![Julia Thomas BA (Wales), MA and PhD (Wales)](https://profiles-cardiff.imgix.net/attachments/1846?w=200&h=200&auto=format&crop=faces&fit=crop&q=90")
Yr Athro Julia Thomas
BA (Wales), MA and PhD (Wales)
Athro
- Ar gael fel goruchwyliwr ôl-raddedig
Trosolwyg
I am a Professor of English Literature at Cardiff University, with specific interests and expertise in Victorian visual and material culture, word and image studies, and digital humanities. These areas have come together in my work to develop the growing field of Illustration Studies.
I have published widely, including several monographs, I sit on editorial boards for journals, am a member of several academic networks, and I have acted as an advisor for illustration and digital initiatives. I have been involved in numerous externally-funded projects as Principal Investigator and Co-investigator and am Director of the AHRC-funded Database of Mid-Victorian Illustration and The Illustration Archive.
I am currently the Director of Impact and Engagement for the School of English Communication and Philosophy.
Cyhoeddiad
2025
- Thomas, J. 2025. Aphantasia: education's blind spot in teaching reading. Tes Magazine
- Thomas, J. 2025. The Victorian mind's eye: Reading literature in an age of illustration. Oxford: Oxford University Press. (10.1093/oso/9780198914600.001.0001)
2024
- Thomas, J. 2024. Illustration. In: John, J. and Wood, C. eds. The Edinburgh Companion to Charles Dickens and the Arts. Edinburgh, UK: Edinburgh University Press, pp. 221-238.
- Thomas, J. and Testini, I. 2024. Capturing captions: Using AI to identify and analyse image captions in a large dataset of historical book illustrations. Digital Humanities Quarterly 18(3)
2020
- Thomas, J. 2020. Seeing a difference: spectacles of otherness in eighteenth-century illustrated travel books. In: Di Bella, M. P. and Yothers, B. eds. The Long Journey: Exploring Travel and Travel Writing. New York: Berghahn Books, pp. 53-69.
2017
- Thomas, J. 2017. Nineteenth-century illustration and the digital: studies in word and image. The Digital Nineteenth Century. Basingstoke: Palgrave Macmillan. (10.1007/978-3-319-58148-4)
2016
- Thomas, J. 2016. Illustrations and the Victorian Novel. In: John, J. ed. The Oxford Handbook of Victorian Literary Culture. Oxford Handbooks Oxford: Oxford University Press, pp. 617-636., (10.1093/oxfordhb/9780199593736.013.012)
2015
- Thomas, J. 2015. The Illustration Archive. [Online]. Cardiff: Cardiff University. Available at: https://illustrationarchive.cf.ac.uk/
- Calè, L., Goodman, M., Thomas, J., Parejo Vadillo, A. and Wolf, A. 2015. Lost visions: an interview with Julia Thomas. 19: Interdisciplinary Studies in the Long Nineteenth Century. 21 (10.16995/ntn.752)
2012
- Thomas, J. 2012. Happy endings: Death and domesticity in Victorian illustration. In: Goldman, P. and Cooke, S. eds. Reading Victorian Illustration, 1855-1875: Spoils of the Lumber Room. Farnham: Ashgate, pp. 79-96.
- Thomas, J. 2012. Shakespeare and commercialism. In: Marshall, G. ed. Shakespeare in the Nineteenth Century. Cambridge: Cambridge University Press, pp. 251-268.
- Thomas, J. 2012. Shakespeare's shrine: The Bard's birthplace and the invention of Stratford-Upon-Avon. Haney Foundation Series. Philadelphia: University of Pennsylvania Press.
2011
- Thomas, J. 2011. Database of Mid-Victorian Illustration [online database]. Cardiff University. Available at: http://www.dmvi.org.uk
2010
- Thomas, J. 2010. Illustrations by Belsey. Textual Practice 24(6), pp. 1073-1090. (10.1080/0950236X.2010.521674)
2009
- Thomas, J. 2009. Bringing down the house: restoring the birthplace. In: Watson, N. J. ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 73-83.
- Thomas, J. 2009. Always another poem: Victorian illustrations of Tennyson. In: Cheshire, J. ed. Tennyson Transformed: Alfred Lord Tennyson and Visual Culture. Aldershot: Lund Humphries, pp. 20-31.
2008
- Thomas, J. 2008. Digital Transformations. Journal of Victorian Culture 13(1), pp. 101-07. (10.3366/E1355550208000131)
- Thomas, J. 2008. Bidding for the bard: Shakespeare, the Victorians, and the auction of the birthplace. Nineteenth-Century Contexts 30(3), pp. 215-228. (10.1080/08905490802347239)
- Badmington, N. and Thomas, J. eds. 2008. The Routledge critical and cultural theory reader. London: Routledge.
2007
- Thomas, J. 2007. Reflections on illustrations: The Database of Mid-Victorian Wood-Engraved Illustration (DMVI). Journal of Illustration Studies, article number: 37.
- Thomas, J. 2007. Getting the Picture: Word and Image in the Digital Archive. European Journal of English Studies 11(2), pp. 193-206. (10.1080/13825570701452946)
- Thomas, J., Mandal, A., Killick, P. T. and Skilton, D. 2007. Database of Mid-Victorian wood-engraved illustration. [Internet database]. Cardiff University. Available at: http://www.dmvi.cardiff.ac.uk/
2004
- Thomas, J. 2004. Ophelia. In: Murray, C. J. ed. Encyclopedia of the Romantic Era, 1760-1850., Vol. 2. New York: Fitzroy Dearborn, pp. 828-830.
- Thomas, J. 2004. Book illustration. In: Murray, C. J. ed. Encyclopedia of the Romantic Era, 1760-1850., Vol. 1. New York: Fitzroy Dearborn, pp. 104.
- Thomas, J. 2004. David Wilkie. In: Murray, C. J. ed. Encyclopedia of the Romantic Era 1760-1850., Vol. 2. New York: Fitzroy-Dearborn, pp. 1222-1223.
- Thomas, J. 2004. Pre-Raphaelite illustration: text, image, and ideology. Presented at Harwick, P. and Hewitt, M. eds.The Pre-Raphaelite Ideal. Leeds Centre Working Papers in Victorian Studies Leeds: Trinity and All Saints, Leeds University
- Thomas, J. 2004. Pictorial Victorians: the inscription of values in word and image. Athens, OH: Ohio University Press.
2003
- Thomas, J. 2003. Seeing a difference: Spectacles of otherness in eighteenth-century illustrated travel books. Journeys: the International Journal of Travel and Travel Writing 4(2), pp. 20-39.
- Thomas, J. 2003. Picturing slavery: Uncle Tom's Cabin and its early British illustrations. Visual Culture in Britain 4(2), pp. 73-92.
2002
- Thomas, J. 2002. "The hand-glass of a nation": Victorian illustration in its cultural context. Presented at: Victorian Book Illustration, London, UK, 27 April 2002Victorian Book Illustration: Proceedings of an IBIS Full Day Seminar at The Artworkers' Guild, Saturday 27th April 2002. London: Imaginative Book Illustration Society pp. 20-30.
2001
- Thomas, J. 2001. Victorian narrative painting. London: Tate Publishing.
2000
- Thomas, J. 2000. Julia Kristeva. In: Pearson, R. E. and Simpson, P. eds. Critical Dictionary of Film and Television Theory. New York and London: Routledge, pp. 254.
- Thomas, J. ed. 2000. Reading images. Basingstoke and New York: Palgrave Macmillan.
1999
- Thomas, J. 1999. The adulteress's egg: infidelity and maternity in past and present. Nineteenth-Century Contexts 21(3), pp. 371-394. (10.1080/08905499908583483)
Articles
- Thomas, J. 2025. Aphantasia: education's blind spot in teaching reading. Tes Magazine
- Thomas, J. and Testini, I. 2024. Capturing captions: Using AI to identify and analyse image captions in a large dataset of historical book illustrations. Digital Humanities Quarterly 18(3)
- Calè, L., Goodman, M., Thomas, J., Parejo Vadillo, A. and Wolf, A. 2015. Lost visions: an interview with Julia Thomas. 19: Interdisciplinary Studies in the Long Nineteenth Century. 21 (10.16995/ntn.752)
- Thomas, J. 2010. Illustrations by Belsey. Textual Practice 24(6), pp. 1073-1090. (10.1080/0950236X.2010.521674)
- Thomas, J. 2008. Digital Transformations. Journal of Victorian Culture 13(1), pp. 101-07. (10.3366/E1355550208000131)
- Thomas, J. 2008. Bidding for the bard: Shakespeare, the Victorians, and the auction of the birthplace. Nineteenth-Century Contexts 30(3), pp. 215-228. (10.1080/08905490802347239)
- Thomas, J. 2007. Reflections on illustrations: The Database of Mid-Victorian Wood-Engraved Illustration (DMVI). Journal of Illustration Studies, article number: 37.
- Thomas, J. 2007. Getting the Picture: Word and Image in the Digital Archive. European Journal of English Studies 11(2), pp. 193-206. (10.1080/13825570701452946)
- Thomas, J. 2003. Seeing a difference: Spectacles of otherness in eighteenth-century illustrated travel books. Journeys: the International Journal of Travel and Travel Writing 4(2), pp. 20-39.
- Thomas, J. 2003. Picturing slavery: Uncle Tom's Cabin and its early British illustrations. Visual Culture in Britain 4(2), pp. 73-92.
- Thomas, J. 1999. The adulteress's egg: infidelity and maternity in past and present. Nineteenth-Century Contexts 21(3), pp. 371-394. (10.1080/08905499908583483)
Book sections
- Thomas, J. 2024. Illustration. In: John, J. and Wood, C. eds. The Edinburgh Companion to Charles Dickens and the Arts. Edinburgh, UK: Edinburgh University Press, pp. 221-238.
- Thomas, J. 2020. Seeing a difference: spectacles of otherness in eighteenth-century illustrated travel books. In: Di Bella, M. P. and Yothers, B. eds. The Long Journey: Exploring Travel and Travel Writing. New York: Berghahn Books, pp. 53-69.
- Thomas, J. 2016. Illustrations and the Victorian Novel. In: John, J. ed. The Oxford Handbook of Victorian Literary Culture. Oxford Handbooks Oxford: Oxford University Press, pp. 617-636., (10.1093/oxfordhb/9780199593736.013.012)
- Thomas, J. 2012. Happy endings: Death and domesticity in Victorian illustration. In: Goldman, P. and Cooke, S. eds. Reading Victorian Illustration, 1855-1875: Spoils of the Lumber Room. Farnham: Ashgate, pp. 79-96.
- Thomas, J. 2012. Shakespeare and commercialism. In: Marshall, G. ed. Shakespeare in the Nineteenth Century. Cambridge: Cambridge University Press, pp. 251-268.
- Thomas, J. 2009. Bringing down the house: restoring the birthplace. In: Watson, N. J. ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 73-83.
- Thomas, J. 2009. Always another poem: Victorian illustrations of Tennyson. In: Cheshire, J. ed. Tennyson Transformed: Alfred Lord Tennyson and Visual Culture. Aldershot: Lund Humphries, pp. 20-31.
- Thomas, J. 2004. Ophelia. In: Murray, C. J. ed. Encyclopedia of the Romantic Era, 1760-1850., Vol. 2. New York: Fitzroy Dearborn, pp. 828-830.
- Thomas, J. 2004. Book illustration. In: Murray, C. J. ed. Encyclopedia of the Romantic Era, 1760-1850., Vol. 1. New York: Fitzroy Dearborn, pp. 104.
- Thomas, J. 2004. David Wilkie. In: Murray, C. J. ed. Encyclopedia of the Romantic Era 1760-1850., Vol. 2. New York: Fitzroy-Dearborn, pp. 1222-1223.
- Thomas, J. 2000. Julia Kristeva. In: Pearson, R. E. and Simpson, P. eds. Critical Dictionary of Film and Television Theory. New York and London: Routledge, pp. 254.
Books
- Thomas, J. 2025. The Victorian mind's eye: Reading literature in an age of illustration. Oxford: Oxford University Press. (10.1093/oso/9780198914600.001.0001)
- Thomas, J. 2017. Nineteenth-century illustration and the digital: studies in word and image. The Digital Nineteenth Century. Basingstoke: Palgrave Macmillan. (10.1007/978-3-319-58148-4)
- Thomas, J. 2012. Shakespeare's shrine: The Bard's birthplace and the invention of Stratford-Upon-Avon. Haney Foundation Series. Philadelphia: University of Pennsylvania Press.
- Badmington, N. and Thomas, J. eds. 2008. The Routledge critical and cultural theory reader. London: Routledge.
- Thomas, J. 2004. Pictorial Victorians: the inscription of values in word and image. Athens, OH: Ohio University Press.
- Thomas, J. 2001. Victorian narrative painting. London: Tate Publishing.
- Thomas, J. ed. 2000. Reading images. Basingstoke and New York: Palgrave Macmillan.
Conferences
- Thomas, J. 2004. Pre-Raphaelite illustration: text, image, and ideology. Presented at Harwick, P. and Hewitt, M. eds.The Pre-Raphaelite Ideal. Leeds Centre Working Papers in Victorian Studies Leeds: Trinity and All Saints, Leeds University
- Thomas, J. 2002. "The hand-glass of a nation": Victorian illustration in its cultural context. Presented at: Victorian Book Illustration, London, UK, 27 April 2002Victorian Book Illustration: Proceedings of an IBIS Full Day Seminar at The Artworkers' Guild, Saturday 27th April 2002. London: Imaginative Book Illustration Society pp. 20-30.
Datasets
- Thomas, J. 2011. Database of Mid-Victorian Illustration [online database]. Cardiff University. Available at: http://www.dmvi.org.uk
- Thomas, J., Mandal, A., Killick, P. T. and Skilton, D. 2007. Database of Mid-Victorian wood-engraved illustration. [Internet database]. Cardiff University. Available at: http://www.dmvi.cardiff.ac.uk/
Websites
- Thomas, J. 2015. The Illustration Archive. [Online]. Cardiff: Cardiff University. Available at: https://illustrationarchive.cf.ac.uk/
Ymchwil
Rwy'n arbenigo mewn diwylliant gweledol a materol Fictoraidd, gair a delwedd, a'r dyniaethau digidol, ac rwy'n ffigwr blaenllaw ym maes Astudiaethau Darlunio.
Mae llawer o'm hymchwil wedi cynnwys codi ymwybyddiaeth academaidd a chyhoeddus o ddarluniau hanesyddol, sy'n aml yn cael eu gwthio i'r cyrion mewn naratifau confensiynol a rhifynnau print modern. Gyda'r nod hwn mewn golwg, creais Database of Mid-Victorian Illustration a ariennir gan AHRC (2007; diweddarwyd 2011), prosiect digidol arloesol, y mabwysiadwyd methodolegau ohono ers hynny ar archifau digidol eraill. Defnyddiwyd delweddau o'r gronfa ddata hon gan gyhoeddwyr, dylunwyr graffig, cynhyrchwyr teledu a ffilm, a'r sector treftadaeth. Cyflwynwyd y gronfa ddata fel astudiaeth achos effaith ar gyfer REF 2014. Am fwy o wybodaeth am effaith DMVI, cliciwch yma.
Parhaodd fy ymchwil ar y groesffordd rhwng darluniau hanesyddol a'r digidol ar y prosiect 'Lost Visions' a ariannwyd gan AHRC, sef menter ddata fawr a arweiniodd at greu'r Archif Darlunio. Gyda dros filiwn o ddelweddau o lyfrau llenyddiaeth, hanes, daearyddiaeth ac athroniaeth yng Nghasgliad y Llyfrgell Brydeinig, dyma'r adnodd ar-lein chwiliadwy mwyaf yn y byd sy'n ymroddedig i ddarlunio llyfrau. Mae Quentin Blake yn ei alw'n 'anhygoel'. Am fwy o wybodaeth am arwyddocâd yr Archif Darlunio, cliciwch yma.
Yn fwyaf diweddar, rwyf wedi bod yn Brif Ymchwilydd ar brosiect rhyngwladol ac aml-bartner a ariannwyd gan yr AHRC a'r NEH sy'n defnyddio offer AI i chwilio am ddelweddau hanesyddol o leoedd a phobl a'u holi. Am fwy o wybodaeth am y prosiect hwn, gan gynnwys ffilm fer, gweler https://findingaplace.org.uk/
Mae fy monograffau cyhoeddedig yn canolbwyntio ar ddiwylliant gweledol a materol Fictoraidd mewn gwahanol gyd-destunau a gweddau:
- Mae The Victorian Mind's Eye: Reading Literature in an Age of Illustration (Gwasg Prifysgol Rhydychen, 2025) yn archwilio'r mecanweithiau gwybyddol ar waith wrth ddarllen llenyddiaeth ddarluniadol Fictoraidd, o effaith delweddau ar ddelweddu meddyliol i'w heffaith ar gof
- Mae Darlunio a'r Digidol: Studies in Word and Image (Palgrave, 2017) yn cynnig model cysyniadol a beirniadol ar gyfer deall y rhyngweithio rhwng darluniau hanesyddol a'r digidol. Mae penodau unigol yn canolbwyntio ar welededd digidol, gan wneud cynnwys delweddau y gellir eu chwilio ar-lein, a gwleidyddiaeth torfoli
- Mae Shrine Shakespeare: Man Geni'r Bardd a Dyfeisio Stratford-upon-Avon (Gwasg Prifysgol Pennsylvania, 2012) yn trafod adeiladu myth man geni Shakespeare yn ystod cyfnod Fictoria, gan ganolbwyntio ar gynrychioliadau gweledol a thestunol.
- Mae Fictoriaid Pictorial : The Inscription of Values in Word and Image (Ohio University Press, 2004) yn dadansoddi'r berthynas rhwng testun a delwedd mewn darluniau a phaentiadau naratif fel un sy'n gysylltiedig â gwerthoedd diwylliannol am ryw, hil a dosbarth
- Mae Peintio Naratif Fictorianaidd (Tate, 2000) yn cynnig cyflwyniad i luniau sy'n adrodd straeon a'u hystyron sy'n aml yn amwys.
Ar hyn o bryd rwy'n ymwneud â phrosiect golygyddol aml-gyfrol i ddod â dogfennau hanesyddol ynghyd sy'n ymwneud â darlunio o'r bedwaredd ganrif ar bymtheg (Routledge)
Addysgu
Rwyf wedi dysgu ystod eang o fodiwlau ar bob lefel prifysgol (BA, MA, PhD) ac wedi cael fy enwebu sawl gwaith ar gyfer Gwobr Cyfoethogi Bywyd Myfyrwyr. Mae llawer o'm haddysgu yn cynnwys dulliau dysgu ac asesu arloesol. Yn ogystal â gweithio'n ymarferol gyda deunyddiau ysgolheigaidd, rwy'n integreiddio adnoddau a dulliau digidol yn rheolaidd i'm haddysgu.
Ar y rhaglen BA, rydw i ar hyn o bryd yn dysgu modiwl ar The Illustrated Book
Ar y rhaglen MA, rwyf ar hyn o bryd yn cyd-addysgu ar y modiwl craidd
Ar y rhaglen PhD, rwy'n goruchwylio neu wedi goruchwylio'r meysydd pwnc PhD canlynol:
- Ôl-fywydau darluniadol Paradise Lost gan John Milton
- Argraffiadau darluniadol o farddoniaeth Matthew Arnold
- Cân ddarluniadol Fictoraidd
- Eiconograffeg ddomestig: Astudiaeth Ddiwylliannol o Ffotograffiaeth, 1840-1880
- Darlunio Shakespeare: Ymarfer, Theori a'r Dyniaethau Digidol
- Cynrychiolaeth y Wyrcws mewn Diwylliant y 19eg Ganrif
- A Lost Legacy: asesiad beirniadol a chatalog o waith darluniadol Alfred Ernest Walter George Aris
- "Mynegiant gosgeiddig a phwrpas defnyddiol": benyweidd-dra ffasiynol canol oes Fictoria
- "Dywedwch wrthyf beth rydych chi'n ei fwyta": cynrychioliadau o fwyd yn niwylliant y bedwaredd ganrif ar bymtheg
- Plentyndod a Delweddu mewn Diwylliant Fictoraidd
Bywgraffiad
Astudiais ym Mhrifysgol Caerdydd, gan ennill BA mewn Llenyddiaeth Saesneg, MA mewn Theori Feirniadol a Diwylliannol a PhD mewn Llenyddiaeth Saesneg (dan oruchwyliaeth Catherine Belsey) lle canolbwyntiais ar gynrychioliadau gweledol a thestun o odinebu yn y bedwaredd ganrif ar bymtheg. Datblygodd fy niddordeb yn y rhyngweithio rhwng gair a delwedd yn bennaf yn ystod fy nghyfnod fel Cymrawd Ymchwil Arbennig Leverhulme pan ysgrifennais fy llyfr cyntaf, Victorian Narrative Painting (Tate, 2000). Ers hynny, rwyf wedi gweithio i sefydlu Astudiaethau Darlunio fel maes academaidd ynddo'i hun.
Fel datblygwr dwy archif ddarlunio ddigidol arloesol, Cronfa Ddata Darlunio Canol Oes Fictoria a ariennir gan AHRC (2007, 2011) a'r Archif Darlunio (2015), rwy'n cael fy nhynnu tuag at y ddeinameg rhwng darlunio a'r digidol. Rwyf wedi llunio syniadau o sut mae deunydd darluniadol yn cael ei adfer mewn cyd-destunau digidol. Mae fy monograff, Darlunio a'r Digidol o'r bedwaredd ganrif ar bymtheg (Palgrave, 2017), yn cynnig model cysyniadol ar gyfer deall y berthynas rhwng darluniau hanesyddol a'r digidol.
Rwyf wedi ysgrifennu amrywiaeth o lyfrau sy'n ymgysylltu â gwahanol agweddau ar ddiwylliant gweledol a materol Fictoraidd, gan gynnwys The Victorian Mind's Eye: Reading Literature in an Age of Illustration (Gwasg Prifysgol Rhydychen, 2025), Darlunio o'r 19eg Ganrif a'r Digidol (Palgrave, 2017), Fictoriaid Pictoraidd: The Inscription of Values in Word and Image (Ohio University Press, Ohio University Press, Ohio University Press, 2017). 2004) a Shakespeare's Shrine: The Bard's Birthplace and the Invention of Stratford-upon-Avon (Gwasg Prifysgol Pennsylvania, 2012). Rwy'n olygydd Reading Images (Palgrave, 2000) ac yn gyd-olygydd The Routledge Critical and Cultural Theory Reader (Routledge, 2008). Ar hyn o bryd rwy'n gweithio ar brosiect golygyddol aml-gyfrol gyda Routledge i ddod â deunyddiau hanesyddol ynghyd sy'n ymwneud â darluniau o'r bedwaredd ganrif ar bymtheg.
Rwy'n siarad ac yn rhoi prif anerchiadau yn rheolaidd mewn cynadleddau a digwyddiadau, ac wedi gweithredu fel Pennaeth a Chyd-ymchwilydd ar nifer o brosiectau. Rwyf hefyd wedi cael y fraint o oruchwylio rhai ymchwilwyr ôl-raddedig ac ôl-ddoethurol gwych ac rwyf bob amser yn croesawu ymholiadau gan ddarpar fyfyrwyr.
Anrhydeddau a dyfarniadau
- Elected Fellow of the Learned Society of Wales
- 2017: 'The World in Illustrations', Data Innovation Research Institute Fund, Cardiff University (Principal Investigator) (£8,297)
- 2015-17: Cardiff University AHSS Network: Digital Humanities Initiator Bid (co-applicant) (£10,000)
- 2015-16: Cardiff University Research Leave Fellowship (£15,000)
- 2014-15: ‘Lost Visions: retrieving the visual element of printed books from the nineteenth century’, AHRC (Principal Investigator) (£439,975)
- 2011: ‘Crowd Sourcing for the Humanities: a DMVI Case Study’, Cardiff Undergraduate Research Opportunities Programme (co-applicant) (£1,530)
- 2010-11: ‘Enhancing the Database of Mid-Victorian Wood-Engraved Illustration’, Digital Equipment and Database Enhancement for Impact award, AHRC (Principal Investigator) (£121,171)
- 2008: ‘Verbal context to images in an illustration database’, Cardiff Undergraduate Research Opportunities Programme (co-applicant) (£1,546)
- 2007-2008: 'Literary Illustration: Conservation, Access, Use', workshops run in partnership by Cardiff University and the Victoria and Albert Museum, AHRC (co-applicant) (£16,000)
- 2007: AHRC ICT Methods Network (co-applicant) (£5,000)
- 2006: ‘Undergraduates as researchers: using original archival and historical sources’, Interdisciplinary/Interprofessional Collaboration in Teaching and Learning Scheme, Cardiff University (co-applicant) (£7,700)
- 2004-7: ‘A Web-Mounted Database of Mid-Victorian Wood-Engraved Illustration’, AHRC Resource Enhancement Award (Principal Investigator) (£198,132)
- 2003: Young Researcher Travel Scholarship, Cardiff University. To study in the Yale Center for British Art, New Haven (£3,427)
- 1997-1999: Leverhulme Special Research Fellowship
- 1993-1997: British Academy Studentship, PhD
- 1993: British Academy Studentship, MA
Safleoedd academaidd blaenorol
2009-2012 Reader, School of English, Communication and Philosophy, Cardiff University
2005-2009 Senior Lecturer, School of English, Communication and Philosophy, Cardiff University
1999-2005 Lecturer, School of English, Communication and Philosophy, Cardiff University
1997-1999 Leverhulme Special Research Fellow, School of English, Communication and Philosophy, Cardiff University
Meysydd goruchwyliaeth
Cysylltwch â ni os hoffech weithio gyda mi. Rwy'n goruchwylio myfyrwyr PhD mewn nifer o feysydd:
- Diwylliant gweledol a materol Fictoraidd
- Word a delwedd
- Dyniaethau Digidol
- Astudiaethau Darlunio
Contact Details
+44 29208 76491
Adeilad John Percival , Ystafell 2.15, Rhodfa Colum, Caerdydd, CF10 3EU
