Dr Charlotte Hammond
(she/her)
- Available for postgraduate supervision
Teams and roles for Charlotte Hammond
Lecturer in French Studies
Overview
My research examines secondhand clothing economies, textile waste and transnational textile industries within the Caribbean, with a particular focus on Haiti and its diasporas. I am currently writing my second monograph under contract with Bloomsbury, titled Material Mawonaj: Haitian Women Workers, Secondhand Clothing Cultures and Creative Mobilities in the Caribbean. This book investigates global textile industries and secondhand clothing systems in the Caribbean region and challenges their sustainment of multiple and intersecting dimensions of power, including racial, gender and environmental inequalities.
More broadly, my research interests centre on Francophone Caribbean studies, Caribbean cultural studies and decoloniality. I am particularly interested in the history and legacies of colonialism and slavery in the Caribbean and how their afterlives are explored and reimagined through a wide range of visual and material culture, including film, art, performance, textiles and dress.
I am committed to doing public engagement work and with Coleg Menai and Black Heritage Walks Network have collaborated on a creative heritage project that explores local histories of woollen production in Wales and their connections to global histories of Atlantic slavery, trade and empire. This work has resulted in the publication of Woven Histories of Welsh Wool and Slavery, a bilingual free ebook, published in 2023 with Common Threads Press.
My first book Entangled Otherness: Cross-gender Fabrications in the Francophone Caribbean was published with Liverpool University Press in 2018. It was shortlisted for the prestigious R. Gapper Book Prize for the 'Best Book in French Studies published in 2018'.
I also have publications in the Journal of Material Culture, Contemporary French Civilization, Journal of Haitian Studies, Women and Performance, Fashion Theory, and TEXTILE: Journal of Cloth and Culture.
Publication
2025
- Hammond, C. 2025. Pepe toupatou - - tout bagay pèpè (Photo essay and installation). [Photo essay/textile installation]. Anna-Maria and Stephen Kellen Gallery | Parsons School of Design 2 West 13th Street New York NY 10011, 1 - 22 January 2025.
2024
- Hammond, C. 2024. Review: Rendering revolution. Reviews in Digital Humanities 5(9) (10.21428/3e88f64f.1c0f2f67)
- Hammond, C. 2024. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile 22(3), pp. 547-560. (10.1080/14759756.2023.2242118)
- Hammond, C. 2024. Weaving stories of Wales, textiles and slavery through art. In: Crowther, L. ed. British Local History and the Black Atlantic. Warwick District Council, pp. 11-20.
2023
- Hammond, C. 2023. Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao. Journal of Material Culture 28(4), pp. 515-538. (10.1177/13591835231210689)
- Hammond, C. ed. 2023. Woven histories of Welsh wool and slavery. Common Threads Press.
2021
- Hammond, C. and McGregor, A. 2021. O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005). Contemporary French Civilization 46, pp. 27-47. (10.3828/cfc.2021.2)
2020
- Hammond, C. 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24(1), pp. 33-57. (10.1080/1362704X.2018.1441001)
- Hammond, C. 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. Haiti Support Group. Available at: https://haitisupportgroup.org/garment-factories-reopen-haiti-covid19/
2019
- Hammond, C. 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019(Mar 5)
2018
- Hammond, C. 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures. Liverpool: Liverpool University Press.
2017
- Hammond, C. 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. In: Gordon, L. ed. Ghetto Biennale / Geto Byenal 2009-2015. Port-au-Prince: Central Books, pp. 84-100.
- Hammond, C. 2017. A cross-dressed Kanaval. Women and Performance 27(2)
2016
- Hammond, C. 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. In: Joseph, C. L. et al. eds. Vodou in the Haitian Experience: A Black Atlantic Perspective. Lexington Books
2012
- Hammond, C. 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18(2), pp. 64-82.
Articles
- Hammond, C. 2024. Review: Rendering revolution. Reviews in Digital Humanities 5(9) (10.21428/3e88f64f.1c0f2f67)
- Hammond, C. 2024. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile 22(3), pp. 547-560. (10.1080/14759756.2023.2242118)
- Hammond, C. 2023. Straw Craft, imperial education and ethnographic exhibitions as tightly braided sites of gender production in Haiti and Curaçao. Journal of Material Culture 28(4), pp. 515-538. (10.1177/13591835231210689)
- Hammond, C. and McGregor, A. 2021. O is for Orientalism: the dynamics of the sexual tourist gaze in Laurent Cantet’s Vers le sud/Heading South (2005). Contemporary French Civilization 46, pp. 27-47. (10.3828/cfc.2021.2)
- Hammond, C. 2020. Stitching time: artisanal collaboration and slow fashion in post-disaster Haiti. Fashion Theory 24(1), pp. 33-57. (10.1080/1362704X.2018.1441001)
- Hammond, C. 2019. Le mariage burlesque: Carnival cross-dressing in the French Caribbean. The Conversation 2019(Mar 5)
- Hammond, C. 2017. A cross-dressed Kanaval. Women and Performance 27(2)
- Hammond, C. 2012. "Children" of the gods: Filming the private rituals of Haitian vodou. Journal of Haitian Studies 18(2), pp. 64-82.
Book sections
- Hammond, C. 2024. Weaving stories of Wales, textiles and slavery through art. In: Crowther, L. ed. British Local History and the Black Atlantic. Warwick District Council, pp. 11-20.
- Hammond, C. 2017. Footnotes to the Ghetto Biennale 2017 / Nòt sou pye a Geto Byenal. In: Gordon, L. ed. Ghetto Biennale / Geto Byenal 2009-2015. Port-au-Prince: Central Books, pp. 84-100.
- Hammond, C. 2016. Decoding Dress: Vodou, Cloth and Colonial Resistance in Pre- and Postrevolutionary Haiti. In: Joseph, C. L. et al. eds. Vodou in the Haitian Experience: A Black Atlantic Perspective. Lexington Books
Books
- Hammond, C. ed. 2023. Woven histories of Welsh wool and slavery. Common Threads Press.
- Hammond, C. 2018. Entangled otherness: cross-gender fabrications in the Francophone Caribbean. Contemporary French and Francophone Cultures. Liverpool: Liverpool University Press.
Exhibitions
- Hammond, C. 2025. Pepe toupatou - - tout bagay pèpè (Photo essay and installation). [Photo essay/textile installation]. Anna-Maria and Stephen Kellen Gallery | Parsons School of Design 2 West 13th Street New York NY 10011, 1 - 22 January 2025.
Websites
- Hammond, C. 2020. “The question was whether to die of hunger or coronavirus”: garment factories reopen in Haiti despite fears. [Online]. Haiti Support Group. Available at: https://haitisupportgroup.org/garment-factories-reopen-haiti-covid19/
- Hammond, C. 2024. Re/assembling the imaginary: Counter-narratives of Haiti’s transnational textile industry. Textile 22(3), pp. 547-560. (10.1080/14759756.2023.2242118)
Research
Material Mawonaj: Haitian Women Workers, Secondhand Clothing Cultures and Creative Mobilities in the Caribbean
My current research, funded by a Leverhulme Trust Early Career Fellowship, examines second-hand clothing economies and textile and garment industries in Haiti and the United States. It is an ethnographic study of how women garment workers, secondhand clothing traders and dressmakers resist and reconfigure global markets through their local organisation and entrepreneurial strategies. I am currently writing my second monograph under contract with Bloomsbury, titled Material Mawonaj: Haitian Women Workers, Secondhand Clothing Cultures and Creative Mobilities in the Caribbean.
Entangled Otherness: Cross-gender Fabrications in the Francophone Caribbean
My first book, Entangled Otherness: Cross-gender Fabrications in the Francophone Caribbean, was published with Liverpool University Press in 2018. It was shortlisted for the prestigious R. Gapper Book Prize for the 'Best Book in French Studies published in 2018'. This book was based on interdisciplinary doctoral research, fully funded by the AHRC, which examined expressions of cross-dressing and gender performativity in contemporary Francophone Caribbean visual and performative cultures, focusing on the islands of Martinique, Guadeloupe and Haiti and their diasporic communities in France. My blog has more information on this research project.
Teaching
I have designed and led several culture modules as part of Cardiff's Modern Languages programmes. These courses are rooted in my interdisciplinary research and incorporate inclusive dialogue and creative assessment.
Of Oceans and Islands: Ecology and Environment in Francophone Arts and Literature
This module explores the intersections of French colonial history and the ongoing ecological impacts of colonialism in the francophone world. The environmental challenges and vulnerabilities of France’s former island colonies are all too evident: from the environmental effects of French nuclear testing in the Pacific to the increased cycles of Caribbean hurricanes. France’s long history of dehumanisation and colonisation of people worldwide is intimately linked to environmental injustices in these contexts. Engaging ecocriticism, feminist and decolonial thought, the aim of this module is to examine the ways that authors and artists have explored intersecting racial, gender and environmental inequalities as legacies of coloniality. Students study a range of media, including fiction, poetry, graphic novels, visual arts, film and music, and consider in what ways these works can build decolonial ecologies. How do these texts challenge and suggest ecoregional alternatives to the human and environmental impacts of the Anthropocene, the Plantation/ocene and ongoing occupations/dispossessions of land? This module gives students the opportunity to compare media with an environmental focus from a range of periods with attention to their cultural and historical contexts. Students are introduced to key ecocritical and postcolonial conceptual and theoretical strategies for undertaking analysis of the media in question, and to address new and urgent questions about the past and present in francophone regions.
Global Narratives of Colonialism, Slavery, and their Legacies
This module is designed to introduce students to the comparative study of the transatlantic slave trade, servitude, colonialism, antislavery and abolitionism. Building on students’ knowledge from their studies in year one and two, the module critically examines connections across the Atlantic and Pacific Worlds from Africa to the Caribbean, Latin America, and Asia, as we discuss to what extent slavery and its consequences have shaped and continue to shape these regions. The module goes beyond national and local historical narratives, to examine the transnational legacies of slavery and colonialism through an exploration of their impacts, principally in Haiti, the Dominican Republic, Cuba, Brazil, Germany and Japan. We examine the historical context with an emphasis on the nineteenth century, as well as addressing postcolonial legacies (of race, gender, and identity), and the memory and memorialisation of slavery and colonialism, primarily through archival documents, literature, visual and material culture.
Undergraduate modules
Global Narratives of Colonialism, Slavery, and their Legacies (co-convenor with Jenny Nelson)
Of Oceans and Islands: Ecology and Environment in Francophone Arts and Literature (co-convenor with Christie Margrave)
French Cultures in Context - 'Identity' (module convenor)
National and Global Perspectives on France
Final year French dissertation (module convenor)
Postgraduate modules
MA Global Cultures//Global Heritage dissertation (module convenor)
MA Theorizing Global Cultures - Postcolonial Theory
MA Research Methods and Practice
Biography
I joined Cardiff School of Modern Languages in 2014 after completing my PhD in the departments of Drama and French at Royal Holloway, University of London. During my PhD I spent a year conducting research and teaching at l’Université des Antilles et de la Guyane in Martinique. Whilst in the Caribbean I was a participating artist at the 2011 Ghetto Biennale, held in Port-au-Prince, Haiti. I have an MA in Theatre Design and in 2013 worked as a visiting lecturer at Royal Central School of Speech and Drama teaching Postcolonial Theatre. Prior to my doctoral studies, I have worked in the areas of costume design and video editing.
Committees and reviewing
Secretary of the Haiti Support Group
Reviewer, Palgrave Macmillan, Edinburgh University Press.
Supervisions
I welcome applications from PhD students interested in the areas of:
- Francophone Caribbean literature, film and art.
- Slavery and its legacies
- Textiles and dress
- Modern forms of slavery in garment supply chains
- Fashion and environmental justice
Current supervision
Past projects
Madeleine Phillips, 'From Linguistic Maronaz to Official Language: the Recognition and Officialization of the Creole Language through Public Education in La Réunion between 1970 and 2022' (thesis passed with minor corrections, Nov 2023)