Routledge, pp. 29-39.

2017

Mandal, A. 2017. Digital humanities. Year's Work in Critical and Cultural Theory 25(1), pp. 374-397., article number: 19. (10.1093/ywcct/mbx020)
Mandal, A. and van Woudenberg, M. 2017. Editorial. Romantic Textualities: Literature and Print Culture, 1780-1840(22), pp. 7-9. (10.18573/j.2017.10149)
Mandal, A. and van Woudenberg, M. eds. 2017. Romantic textualities: Literature and print culture, 1780–1840 (Issue 22, Spring 2017). Cardiff: Cardiff University Press. (10.18573/n.2017.10148)
Mandal, A. 2017. Hyde: monsters, mashups and the Gothic body in the twenty-first century. In: Hill, R. J. ed. Robert Louis Stevenson and the Great Affair: Movement, Memory and Modernity. Routledge, pp. 235-251.
Haines, E. et al. 2017. GW4 Bridging the Gap. Project Report. [Online]. GW4/AHRC. Available at: http://gw4.ac.uk/wp-content/uploads/2017/10/GW4-Bridging-the-gap-Report_WEB-1.pdf

2016

Mandal, A. 2016. Digital humanities. The Year's Work in Critical and Cultural Theory 24(1), pp. 317-342. (10.1093/ywcct/mbw015)

2015

Mandal, A. and Waddington, K. 2015. The pathology of common life: ‘Domestic’ medicine as Gothic disruption. Gothic Studies 17(1), pp. 43-60. (10.7227/GS.17.1.4)
Mandal, A. 2015. Gothic 2.0: Remixing revenants in the transmedia age. In: Piatti-Farnell, L. and Brien, D. L. eds. New Directions in 21st-Century Gothic: The Gothic Compass. Routledge Interdisciplinary Perspectives on Literature London and New York: Routledge, pp. 84-100.
Mandal, A. 2015. Fiction. In: Looser, D. ed. The Cambridge Companion to Women's Writing of the Romantic Period. Cambridge Companions to Literature Cambridge: Cambridge University Press, pp. 16-31.
Mandal, A. 2015. Evangelical fiction. In: Garside, P. and O'Brien, K. eds. The Oxford History of the Novel in English, Vol. 2: 1750--1820. Oxford: Oxford University Press, pp. 255-272.

2014

Mandal, A. and Southam, B. eds. 2014. The reception of Jane Austen in Europe. The Reception of British and Irish Authors in Europe. London and New York: Bloomsbury.
Brunton, M. Mandal, A. ed. 2014. Self-Control: a novel. Chawton House Library: Women's Novels Vol. 17. London: Pickering & Chatto.
Mandal, A. 2014. Two centuries of 'Pride and Prejudice': why celebrate?. In: Colomba, C. ed. Pride and Prejudice: A Bicentennial Bricolage. Udine: Forum Editrice, pp. 19-32.
Mandal, A. 2014. Introduction. In: Mandal, A. ed. Mary Brunton, Self-Control: A Novel. London and Brookfield, VT: Pickering & Chatto, pp. xiii-xliii.

2013

Mandal, A. ed. 2013. Romantic textualities: Literature and print culture, 1780–1840. Issue 21 (Winter 2013). Cardiff: Centre for Editorial and Intertextual Research.
Mandal, A. 2013. Gothic and the publishing world, 1790–1830. In: Byron, G. and Townshend, D. eds. The Gothic World. Routledge Worlds London and New York: Routledge, pp. 159-171.
Mandal, A. 2013. Composition and publication. In: Todd, J. ed. The Cambridge Companion to 'Pride and Prejudice'. Cambridge Companions to Literature Cambridge: Cambridge University Press, pp. 42-55.
Mandal, A. 2013. Inheritance. In: Hughes, W., Punter, D. and Smith, A. eds. The Encyclopedia of the Gothic. Wiley-Blackwell Encyclopedia of Literature Oxford: Blackwell, pp. 344-345.
Mandal, A. 2013. Intertext. In: Hughes, W., Punter, D. and Smith, A. eds. The Encyclopedia of the Gothic. Wiley-Blackwell Encyclopedia of Literature Oxford: Blackwell, pp. 350-356.
Mandal, A. 2013. Phobia. In: Hughes, W., Punter, D. and Smith, A. eds. The Encyclopedia of the Gothic. Wiley-Blackwell Encyclopedia of Literature Oxford: Blackwell, pp. 491-494.

2010

Mandal, A. 2010. Bridging the Gap(of Sighs)? Fiction and sensibility after 1800. In: Bystydzienska, G. and Harris, E. eds. From Queen Anne to Queen Victoria: Readings in 18th- and 19th-Century British Literature and Culture., Vol. 2. Warsaw: University of Warsaw Press, pp. 299-321.
Mandal, A. 2010. Franz J. Potter. The history of Gothic Publishing, 1800–1835: exhuming the trade [Book Review]. The Journal of the Edinburgh Bibliographical Society 5, pp. 140-141.

2009

Mandal, A. 2009. Austen's European reception. In: Johnson, C. L. and Tuite, C. eds. A Companion to Jane Austen. Blackwell Companions to Literature and Culture Oxford: Blackwell, pp. 422-433.

2008

Mandal, A. 2008. Walter Scott, Peveril of the peak, ed. by Alison Lumsden (Edinburgh: EUP, 2007) [Book Review]. Studies in Hogg and his World 19, pp. 8-11.

2007

Mandal, A. 2007. Jane Austen and the popular novel: the determined author. Basingstoke: Palgrave Macmillan.
Thomas, J., Mandal, A., Killick, P. T. and Skilton, D. 2007. Database of Mid-Victorian wood-engraved illustration. [Internet database]. Cardiff University. Available at: http://www.dmvi.cardiff.ac.uk/
Mandal, A. 2007. Introduction. In: Mandal, A. and Southam, B. eds. The reception of Jane Austen in Europe. The reception of British and Irish authors in Europe Continuum

2006

Mandal, A. 2006. Making Austen mad: Benjamin Crosby and the non-publication of 'Susan'. The Review of English Studies 57(231), pp. 507-525. (10.1093/res/hgl070)
Mandal, A. 2006. Language. In: Todd, J. ed. Jane Austen in context. The Cambridge edition of the works of Jane Austen Cambridge: Cambridge University Press, pp. 23-32.

2004

Garside, P. D., Belanger, J., Ragaz, S. A. and Mandal, A. 2004. British fiction 1800-1829: A database of production, circulation and reception. [Database]. Cardiff: Cardiff University Centre for Editorial and Intertextual Research. Available at: http://www.british-fiction.cf.ac.uk/
Mandal, A. 2004. Jane Austen and the literary marketplace: a context. In: Battaglia, B. and Saglia, D. eds. Re-drawing Austen: picturesque travels in Austenland. Romanticismo e dintorni Vol. 11. Naples: Liguori, pp. 405-414.
Mandal, A. 2004. Hannah Maria Jones. In: Cannadine, D. ed. Oxford Dictionary of National Biography. Vol. 101063. Oxford: Oxford University Press
Mandal, A. 2004. Catherine George Ward. In: Cannadine, D. ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press, pp. 101063270.

2003

Mandal, A. 2003. Frances Brooke, The history of Emily Montague, ed. by Laura Moss. Canadian Critical Edition (Ottawa: Tecumseh Press, 2001), xiii + 500pp. Paper. $24.95. ISBN 1-8961-3329-0. [Book Review]. British Journal of Canadian Studies 16(2), pp. 407.
Mandal, A. and Garside, P. eds. 2003. The English Novel, 1830–1836: a bibliographical survey of prose fiction published in the British Isles. Cardiff: Centre for Editorial and Intertextual Research.
Mandal, A. 2003. James Hogg, The Private Memoirs and Confessions of a Justified Sinner (Edinburgh: Soft Editions, 2002) [Book Review]. Studies in Hogg and his World 14, pp. 133-135.

2002

Mandal, A. and Davies, A. 2002. Wales-related fiction of the Romantic Era. Facsimile set of 50 titles on CD-ROM with historical introduction and bibliographical checklist. [CD-Rom]. Belser Wissenschaftlicher Dienst.

2001

Mandal, A. 2001. Decadence. In: Clark, R., Elliott, E. and Todd, J. eds. Literary Dictionary and Encyclopaedia. The Literary Dictionary Company Limited

2000

Mandal, A. 2000. Mary Waldron, Jane Austen and the fiction of her time. Pp. ix + 194. Cambridge, New York, Oakleigh: Cambridge University Press, 1999. £30 (ISBN 0-521-65130-1) [Book Review]. Notes and Queries 47(3), pp. 375-376. (10.1093/nq/47.3.375)

1999

Mandal, A. 1999. Revising the Radcliffean model: Jane Austen’s Northanger Abbey and Regina Maria Roche’s Clermont. Cardiff Corvey: Reading the Romantic Text 3(3), article number: Sept 1999.

1997

Mandal, A. and Garside, P. 1997. Producing fiction in Britain, 1800–1829. Cardiff Corvey: Reading the Romantic Text 1, article number: 1.

My research focuses principally on nineteenth-century literature and its engagement with contemporary print culture. I am also interested in the gothic, book history and digital humanities. I am Director of the Centre for Editorial and Intertextual Research at Cardiff, and have developed a number of digital resources, including two databases, a bibliography of fiction 1830–1836 and an online journal.

I have written books and essays on Jane Austen, the gothic, print culture and contemporary fiction. In 2009, I became one of the General Editors of the New Edinburgh Edition of the Works of Robert Louis Stevenson, which is to be published in 39 volumes: the first wave of volumes appeared in 2013.

Current and forthcoming research includes:

Two book chapters on the male body, medical gothic and late-Victorian periodical fiction.
A book chapter on my pervasive media adaptation of Jekyll and Hyde for a collection on Stevenson and cultural memory.
An invited book chapter on the ghost story and the book trade.
Two journal articles on the Romantic literary marketplace.

As well as academic research, since 2013, I have have been working as the academic lead in Jekyll 2.0: Embodying the Gothic Text, an AHRC-funded knowledge-transfer project which adapts Stevenson's classic novella into a pervasive media game driven by players’ bio-data.

I was also co-investigator on WISE: What Is Scholarly Editing?, funded by the AHRC's Collaborative Research Skills Development scheme. This comprised a series of workshops to be held in Cardiff, Durham and London between 2014 and 2015, in order to train doctoral students and Early Career Researchers in the theory and practice of editing. From December 2015, I will be leading the development of a Digital Humanities network at Cardiff University.

Research interests

Romantic and Victorian fiction, particularly Jane Austen and Robert Louis Stevenson
gothic literature
book history and print culture
textual editing and bibliography
material cultures
digital humanities
literature and science
British–European literary exchanges.

Postgraduate students

I would welcome applications from potential graduate students interested in researching the following subjects:

book history, material cultures and digital humanities
popular fiction and/or print culture from 1780 to 1910
gothic literature and sensation fiction
literature, science and medicine
Jane Austen, Walter Scott and Robert Louis Stevenson

Rwyf wedi dysgu modiwlau israddedig ar Jane Austen, y nofel yn yr oes Ramantaidd, y ffuglen gothig a synhwyrol, a chyrsiau ôl-raddedig ar Ramantiaeth, hanes llyfrau a'r dyniaethau digidol.

Rwyf wedi goruchwylio traethodau hir MA ar Jane Austen, ffuglen gothig a synhwyrol, ac ar hyn o bryd rwy'n goruchwylio prosiectau doethurol ar lenyddiaeth a meddygaeth Fictoraidd, arswyd digidol ac efelychwyr cerdded fel genre llenyddol.

O fis Awst 2018, rwy'n Gyfarwyddwr Astudiaethau ar gyfer y rhaglenni israddedig mewn Llenyddiaeth Saesneg ac Ysgrifennu Creadigol, ac ar hyn o bryd byddaf yn cynnull y gweithdai Dulliau Ymchwil ar gyfer yr MA mewn Llenyddiaeth Saesneg.

Rwyf hefyd wedi gweithredu fel arholwr allanol neu ddilysydd ar gyfer graddau israddedig yn Universitjes Lincoln a Southampton, ac ar hyn o bryd rwy'n arholwr allanol ar gyfer yr MAs mewn Llenyddiaethau Saesneg ac Americanaidd ym Mhrifysgol Caint.

After completing my undergraduate degree in English Literature at the University of Durham, I came to Cardiff in 1995 to read an MA in English Literature, focusing principally on nineteenth-century literature and its engagement with print culture. My postgraduate studies concluded in 2001, with a PhD entitled ‘Jane Austen and the Production of Fiction, 1785–1817’.

Between 2001 and 2004, I was a postdoctoral research associate based in Cardiff's Centre for Editorial and Intertextual Research (CEIR), which I co-founded with Professor Peter Garside in 1998. In 2004, I took up a Lectureship in English Literature at Cardiff, followed by promotions to Senior Lecturer (2009) and Reader in Print and Digital Cultures (2013). Since October 2013, I have been the Director of CEIR.

I teach undergraduate modules on the gothic and the nineteenth century, and postgraduate courses on book history and Romanticism. I have supervised MA dissertations on Jane Austen, the gothic and sensation fiction, and am currently supervising doctoral projects on Victorian fiction, literature and science, and the nineteenth-century book trade.

I am a Fellow of the Higher Education Academy (HEA), and member of a number of academic societies, and was elected as the Vice-President of the British Association for Romantic Studies in July 2015. I also sit on a number of editorial boards for journals and scholarly initiatives, as well as regularly peer reviewing submissions to various academic publications. I am co-organiser of Cardiff BookTalk and Cardiff Romanticism and Romanticism Seminar, and sit on the Editorial Board of Cardiff University Press.

More information is available on my about.me page.

Safleoedd academaidd blaenorol

2016– : Athro Diwylliannau Print a Digidol, Ysgol Saesneg, Cyfathrebu ac Athroniaeth (ENCAP), Prifysgol Caerdydd.
2013–16: Darllenydd mewn Diwylliannau Print a Digidol, ENCAP, Prifysgol Caerdydd.
2009–13: Uwch Ddarlithydd mewn Llenyddiaeth Saesneg, ENCAP, Prifysgol Caerdydd.
2004–09: Darlithydd mewn Llenyddiaeth Saesneg, ENCAP, Prifysgol Caerdydd.
2001–04: Cydymaith Ymchwil Ôl-ddoethurol, ENCAP, Prifysgol Caerdydd.
1997–2000: Darlithydd Cyswllt mewn Llenyddiaeth Saesneg, ENCAP.

Pwyllgorau ac adolygu

Bwrdd Golygyddol, Gwasg Prifysgol Caerdydd.
Bwrdd Golygyddol, Cyhoeddwyr Llyfrau Agored (www.openbookpublishers.com).
Bwrdd Golygyddol, Astudiaethau yn Hogg a'i Fyd (ISSN 0960 6025).
Bwrdd Golygyddol, Astudiaethau yn y Dyniaethau Digidol (ISSN 2050-7224).
Bwrdd Golygyddol, Stirling/South Carolina Research Edition of the Works of James Hogg.
Y Bwrdd Golygyddol, The Edinburgh Edition of Arthur Conan Doyle.
Bwrdd Golygyddol, Safbwyntiau Beirniadol ar Theori, Diwylliant a Gwleidyddiaeth (Rowman & Littlefield).
Bwrdd Golygyddol, Llenyddiaeth Saesneg a Diwylliant mewn Cyd-destun (Peter Lang).

I would welcome applications from potential graduate students interested in researching the following subjects:

book history, material cultures and digital humanities
popular fiction and/or print culture from 1780 to 1910
gothic literature and sensation fiction
Scottish literature
literature, science and medicine
Jane Austen, James Hogg, Walter Scott, Robert Louis Stevenson

Goruchwyliaeth gyfredol

Soumia Medjahed

Myfyriwr ymchwil

Alice Wilkinson

Myfyriwr ymchwil

Llwyddiant FrankenFest Caerdydd yn ysbryd-oli

Yr Athro Anthony Mandal BA (Dunelm), MA, PhD (Wales)

Trosolwyg