Yr Athro Clair Rowden
PhD MA BMus (Hons) FHEA

Athro Cerddoleg

: RowdenCS@caerdydd.ac.uk
: +44 29208 70462

: Ar gael fel goruchwyliwr ôl-raddedig

Graddiodd o Goleg Goldsmith, Prifysgol Llundain, ac enillodd fy PhD ym Mhrifysgol City, Llundain yn 2002.

Mae fy ymchwil yn ymdrin yn bennaf â theatr gerdd a Ffrainc y bedwaredd ganrif ar bymtheg, ac rwyf wedi cyhoeddi'n eang ar dderbyniad beirniadol a hanes diwylliannol opera, cynhyrchu llwyfan, dawns, eiconograffeg a charicature'r wasg.

Rwy'n gyd-gyfarwyddwr CIRO (Cardiff Interdisciplinary Research in Opera and Drama) sy'n cydweithio'n agos ag Opera Cenedlaethol Cymru a sefydliadau perfformio a phroffesiynol eraill, ac rwy'n ysgrifennu nodiadau rhaglen yn rheolaidd ac yn rhoi sgyrsiau cyn y perfformiad ar gyfer tai opera a gwyliau mawr yn Ewrop.

Rwyf wedi cynnal cymrodoriaethau ymweld yn Ffrainc, Portiwgal, Brasil, Mecsico a'r Ffindir.

2023

Rowden, C. 2023. Ohé! les p’tits agneaux! A Parisian revue de fin d’année for 185, ed. Richard Sherr [Book Review]. Notes: the Quarterly Journal of the Music Library Association 79(4), pp. 651-654.
Rowden, C. and San Martín Arbide, L. 2023. #JeSuisCarmen [Programme Note]. Paris: Opéra-Comique.
Rowden, C. 2023. ‘Anne Charton-Demeur: a “classical” diva’. Berlioz Society Bulletin 219, pp. 18-35.
Rowden, C. 2023. ‘Operatic gems: Adelina Patti, prerogative and paste’. In: Talasniemi, J., Broman-Kananen, U. and Koivisto-Kaasik, N. eds. “Her creative process”: pathways to music history and performance. Festschrift for Anne Kauppala. DocMus Research Publications Helsinki: Univeristy of the Arts Helsinki, pp. 79-98.

2022

Rowden, C. 2022. Hugh Macdonald, Saint-Saëns and the stage: Operas, plays, pageants, a ballet and a film [Book Review]. Fontes Artis Musicae 69(1), pp. 59-63. (10.1353/fam.2022.0002)
Rowden, C. 2022. Hérodias et les Salomé des scènes parisiennes. In: Reynaud, C. and Séginger, G. eds. Berlioz, Flaubert et l’Orient. Paris: Le Passage, pp. 226-237.
Rowden, C. 2022. Stéphane Leteuré, Croquer Saint-Saëns: Une histoire de la représentation du musicien par la caricature [Book Review]. La Revue de Musicologie 108(2), pp. 505-507.

2021

Rowden, C. 2021. Catholicism and moral philosophy in nineteenth-century France. In: Dufetel, N. ed. Religious Music in Ninteenth-Century France. Turnhout: Brepols

2020

Smith, R. L. and Rowden, C. 2020. 'Carmen' at home and abroad. In: Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge University Press, pp. 3-25.
Rowden, C. and Arbide, L. S. M. 2020. Final féministe: les défis de la mise en scène au XXIème siècle. #JeSuisCarmen. In: Lozier, C. and Marc, I. eds. Carmen Revisitée / Revisiter Carmen: Nouveaux Visages d'Un Mythe Transversal. Comparatisme Et Société / Comparatism and Society Peter Lang, pp. 159-174.
Rowden, C. 2020. Opera and parody in Paris, 1860-1900. Music and Visual Cultures. Brepols.
Rowden, C. 2020. Charles Gounod, Cantates et musique sacrée - Flemish Radio Choir and the Brussels Philharmonic, Hervé Niquet cond - Includes book of essays in French and English edited by Alexandre Dratwicki - Collection Prix de Rome, vol. 6 - Ediciones Singulares 1030, 2017 (2 CDs: 127 minutes). Nineteenth-Century Music Review 17(2), pp. 297-300. (10.1017/S1479409818000605)
Smith, R. L. and Rowden, C. eds. 2020. Carmen abroad: Bizet's opera on the global stage. Cambridge University Press.
Rowden, C. 2020. 'Carmen' faces Paris and the provinces. In: Langham Smith, R. and Rowden, C. eds. Carmen Abroad: Bizet's Opera on the Global Stage. Cambridge: Cambridge University Press, pp. 45-63.
Rowden, C. 2020. The sopranos, Parisian style, 1869. In: Opera as Institution: Networks and Professions (1730-1917). LIT Verlag, pp. 119-134.

2019

Rowden, C. 2019. “Le Tétraque se perdait dans un rêve”: concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet. Flaubert: Revue Critique et Génétique 21
Rowden, C. 2019. Carmen: Life and death on stage in the 21st century. Cardiff: Welsh National Opera.

2018

Rowden, C. 2018. Deferent daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869. Cambridge Opera Journal 30(2-3), pp. 237-258. (10.1017/S0954586719000089)
Rowden, C. 2018. Reinventing 'Carmen'. Opera 69(2), pp. 139-144.
Rowden, C. and Langham Smith, R. 2018. Carmen abroad: The when and where of Carmen performances, 1875-1945. [Online]. Cardiff University. Available at: http://www.carmenabroad.org/

2017

Rowden, C. 2017. 'Du grand au petit': Faust on Parisian stages in 1869. In: Niccolai, M. and Rowden, C. eds. Musical Theatre in Europe 1830-1945. Speculum Musicae Turnhout: Brepols
Rowden, C. 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, A., Broman-Kananen, U. and Hesselager, J. eds. Tracing Operatic and Theatrical Performances in the Long 19th Century: Practices, Performers, Peripheries. DocMus Research Publications Helsinki: Sibelius Academy, pp. 43-82.
Rowden, C. and Niccolai, M. 2017. Introduction. In: Rowden, C. and Niccolai, M. eds. Musical Theatre in Europe 1830-1945. Brepols
Niccolai, M. and Rowden, C. eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

2016

Rowden, C. 2016. Bizet. By Hugh Macdonald. The Bizet Catalogue. By Hugh Macdonald [Review]. Music and Letters 97(2), pp. 355-356. (10.1093/ml/gcw024)
Rowden, C. 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

2015

Rowden, C. S. 2015. Loie Fuller and Salome: The unveiling of a myth. In: Lee, H. and Segal, N. eds. Opera, Exoticism and Visual Culture. Cultural Interactions: Studies in the Relationship between the Arts Vol. 34. Peter Lang, pp. 93-110.
Rowden, C. 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

2014

Rowden, C. S. 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18(2), pp. 134-149. (10.1179/1478731814Z.00000000049)
Rowden, C. S. 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95(2), pp. 299-302. (10.1093/ml/gcu025)
Bizet, G. 2014. Carmen. {Musical Score: Vocal Score}.
Rowden, C. S. 2014. The other 'Salome'. Opera, pp. 1234-1241.
Rowden, C. S. 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. In: Branger, J. and Giroud, V. eds. Massenet aujourd’hui : Héritage et postérité. Publications de l'Universite de Saint-Etienne, pp. 39-64.
Rowden, C. S. 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.

2013

Rowden, C. S. 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. In: Rowden, C. S. ed. Performing Salome, Revealing Stories. Ashgate Interdisciplinary Studies in Opera Aldershot: Ashgate, pp. 71-98.
Rowden, C. S. ed. 2013. Performing Salome, revealing stories. Ashgate Interdisciplinary Studies in Opera. Aldershot: Ashgate.
Rowden, C. S. 2013. Introduction. In: Rowden, C. S. ed. Performing Salome, Revealing Stories. Ashgate Interdisciplinary Studies in Opera Aldershot: Ashgate, pp. 1-14.
Rowden, C. S. 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25(2), pp. 139-163. (10.1017/S0954586713000049)
Rowden, C. S. 2013. Choral music and music making in France. In: Di Grazia, D. M. ed. Nineteenth-Century Choral Music. Routledge Studies in Musical Genres Abingdon. Oxon: Routledge, pp. 205-212.
Bizet, G. 2013. Carmen. {Musical Score}.
2013. Salome. [Online]. Francophone Music Criticism 1789-1914. Available at: http://music.sas.ac.uk/fmc
Rowden, C. S. 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13(40), pp. 1-7.

2012

Rowden, C. S. 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. In: Di Grazia, D. M. ed. Nineteenth-Century Choral Music. Routledge Studies in Musical Genres London: Routledge
Rowden, C. S. 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris, pp. 71-76.

2011

Rowden, C. S. 2011. The End of the Fairytale [Programme note]. In: Cendrillon. London: Royal Opera House, pp. 12-19.
Rowden, C. S. 2011. Salome and modern opera: a Parisian perspective. In: Brosche, G. et al. eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext. Tutzing: Hans Schneider, pp. 163-176.
Moore, R., Hamer, L. and Branger, A. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html
2011. Massenet, La Navarraise. Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html
2011. Mascagni, Cavalleria rusticana, Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html
Rowden, C. S. 2011. Annegret Fauser & Mark Everist (eds.), Music, Theater, and Cultural Transfer: Paris 1830-1914 (University of Chicago Press, 2009), 439 pp. ISBN-13: 978-0-226-23926-2. [Book Review]. H: France 11(99)

2010

Rowden, C. S. 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. In: Les Pêcheurs de Perles. London: Royal Opera House, pp. 27-34.
Rowden, C. S. 2010. A Source of Lyricism [Programme note]. In: Roméo et Juliette. London: Royal Opera House, pp. 32-36.
Rowden, C. S. 2010. Sentiment and Reminiscence [Programme note]. In: Manon. London: Royal Opera House, pp. 25-31.
Rowden, C. S. 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. In: Branger, J. ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt. Musicologie - Cahiers de l'Esplanade Vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.
Rowden, C. S. 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91(3), pp. 441-444. (10.1093/ml/gcq031)
Rowden, C. S. 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7(2), pp. 129-132. (10.1017/S1479409800003657)

2009

Rowden, C. S. 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV(1-2), pp. 274-289.
Rowden, C. S. 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6(1), pp. 115-118. (10.1017/S1478572210000083)

2008

Rowden, C. S. 2008. Massenet and the 'Manon' score [Programme note]. In: Manon. London: Royal Opera House presents The Royal Ballet, pp. 19-24.
Rowden, C. S. 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94(1), pp. 139-180.
Rowden, C. S. 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30(1), pp. 135-140. (10.1080/08145857.2008.10416749)
Rowden, C. S. 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30(1), pp. 141-143. (10.1080/08145857.2008.10416750)

2007

Rowden, C. S. 2007. Cinderella takes a Roman holiday [programme note]. In: La Cenerentola. London: Royal Opera House, pp. 9-12.
Rowden, C. S. 2007. Werther, La Navarraise and Verismo: A Matter of Taste. Franco - British Studies: journal of the British Institute in Paris 37, pp. 3 -34.
Rowden, C. S. 2007. Massenet and 'Thaïs': the religious context [programme note]. In: Thaïs. London: Royal Opera House, pp. 29-33.

2006

Rowden, C. S. 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. In: Ramaut, A. and Branger, J. eds. Opéra et Religion sous la IIIe République. Travaux Vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.
Rowden, C. S. 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3(1), pp. 122-125. (10.1017/S1479409800000380)

2004

Rowden, C. S. 2004. 'Werther' at home and abroad [programme note]. In: Werther. London: Royal Opera House, pp. 43-48.
Rowden, C. S. 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. In: Avant-Scène Opéra: Thomas Adès 'The Tempest'. Vol. 222. Paris: Avant-Scène Opéra, pp. 80-83.
Rowden, C. S. 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle Vol. 6. Weinsberg: Musik-Edition Lucie Galland.
Rowden, C. S. 2004. Paris – Londres : 'La Navarraise' face à la presse. In: Branger, J. and Ramaut, A. eds. Le Naturalisme sur la scène lyrique. Musicologie - Cahiers de L'Esplanade Vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128.
Rowden, C. S. 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1(2), pp. 112-115. (10.1017/S1479409800001415)
Rowden, C. S. 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1(2), pp. 139-141. (10.1017/S1479409800001506)

2003

Rowden, C. S. 2003. Explosive Opera: 'La Navarraise' face à la critique londonienne [Programme note]. In: Avant-Scène Opéra: Massenet 'Sapho', 'La Navarraise'. Paris: Avant-Scène Opéra, pp. 80-81.
Rowden, C. S. 2003. Thais [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Hérodiade [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Cendrillon [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Grisélidis [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. La Navarraise [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Le Jongleur de Notre-Dame [Dictionary article]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Chérubin [Dictionary entry]. In: Fauquet, J. ed. Dictionnaire de la musique en France au XIXe siècle. Paris: Fayard
Rowden, C. S. 2003. Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 [Book Review]. Music and Letters 84(2), pp. 300-302. (10.1093/ml/84.2.300)

2002

Rowden, C. S. 2002. 'Hérodiade': Church, State and the Feminist Movement. Presented at: Tenth International Conference on Nineteenth-Century Music, Bristol, UK, July 1998 Presented at Samson, J. and Zon, B. eds.Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. London: Ashgate pp. 250-278.

2000

Rowden, C. S. ed. 2000. Jules Massenet, Thaïs: dossier de presse parisienne (1894). Critiques de l'opéra français du XIXe siècle. Heilbronn: Musik-Edition Lucie Galland.

1998

Rowden, C. S. 1998. 'Hérodiade': anticlerical, imperial or republican opera?. British Postgraduate Musicology 2, pp. 2-15.

Mae fy ymchwil yn canolbwyntio ar opera a Ffrainc yn y bedwaredd ganrif ar bymtheg, o olygu cerddoriaeth ac astudio archifol i astudiaethau microhanes a derbynfa, gan gynnwys llwyfannu a dawnsio operatig, eiconograffi a rhyw.

Mae prosiectau ymchwil cyfredol ar Saint-Saëns ym Mhrydain (i gyd-fynd â Chynhadledd y Canmlwyddiant 'Saint-Saëns beyond Borders', yr wyf yn ei chyd-drefnu â'r Athro Barbara Kelly yn yr RNCM, Chwefror 2022) ac ar emwaith cantorion yn y bedwaredd ganrif ar bymtheg hir.

Mae ei chyhoeddiadau diweddar yn cynnwys Opera and Parody in France, 1860-1900 (Brepols, 2020) a Carmen Abroad, a gyd-olygwyd gyda Richard Langham Smith (Gwasg Prifysgol Caergrawnt, 2020 ). Ategir y casgliad hwn gan y wefan sy'n esblygu'n barhaus a'r platfform cyhoeddi ar-lein CarmenAbroad.org, gyda chymorth grant BA/Leverhulme, sy'n dogfennu'n gyfoethog - trwy fap byd-eang, llinell amser, delweddau a thudalennau gwybodaeth unigol - perfformiadau Carmen ledled y byd cyn 1945.

Rwy'n gyd-gyfarwyddwr CIRO (Cardiff Interdisciplinary Research in Opera and Drama) gyda Dr Monika Hennemann ac rwy'n gweithio'n agos gydag Opera Cenedlaethol Cymru a'i chymdeithas Ffrindiau i ddarparu ystod o ddigwyddiadau trosglwyddo gwybodaeth o amgylch y tymhorau operatig ac ar faterion mwy ehangach sy'n ymwneud ag opera. Rwyf wedi trefnu (neu gyd-drefnu) nifer o ddigwyddiadau a symposia:

Ym mis Medi 2021, digwyddiad cyhoeddus Caruso Centenary mewn cydweithrediad â Chymrodor Leverhulme Prifysgol Caerdydd, Dr Barbara Gentili, Opera Cenedlaethol Cymru
Chwefror 2020, Darganfod Les Vêpres siciliennes Verdi, Digwyddiad cyhoeddus, Prifysgol Caerdydd
Medi 2019, Carmen: Perfformio, Perfformwyr a Chynyrchiadau, Digwyddiad cyhoeddus, Prifysgol Caerdydd
Mawrth 2019, Understanding Opera: Adventures in Surtitling, Diwrnod astudio cyhoeddus, Opera Cenedlaethol Cymru
Mehefin 2017, Carmen Singer of the World, cynhadledd ryngwladol mewn cydweithrediad â BBC Canwr y Byd Caerdydd
Chwefror 2017, creu Opera, cyfieithu a syrffio, Diwrnod astudio cyhoeddus, Opera Cenedlaethol Cymru
Tachwedd 2016, Creu Artistig Rhyngwladol yn ystod y Rhyfel Byd Cyntaf, Amgueddfa Genedlaethol Caerdydd
Mai 2016, Coedwig Mametz, barddoniaeth a chân, Diwrnod astudio cyhoeddus mewn cydweithrediad ag Opera Cenedlaethol Cymru, Canolfan Mileniwm Cymru
Mai 2014, Symposiwm Rhyngddisgyblaethol Rhyngwladol: Cyfieithu mewn Cerddoriaeth, Prifysgol Caerdydd

Cefnogwyd prosiect Coffáu'r Rhyfel Byd Cyntaf: Gwrthdaro a Chreadigrwydd (2016) gan Gymrodoriaeth Gyfarfyddiadau Diwylliannol yr AHRC.

Rwy'n aelod grŵp llywio rhyngwladol o'r rhwydwaith ymchwil 'Ffrainc: Musiques, Cultures 1789-1918', ac rwyf wedi bod yn gyfrifol am baratoi argraffiadau ar-lein o wahanol gorpwrs o feirniadaeth gerddoriaeth Ffrengig o'r bedwaredd ganrif ar bymtheg sydd ar gael fel rhan o greu adnodd gwerthfawr ar y we i ymchwilwyr.

Ar lefel israddedig, rwy'n addysgu modiwlau ar opera Ffrangeg ac Eidaleg yn y bedwaredd ganrif ar bymtheg, busnes opera, theatr gerdd, a cherddoriaeth ym Mharis 1850-1900.

Rwy'n goruchwylio traethodau hir israddedig ar ystod eang o bynciau o astudiaethau llenyddol cymharol o opera (e.e. La Dame aux camélias gan Alexandre Dumas fils , a La traviata gan Verdi), trwy faledi Rwsiaidd o'r bedwaredd ganrif ar bymtheg, trwy'r sioe mega-gerddorol yn West End Llundain yn ystod cyfnod Thatcheraidd, i Beyoncé a ffeministiaeth fodern.

Ar lefel Meistr, rwy'n cyfrannu at nifer o fodiwlau a addysgir gan dîm ar rywedd, hanes derbynfa, beirniadaeth y wasg, micro-hanes, archifau, rhyng-destunoldeb a rhyng-fyfyrdod, ysgrifennu nodiadau rhaglen, ysgrifennu academaidd, ac ati.

Addysg a Chymwysterau

2009: FHEA, Prifysgol Caerdydd

2002: PhD City University, Llundain

1996: MA (Perfformiad), City University, Llundain

1994 - DALF, Institut français, Llundain

1992: BMus (Hons), Coleg Goldsmiths, Prifysgol Llundain

Aelodaethau proffesiynol

Aelod o'r Gymdeithas Gerddorol Frenhinol (aelod o'r Cyngor, 2011-2013)
Aelod o'r Gymdeithas Cerddoriaeth Americanaidd

Safleoedd academaidd blaenorol

Darlithydd Ymweld ym Mhrifysgol Dinas
Darlithydd Gwadd yn Université de Rouen
Darlithydd Gwadd yn Royal Holloway, Prifysgol Llundain

Pwyllgorau ac adolygu

Adolygydd cymheiriaid, Cambridge Opera Journal, Journal of the Royal Musical Association, Journal of the American Musicological Society, Adolygiad Cerddoriaeth o'r bedwaredd ganrif ar bymtheg, Cerddoriaeth a Llythyrau, Diwinyddiaeth Agored, Diplomatica: Cyfnodolyn diplomyddiaeth a chymdeithas
Adolygydd cymheiriaid, Gwasg Prifysgol Caergrawnt, Gwasg Prifysgol Rhydychen, Ashgate (Routledge)
Adolygydd grant, Cyngor Ymchwil y Gwyddorau Cymdeithasol a'r Dyniaethau Canada, y Celfyddydau a'r Dyniaethau (DU)
Bwrdd golygyddol, Studies in Music, Dance and Theatre Iconography, Hollitzer Wissenschaftsverlag, Fienna

Rwy'n hapus i oruchwylio PhDs ar bob maes astudiaethau opera, ymchwil gerddolegol ac ar sail ymarfer, yn ogystal â cherddoriaeth a cherddoriaeth Ffrangeg yn Ffrainc yn ystod y bedwaredd ganrif ar bymtheg hir, ac astudiaethau rhyw.